Pan y vino

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.

94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

Modelo Prison. Barcelona, 1977. A young accountant, awaiting trial for embezzlement with a possible 20 years sentence, joins a group of prisoners demanding amnesty.

Sofía, a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.