Palaboy ng Dios

Carmen Concha’s final film.

Claudo thought that money was everything until Loida taught him that love is not on a cash and carry basis.

Carmen Rosales plays herself in this dramatization of her time as a guerilla fighter.

An incorruptible and dedicated judge, known as Hukom Roldan, whose once quaint and quiet family life was shattered when he handed a verdict unfavorable to his erstwhile and powerful friend, Don Silvestre. Humiliated, an evil scheme was hatched by Don Silvestre that would place the judge’s wife, Chita in a very uncompromising position making the judge suspect that she really committed an adulterous relationship. He succeeded and the couple separated. The irony of it all was that Judge Roldan, who has been just and fair in all his court decisions, swiftly and readily ‘convicted’ his wife without knowing her side and was convinced of the whole thing.

Film directed by Mar I. Esmeralda.

After years of waiting for the absent husband who had been reported missing on the Korean front, Anita finally resigns to early widowhood and accepts the insistent pleas of kind, loving and handsome Dr. Ricardo Llamas. Marriage brings them happiness but fate has other plans for them.

A nun leaves the monastery and experiences the pain of loving a man.

The story of a woman revolutionary leader who led a thousand strong Katipunero men in a struggle for independence in 1896 and her undying and unwavering love for one of her men.

One of the first sound films in Philippine cinema, achieved by etching a soundtrack on phonograph records and synchronizing with projected film.

A compilation of film clips featuring dance and song performances culled from various films of the so-called big three - Sampaguita, LVN, Premiere.

Carmen Concha’s only feature film for Parlatone.

‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎ ‏‏‎ ‎

A fantasy story about a man who acquires a copper ring that grants three wishes.