Two men dressed as children jump up and down, ad nauseum
When out-of-work accountant Brian joins stay-at-home dad Jeff for a playdate with their sons, he expects a laid-back afternoon. Instead, they're chased by mercenaries, and Brian—totally unprepared—must survive one absurd obstacle after another.
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A hopelessly estranged father catfishes his son in an attempt to reconnect.
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A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.
Same director
A cranky middle-aged dad and his two best friends find themselves out of step in a changing world of millennial CEOs and powerful preschool principals.
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Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.
Same director
"An encounter at Coney Island both sweet and sad, between Jerry (Sims) and Barbara (Kahn), and the filmmakers, himself!" - B. F.
Shares 2 cast members
Shot in 1959, Scotch Tape is Jack Smith's first film -- a joyous, three-minute romp, in color, using Peter Duchin's rhumba "Carinhoso" for its soundtrack. Three young men merrily bop through the wreckage of razed buildings at the site of what would become Lincoln Center. Apparently, Scotch Tape was never edited and, instead, was cut in the camera by Smith, combining long shots and close-ups while filming mostly from overhead. The title comes from a small strip of scotch tape that was accidentally stuck on the camera and so is visible in the lower-right corner of the frame throughout the film.
Shares a lead actor · Same director
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion.
Shares a lead actor · Same director
Donald continually heckles Mickey's magic act, but Mickey bests him at every turn. Donald shoots off a magic pistol that causes all the stage props to fall down on them at the finish of the act.
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The fifth and final installment to Jackass franchise where the crew go on one last insane crusade.
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Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion.
A meeting between a girl with magical powers and a seaman who is attracted by her, and the sea as well.
An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political campaign films to animated cartoons to children’s phonograph records, featuring Al Jolson, Mickey Mouse, the young Jack Smith, and a half-dozen American presidents.
Little Stabs at Happiness is a collection of silent shorts Jacobs shot from the period of 1959-1963. Jaunty tunes (and a somber reflection) accompany the footage.
Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie, a liberal Republican who ran against FDR in the 1940's. The climax of the work appears to be the "auctioning" of the presidential candidate at a convention.
In the backyard with the inimitable Jerry Sims. Shot in 8mm in 1975, edited and transferred to 16mm in 1987.
Made in response to the death of his friends Bob Fleischner and Jack Smith, who died within one week of each other in 1989, this feature includes footage from Jacobs’s Star Spangled to Death showing Smith perambulating through downtown Manhattan, as well as views of Fleischner from Jacobs’s 1961 short The Whirled.
"An encounter at Coney Island both sweet and sad, between Jerry (Sims) and Barbara (Kahn), and the filmmakers, himself!" - B. F.
Shot in 1959, Scotch Tape is Jack Smith's first film -- a joyous, three-minute romp, in color, using Peter Duchin's rhumba "Carinhoso" for its soundtrack. Three young men merrily bop through the wreckage of razed buildings at the site of what would become Lincoln Center. Apparently, Scotch Tape was never edited and, instead, was cut in the camera by Smith, combining long shots and close-ups while filming mostly from overhead. The title comes from a small strip of scotch tape that was accidentally stuck on the camera and so is visible in the lower-right corner of the frame throughout the film.
