Ovelha Negra, Uma Despedida de Solteiro

Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich people. In his spare time, he becomes the favorite among lonely and rich ladies. Soon he gets involved in trouble.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.

In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.

The origins and activities of the Academy, culminating in the election of the first female academic: Rachel de Queiroz.

Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.

Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.

Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.

Film portrait of Austrian intellectual, journalist and writer Otto Maria Carpeaux, who emigrated to Brazil to flee World Ward II, as his insights on the 1964 Brazilian dictatorship.

In order to earn a warrior name, the son of Araguaia chief wanders the forest, falls in love with a girl from the Tocantins tribe, and defeats their bravest warrior. When his true identity is discovered, he makes a deal: promises to fight the Tapuias, another tribe which threatens the Tocantins, marries the Indian girl, and establishes the Ubirajara nation.

Experimental film by Haroldo Marinho Barbosa.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

Milionário and José Rico are robbed of their money and their fans' enthusiasm. But a female truck driver is out to help them.

Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

A raw report from Rio de Janeiro shows how poor residents fight for space and dignity on beaches often treated as exclusive, exposing the social tensions behind a seemingly simple day at the sea.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Against all advice, a destitute Brazilian old man marries a nineteen-year-old girl. Because he can’t give her any children, he moves to the interior to make money, so she will at least have a good life. When he returns, he is told she has a three-year-old daughter. He buys himself a knife.

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

The world of Alagoas poet Jorge de Lima, author of unforgettable verses, is in O Grande Circo Místico, from 1977, directed by João Carlos Horta.