Jon Vickers was one of the most magnetic singing actors of the 20th century and Otello one of his greatest roles. He understood how to combine Shakespeare’s rich characterization and Verdi’s dramatic music to create an overwhelming figure, one whose death left audiences deeply shaken. Vickers is perfectly partnered by James Levine’s conducting and the Met’s sensational orchestra and chorus. Renata Scotto is an appealing Desdemona, Cornell MacNeil is a menacing Iago, and Franco Zeffirelli’s production is deservedly legendary.
An ageing hard-living 1970s rock star decides to change his life when he discovers a 40-year-old undelivered letter written to him by John Lennon.
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As a CODA (Child of Deaf Adults), Ruby is the only hearing person in her deaf family. When the family's fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents.
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The extraordinary true legend of Ann Lee, founder of the devotional sect known as the Shakers, who preached gender and social equality and was revered by her followers as the female Christ.
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As their romance unfolds, Jade and David's growing love for one another becomes the scorn of Jade's father. However, when Jade's grades begin to drop, her father forbids the young couple from seeing each other for 30 days. Driven insane with frustration and desire, David attempts to reverse the decision, with catastrophic results.
Same director
Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
Same director
Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.
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A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.
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Billy used to be a great boxer, but he's settled into a hardscrabble life that revolves around drinking, training horses, and the one bright spot in his existence — his young son, T.J. Although Billy has had custody of T.J. since his wife, Annie, left the family years ago, her return prompts a new struggle for the former fighter. Determined to hold on to his son, Billy gets back into the ring to try and recapture his past success.
Same director
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show's 2010 original production at the Queen's Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play's musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical's heyday.
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Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.
Same director
Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974
Puccini’s heartbreaking story of young love in the garrets of Belle Epoque Paris has attracted many famous singers through the years. But with James Levine at the helm and the starry duo of Luciano Pavarotti and Renata Scotto as Rodolfo and Mimi, every bit of emotion in the score pours across the footlights and seduces the audience. In this case, the audience was in the millions since this was the very first in the “Live from the Met” series of telecasts. The evocative production is by Fabrizio Melano, designed by Pier Luigi Pizzi.
Tokio 1973 live recording of Charles Gounod's opera Faust
Leonore disguises herself as a man, "Fidelio," to infiltrate a prison and rescue her husband, Florestan, unjustly imprisoned by the tyrant Pizarro. Gaining the trust of the jailer, Rocco, and his daughter, Marzelline—who unknowingly falls for Fidelio—Leonore’s courage is tested when Pizarro orders Florestan’s execution. In a climactic moment, she reveals her identity and saves Florestan just as the king’s minister arrives, restoring justice. The opera celebrates themes of love, sacrifice, and freedom.
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.
This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.
A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.
Benjamin Britten's powerful opera Peter Grimes is considered to be one of the masterpieces of the 20th century. In this famous production by Elijah Moshinsky for The Royal Opera, filmed in 1981, Canadian tenor Jon Vickers stars as the complex and misunderstood fisherman, with Heather Harper as Ellen Orford and Norman Bailey as Bulstrode. The conductor is Sir Colin Davis, who worked for several years with the cast of this production, resulting in a masterly interweaving of characters in this gripping drama. Elijah Moshinskys production for The Royal Opera was inspired by early Victorian photographs taken of the Suffolk coast and presents his action on a sparse stage, evocatively lit and dominated by strong performances. Canadian tenor Jon Vickers is one of the greatest Grimes of all. This is a towering performance, rough and terrifying, yet beautifully sung in the lyrical passages.
Renata Scotto is the innocent Luisa, very much in love with Rodolfo (Plácido Domingo in one of his best roles). But he turns out to be the son of the Count Walter (Bonaldo Giaiotti), who has other plans for his aristocratic boy. Enter the evil Wurm (James Morris) whose blackmail eventually backfires, destroying the young lovers despite everything Luisa's father (Sherrill Milnes in a superb performance) does to protect her. James Levine's affectionate conducting and director Nathaniel Merrill's production help make this a performance to treasure.
From the first steps of an emerging singer to the final bow of a celebrated soprano, 'PRIMADONNA OR NOTHING' follows three relentless women who sacrifice everything to be an opera star.
With a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.
The Metropolitan Opera's performance of "Hansel and Gretel" features music by Engelbert Humperdinck and is conducted by Thomas Fulton. The Met's storybook production cheerfully evokes a magic world of woodland sprites and candy dreams and yet brings as well the entire apparatus of Wagnerian music and drama to bear on a German fairy tale. This production is sung in English, and features the Metropolitan Opera, Chorus, and Ballet.
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
Released in 1967, the famous black-and-white film adaptation of Donizetti's opera, starring tenor Carlo Bergonzi and soprano Renata Scotto, alongside Giuseppe Taddei, is known for its charming performances and popular recordings. The film and associated recordings captured leading Italian singers in their prime, showcasing Donizetti's beloved work, famous for the tenor aria "Una furtiva lagrima". L'Elisir d'amore saw various productions and releases in 1967, including a RAI TV film in Italy, performances at Glyndebourne starting June 17, San Francisco Opera in October, and a World Record Club vinyl release in the UK, indicating it was a popular year for Donizetti's opera across different media
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.
Legendary opera stars Renata Scotto and Carlo Bergonzi are in peak form in this magnificent live 1967 performance of Donizetti’s bel canto masterpiece. The cast also includes Mario Zanasi as Enrico and Plinio Clabassi as Raimondo. The NHK Symphony Orchestra and Tokyo Philharmonic Chorus are under the direction of Maestro Bruno Bartoletti.
This MET production of Bedrich Semtana's classic folk opera boasts a superb cast, including Nicolai Gedda, Jon Vickers, Teresa Stratas, and Marti Talvela. The staging and mis-en-scene is traditional and very well done. Everyone seems to be enjoying this presentation. Although not to the same standard as today's HD productions, this is still a wonderful way to get to know this delightful opera.
Opera's most popular double bill, fondly known as Cav and Pag, conducted by Herbert von Karajan. In 'Cavalleria rusticana', Turiddu returns from military service to find that his fiancée Lola had married the carter Alfio while he was away. In revenge, Turiddu seduces Santuzza, a young woman in the village. In 'Pagliacci', the drama unfolds as Canio (Pagliaccio) struggles with rage, despair, and desire on learning of his wife Nedda's intended infidelity with Silvio. Canio's tragic conflict increasingly mirrors the comedy of Pagliaccio.
Plácido Domingo accomplishes the rare feat of singing both leads on the same night at the Met in 1978 on opera's most popular double-bill.
Live Metropolitan Opera performance March, 1985.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater. At the center of the action is Jimmy Mahoney (Richard Cassilly), a logger who stumbles onto the city of Mahagonny, where (almost) anything is allowed. Teresa Stratas gives a mesmerizing performance as Jenny, the prostitute who takes up with Jimmy, until he is executed for the greatest of all crimes in Mahagonny—to not have any money. The legendary Astrid Varnay, in her final Met appearances, is Leocadia Begbick, and Cornell MacNeil sings Trinity Moses.
Verdi's early masterpiece is based on a Victor Hugo play with a complicated plot concerning a young woman and the three men vying for her affections—her elderly uncle, a king destined to become Holy Roman Emperor, and a bandit who is actually an overthrown nobleman. Though there is plenty of action arising from the various passions and grudges scattered among these characters, the opera is best appreciated as a feast of beautiful and dramatic Italianate singing. With virtuosic roles for a quartet of principals, the opera delivers one feat of heroic vocalism after another.
Don Carlo (1980) Metropolitan Opera. Verdi / italian. King Philip's court is plagued by rebels, family squabbles and intrigue. The Spanish Inquisition tries to exert its influence. The tension finally ignites at the King's coronation, where heretics are to be burned at the stake
Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.
James Levine leads a remarkable cast in one of Verdi’s most enduringly popular operas and brings fresh insights to this beloved score. Ileana Cotrubas is poignant and touching as Violetta, the consumptive courtesan who finds true love with Alfredo, sung with style and passion by the great Plácido Domingo. Cornell MacNeil is Germont, Alfredo’s father, who forces the two apart, setting in motion events that lead to a shattering and tragic conclusion. Colin Graham’s production features design by Tanya Moiseiwitsch and choreography by Zachary Solov.
Live performance at the Metropolitan Opera, 1984. James Levine conducting Metropolitan Opera Orchestra and Chorus. Stage direction by Piero Faggioni.
Birgit Nilsson and Jon Vickers star in this filmed record of the Theatre Antique d'Orange's acclaimed 1973 production of Wagner's epic tale of doomed love in the Middle Ages. Tristan und Isolde also features the Orchestre National de R.T.F., under the direction of Karl Bohm.
A trio of operas in three short stories - the first a gruesome murder melodrama, the second is a passionate tearjerker, and the third is a dark comedy of death and an inheritance. Each story is strikingly different from the preceding one.
