Opium

Historical drama portraying the life of German baroque architect Andreas Schlüter.

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

Diederich Heßling is scared of everything and everyone. But as he grows up, he comes to realize that he has to offer his services to the powers-that-be if he wants to wield power himself. His life motto now runs: bow to those at the top and tread on those below. In this way, he always succeeds: as a student in a duel-fighting student fraternity and as a businessman in a paper factory. He cajoles the obese district administrative president Von Wulkow and wins his favor. He slanders his financial rivals and hatches a plot with the social democrats in the town council. On his honeymoon with his rich wife Guste, he finally finds a chance to do his beloved Kaiser a favor. And when a memorial to the Kaiser is unveiled in the town where Diederich lives and works, he delivers the address. He stands behind the lectern in the pouring rain, saluting his Kaiser. The crowd is dispersed. Everything is laid in ruins...

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

The film tries to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff, who loses his mind in view of catastrophies and social disturbances; teacher John, who is the hero of the masses; and Marja who turns into a radical revolutionary.

Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.

A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.

A look at various lives, one of which is Jewish girl Hanne Liebe, as she grows up and experiences the pains of living as a Jew in Russia, leading to a revolution.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

Georg Bertrand, a gambling addict and the son of a wealthy landowner, is kicked out of his family home. The director of a travelling circus takes him in. In time, Georg marries the director's daughter and himself becomes the director. Georg's brother visits the circus and recognizes him. Georg must now decide whether to stay with the circus or return to the family that kicked him out.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.

An abandoned baby is saved by a river god. Now aged 20, she yearns to see the world outside the water.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

A couple are at the theatre with a playwright friend. At the end of the play the jealous husband strangles his wife to death. When the play ends, the man talks to his friend about such a nonsensical finale, telling the author that no man with any sense ever gets jealous enough to choke his wife in these modern times. The playwright decides to test this supposedly perfect couple about their happy feelings for each other.

A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.

Based on Shakespeare's play: The treacherous Iago plans to ruin the life of Othello by provoking him to jealousy.

A Saracen sultan's disguised son loves an amnesiac Moslem princess.

"The Girl's Shepherd" - at that time a common name for a pimp. About promiscuity and naivety leading up to complicated situations.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

A pharaonic tragedy to the content that spans six different eras. In the first episode, the emergence and dramatic end of the love story between the pharaoh's daughter Princess Amnertis and her beloved Tirhaka is told until the latter comes to a violent death. From this drama arises a curse, which in the following episodes has had far-reaching effects over the centuries. Everyone who possesses the skull of the long-lost pharaoh's daughter must die violently until the day the skull is sunk in the sea.

As their shared wealth disappears, Elisabet’s love for her husband Richard also evaporates. She leaves him and finds a new husband with his finances in order. When the new husband subsequently leaves her and her daughter falls ill, Elisabet understands she is at fault and asks for Richard’s forgiveness. However, he’s been hiding in Italy and doesn’t respond to her inquiries. But then everything changes when a young woman from the past suddenly comes knocking on his door.(stumfilm.dk)

Eva lives in the sinister Tower with her father, a mad inventor, and her grandfather. The aviator Wilfred Durian and his lovely wife live nearby in the town. But Durian's famous flight across the Australian desert was not all it seems... and when his 'dead' partner Arved Holl is rescued by Eva and comes to claim his former fiancée's hand, the whole house of cards is about to come tumbling down. Meanwhile, Eva's own family history is not quite as she had always believed...

A rich East Prussian shopkeeper,jealous that one of his male employees is in love with a female employee he himself covets, frames the couple for stealing lottery tickets.

For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

A man is found dead on the small German island of Sylt. There is speculation that it may have been a murder, motivated by romantic jealousy. The man who is to be accused of the crime becomes despondent and aimless, abandoning his wife and children.