Once Is Never

A commercial artist with a lisp chooses silence, unexpectedly propelling his career. His perceived innovation leads to rapid advancement in an ad agency. Mueller-Stahl shines in this biting critique of East German workplace culture.

Monika and Johannes are married. With increasing frequency, their son Manni becomes the focus of their arguments. Since the two cannot agree to a compromise, they decide to break up. The ten-year-old Manni is supposed to spend four weeks with Monika followed by four weeks with Johannes on an alternating basis. They want to prove to each other who has the better parenting skills. The plan fails, however, because Manni is very good at playing his parents off against each other. When Monika and Johannes finally see through their son’s game, they realize that their way of life does not lead to better parenting and they conclude that good parenting can only be achieved if they work together.

Based upon Shakespeare′s "Twelfth Night", the movie tells the story of the Duke of Illyria who is in love with the Countess Olivia. Olivia, however, keeps eluding him. When the Duke sends her a page to bring her a message, Olivia falls in love with the messenger who is in fact a woman called Viola. After she was shipwrecked on the shores of Illyria, Viola assumed the role of her missing brother. She cannot return Olivia′s love because she, in turn, adores the Duke.

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.

East German adaptation of Grimm‘s fairy tale "Rumpelstiltskin". A boastful miller pretends that his daughter Marie can spin straw into gold, and so she is locked into a room full of straw and ordered to spin it into gold by the next morning. A little man appears and offers his help in exchange for Marie's necklace. The greedy treasurer makes Marie spin twice more until the only thing she has left to give the little man is the promise of her first-born child…

When Prince Vain got his shirt fixed, he proclaims that he had slain two lizards in front of the tailor's house - "two in one strike". When the tailor swats seven flies at once, he sows himself a banner saying "seven in one strike", and together with his bird he starts a journey into the world to pronounce his deed.

After Jochen saves police officer Erich's life, the two men become close friends and Erich helps Jochen get a job working for Berlin's local train system. But Jochen falls into the hands of the beautiful West Berlin agent Ellen, who convinces him to participate in acts of sabotage against the trains. All of a sudden, Jochen is making a lot more money and even Erich's former girlfriend Inge becomes interested in him. But everything begins to unravel when Erich observes his friend's illegal activity on one of his nightly rounds.

The mechanic Behnke wants to join the Nazi party to secure a good living. However, after his Jewish neighbors have been taken away, he changes his views. Trying to remain "a non-political man," he withdraws from reality and becomes a Nazis laborer.

Based on a true story of inmates at KZ Buchenwald that risked their lives to hide a small Jewish boy shortly before the liberation of the camp.

A crime writer on a train to Berlin shares her compartment with a mysterious man who claims to be a cannibal. Initially intrigued, she tries to humorously dismiss his claim while her imagination sparks a new novel featuring Detective Rosa Roth, who investigates a similar case. As the journey progresses, the writer’s confidence fades, replaced by fear and mistrust. The man’s behaviour becomes more unsettling, especially after a young girl reports inappropriate comments from him. In the dining car, he claims to have eaten a fellow passenger and reveals his tools are nearby. Despite her fear, the writer is drawn to learn more about his methods, blurring the lines between her novel and reality. Ultimately, her fantasy merges with reality, leading to dire consequences.

As American settlers encroach on the lands of the Lakota people, Tokei-ihto witnesses the murder of his father at the hands of Red Fox, who wanted information on where the tribe finds its gold. Two years later, at the height of the Great Sioux War, Tokei-ihto and Red Fox meet again.

In an enchanted forest, the princely brothers Michael and Andreas get lost and are transformed, by a mountain spirit who jealously guards his underground treasure, into animals until the unlikely event of sincere love from a human. The only persons who may be able to give such love are the local commoner sisters Snow-white and Rose-red, who are kind and helpful by nature and stand to harvest unimagined rewards.

This elaborate two-part television film features a section from the life of communist worker leader Ernst Thälmann. It begins with the bloody riots on May 1, 1929 in Berlin, in which police officers shot at demonstrating workers, and ends with February 7, 1933, when Thälmann appeared as a speaker at the illegal meeting of the Central Committee of the Communist Party of Germany in goat neck. This period was marked by the struggle of the Communists against the ever stronger National Socialists and the rise of Adolf Hitler.

While studying the history of the revolutionary movement in Russia, a historian decides to restore the good name of one of the revolutionaries, who was accused of betrayal by his comrades-in-arms and committed suicide.

After a breakdown, Rita returns to her childhood village in 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; how his enthusiasm about his new chemical process turned to bitter disappointment in the face of official rejection; how he escaped to West Berlin a few weeks before the Wall was built and hoped that she would follow him …

The impoverished and homeless orphan girl Anna Barbara sets out in search of the mysterious golden thaler. The rag collector Hans Geiz offers her the promise of it if she toils in his underground kingdom for three years.

On one very fine sunny day, a fourth-grader Thomas, as always, is out of the house in the morning to get to school by subway. But on this day he has a too good mood and that, along with the good weather, prevents him get to the lessons. He decides to skip his station, and take a walk through Berlin.

The fun-loving, 26-year-old architect Franziska Linkerhand (Simone Frost) works for a famous professor. Yet, she feels restrained by her dependence on him and longs to take risks. When her marriage falls apart, she moves to a small town for a fresh start. Franziska approaches her new life with vigor and idealism. Many of her colleagues have given in to the dictates of economic restrictions and prefabricated apartment blocks; but Franziska hangs onto her ideals and, as in her private life, is not willing to compromise…

Maria, a young student sees her brother Dieter going to prison for sedition against the state. She starts an affair with Paul, a judge who turns out to be the one who sentenced her brother, which eventually leads to a confrontation.

A two-part East German documentary tracing Russia’s transformation from the Tsarist Empire to the Soviet Union, from the 1917 October Revolution to the achievements of the space program. Directed by Andrew Thorndike and Annelie Thorndike, the film assembles extensive archival footage to chart political upheaval, ideological consolidation, and technological ambition in twentieth-century Russia. Produced by DEFA and first broadcast on East German television in 1963.

Berlin at the end of the 1940s. Anneliese Weyher is working as a switchboard operator. She is living with her aunt after losing her parents in the war – a stroke of fate that has thrown the young woman off course emotionally. Indifferently, she is doing her work; her private life consists of an affair with a black-marketeer. Even when Anneliese witnesses an armed robbery, committed by infamous Wollnick and his gang, she stays lethargic and apathetic – she keeps silent instead of helping the inspector who is a friend of her aunt. It is not until Anneliese by coincidence meets her former lover, the watchmaker Kurt, that her life seems to take a positive turn.

Ten-year-old Brigitte spends holiday with her father Peter on the Baltic Sea and everything is perfect until they meet strange and beautiful woman on the beach.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.

Film adaptation of Berthold Brecht's play of the same name, in which he depicts everyday life in Nazi Germany in loosely connected scenes.

After meeting the woman on the train Erwin Retzmann kills her in the forest.

Professor Heger's son was shot by the Gestapo during the war. Dr. Bram was also responsible for his death. After the war, working in Heger's clinic, Bram tells the professor about his guilt. Considering Bram a traitor, Heger refuses to work with him. Bram flees to West Germany. Soon the professor, who has decided in his heart to stay in the FRG forever, leaves for Munich for the congress. But his meeting with Bram in Munich and the reality surrounding them dispelled his illusions, and they both return to their homeland.