Oi Kasetes tou Melodia - Fivos Delivorias

Live DVD 2008

Athena lives an urban family life. She's bored. Elsa lives a lonely post-adolescence. She's bored. In a ghost-Athens, some random everyday events become occasions to unite their gaps, their insecurities, their wants and their cans.

A young girl, recently married, is traveling from Aidini to Greece with her mother and her two daughters. On board the ship she decides not to let life pass her by, but to live her own way. And she goes ahead! She writes endlessly wherever she can, on napkins and cigarette boxes, to bills. She smokes, she passionately falls in love, casually gambles in luxurious salons, but also in illegal basements. A teacher who becomes an actress and plays in streets and in theaters, a poet who becomes the greatest Greek folk songwriter. She collaborates with all the famous music personalities of the country, from Vassilis Tsitsanis and Apostolos Kaldaras to Manolis Ηiotis, Antonis Repanis and Manos Hadjidakis, bravely asserting herself to a cruel and typically male-dominated world.

Antonis always goes by train. He is in a rush to make it on time. His recent past keeps catching up on him. Reality does not allow him to escape the images. That's how it is. because that's how it goes. He couldn't give a damn about anything. He needs to pee. Dependent on his girlfriend just as he's on himself. He doesn't owe anything to anybody.

What really happened; Who's to blame; Who knew; Who must be held accountable; Was it a crime foretold; YES, IT WAS.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?