O Picapau Amarelo

A plane crashes in the Amazon jungle, and its passengers must battle their way through cannibals, slave traders, wild animals and murderous piranha fish to safety.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

A family leaves a small town in the state of São Paulo to move to Rio de Janeiro when the father gets a job promotion there. In Rio, everyone of them will fall prey to the city's sinful ways.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.

After escaping from a penitentiary, six women begin a trail of passion and death in the search for survival.

In Esdras Baptista's film archives, kept at his home for decades, one can feel the fervor of those who believed in a new tomorrow. Filmed in Brazil in the early 1960s, in the heat of a libertarian political movement, the filmmaker's images materialize the incandescence of collective desires at the historic moment of their emergence. Utopia, though unattainable, is never a mere abstraction. A force that mobilizes actions and feelings, it constitutes the impetus necessary for human existence.

Milionário and José Rico are robbed of their money and their fans' enthusiasm. But a female truck driver is out to help them.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

Zezé is an eight-year-old boy who lives with his grandmother and suffers the drama of not having known his father. Amanda, Zezé's mother, is a beautiful but disillusioned young woman. She tells her son that his father is constantly traveling, trying to hide her own pain. Father's Day arrives and, at school, the teacher is preparing a party. Zezé, humiliated in front of his classmates, promises that he will bring his father on the day of the celebration. Zezé begs his grandmother to show him at least one photograph of his father. The old woman mistakenly gives him a photo of the singer Tony Marques, her daughter's former boyfriend. Zezé sets off to find her supposed father and ends up getting disastrously involved in the singer's life.

Passengers aboard a seemingly doomed plane reminisce about their lives, questioning the façade of their daily social activities. Once safe at Santos Dumont Airport, they go back to their old hypocritical selves.

Anxious to please his boss, Roberto agrees to host the chief's lover in his own home, unaware of the problems this could cause among his family.

Year 2000. Brazil was partially devastated by the Third World War. An immigrant family arrives in a small town, which they call "I Forgot." The trio is recruited by an indigenist to pretend to be indigenous during the visit of a general. In the dilemma of integrating into the system or preserving individual freedom, the family moves toward disintegration as the city prepares to launch a space rocket.

Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.

A young couple uses creativity to escape the rules of the girl's father, a conservative Italian, and her grandmother. Even under the patriarch's watch, the roguish boyfriend manages to fulfill his desires.

A millionaire Aníbal sponsor a car racing, the "Youth's Rally". A couple, Helena and Fernando, want to be part of the competition but after a fight between both, they decide to compete in a team only with men and another one with women.

A comedy divided in four episodes, set in different time periods, each starring a different couple, yet all facing the same issue: marital jealousy.