Notes of an Itinerant Performer

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

A modern girl suddenly intrudes into a widower's family home.

A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.

A businessman’s daughter falls in love with one of her father’s employees.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

When Koichi Hamanaka returns after his mysterious disappearance years earlier, journalist Asakura who befriended Hamanaka's wife during his absence, tries to piece together the reasons for his departure.

An elderly woman devoted to her foster-daughter searches for a good husband for her.

Kotobuki-za is a story of the Naniwa-bushi singer Baichuken Tsurumaru.

A movie adaptation of Funayama Kaoru's novel of the same name, which depicts the story of a modern youth who is attracted to the evil path. Saburi Shin, a well-known actor who also demonstrated his skill as a director in a bold social work, embodies a person with a complicated dilemma in a shadowy manner, and is a dramatic work that plays a part in the lead role.

A tale of love and tears that blossomed in the shadow of the Seinan War.

After receiving a phone call from a woman whose child has contracted polio, government official Masayoshi Sakata decides to do everything he can to eradicate the disease.

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

A movie that depicts the tragic fate of many Yokaren flight-academy pilots.

Asako works in a hostel for troubled young women. When a beautiful young girl is brought in one day after committing theft, Asako finds out from the older widow she works with that the new girl is undoubtedly her half-sister. When the younger sister suddenly flees on account of a misunderstanding, Asako makes up her mind to find the mother who deserted them both.

The legendary empire of the lost continent of Mu reappears to threaten the world with domination. While countries unite to resist, an isolated World War II Captain has created the greatest warship ever seen, and possibly the surface world's only defense.

Shipwreck survivors found on the presumably uninhabited Infant Island leads to a scientific expedition that discovers a surviving native population along with the Shobijin, tiny twin fairy priestesses of the island's mythical deity called Mothra. After the fairies are kidnapped by an exploitative businessman named Clark Nelson, Mothra sets out to rescue them.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

A businessman runs afoul of the law and commits suicide, leaving behind a wife and five children. The eldest son takes the family to Tokyo and labors to restore its name and fortune

In 1976, a drifting star named Gorath is discovered to be on a collision course with Earth. Although it is smaller than Earth, its enormous mass is enough to destroy the planet totally. A mission sent to observe Gorath is destroyed after the ship is drawn into the star, with a later mission barely escaping the same fate. However, Astronaut Tatsuma Kanai is left in a catatonic state due to his near death experience. Unable to destroy the invading star, Earth's scientists undertake a desperate plan to build giant rockets at the South Pole to move the planet out of Gorath's path before it is too late.

Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.

Kazuko Yoshiyama is a third-year junior-high-school student. One day, while cleaning the lab, she smells lavender and faints. From then on, she has the power to travel through time.

Michiko gets pregnant after a rape. She marries a boring business partner of her father to avoid the shame. Later she meets the rapist again who is now a union leader in opposition of her husband.

Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.

Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.

An Ishiro Honda film.

The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.

1953 Japanese movie

Maruya Ginzo, an antiques enthusiast and a wealthy man, buys an uninhabited island called Namazu-jima, mistaking it for Numazu-jima tea bowls. He is not a man to just give up, so he sets about building an entertainment district there, but the island is inhabited by five castaways, including Kinpachi Mimura. The Ginzo gang try to entangle Kinpachi and drive them out, and the slapstick drama is caused by the island's inhabitants.

This was 1942, so it was a national policy film, no matter what you call it. But when the war was still on the winning side, there wasn't even a little bit of sadness in the film (as the war was getting worse and worse, the burdens on our backs were increasing day by day, and we had to keep forming a line for tomorrow with nowhere to go (Akira Kurosawa's "The Most Beautiful", Admiral Nomura's "Enemy Air Raid", etc.) (Song of Annihilation, directed by Sasaki Yasushi). The film closes with the hope of the blue cloud that is bubbling up in the air. Or it may be the last time that a Japanese film talks about war and looks at the end of the war with an unconcerned eye.