Noor Mahal

The movie that opened the 4th day of the 2026 CIM festival of Sueca. Inspired by true events, a team of ghost hunters investigates four paranormal incidents in southern India. The pure evil they encounter will put their faith to the test.

The film follows a classic fantasy-adventure and folkloric style characteristic of Babubhai Mistry's work (known for trick photography and mythological/fantasy cinema). The story features elements of street performance, illusion, and mystical peril—showcasing a madari (street juggler/snake charmer) who performs feats with animals like snakes and parrots, claims to read people's inner thoughts and hearts, and gets entangled in a dramatic adventure involving a mythical villain, distressed villagers, and a quest to rescue captives from a mysterious pit or lair.

After witnessing the public humiliation & abuse of a female friend, a young man vows to avenge her by going after the hoodlums responsible. he is guided by a burnt out, cynical cop, who shows him the ropes as well as the realities of vigilante life.

Kishan Srivastav and his wife Jaya move to rural Ramgarh, and upset the criminal activities of Thakur Dayalum a local police officer. In their attempts Kishan ends up being framed for a murder by Thakur Dayalum.

The film follows the story of Shankar, who is regarded as a criminal by society after being in jail for ten years since childhood.

Poor Kamlesh Loves rich and haughty Seema, but she hates him. Seema meets Prince Rakesh which changes her life altogether.

Malhar (Nana Patekar), who is born to a poor typist clerk, is a versatile character who wins trophies in dramas but is never appreciated by his father. While writing and directing dramas in his college he meets Apoorva (Madhuri Dixit), a very rich girl, and falls madly in love with her. When she wins the Best Actress Award, she calls upon Malhar on stage and gives all the credit to him. Malhar misunderstands this gestures as Apoorva's love for him.

Tyrannical and wealthy Veer Pratap Singh, rules over a small town - ruthlessly. Whoever opposes him is crushed. He is attracted to women, and has a lengthy affair with Soundariya, and even has a secret marriage ceremony with her. When Soundariya gets pregnant, he asks her to abort the child. When she refuses, he shuns her, and denies ever having married her or even being intimate with her. Her brothers attempt to get justice, but are dealt with ruthlessly by Pratap Singh's bodyguard, Bhima. Soundariya then must garner support of herself, and must find someone who can stand up to Veer Pratap Singh and end his tyranny, in a town with men who have been subdued for eons by Veer Pratap Singh and his men for eons.

The 1980 film Morchha follows a revenge-driven action narrative centering on Chhotu, a young boy who survives a brutal attack by the criminal mastermind Ram Mohan after his honest father refuses a corrupt deal. Traumatized by witnessing his family's murder, Chhotu masters martial arts and forms a strategic front to infiltrate and dismantle Ram Mohan's criminal network.

Maanav is an orphan who was brought up by a Catholic Priest. After completing his M.A. he returns home and finds out that his mentor is dead. He re-locates to Bombay and a man named Gopichand Sharma attempts to steal his luggage. The men become friends - Gopichand eventually changes his lifestyle, decides to be honest. Maanav gets him a job with Hercules Milk Foods. Maanav meets with and falls in love with the daughter of the owner of Hercules Milk Foods, much to the chagrin of her Dad. Then one day Maanav disappears from Gopichand and Kaajal's lives. He re-locates to Simla and it is here that he learns that things have spiraled out of control.

The film blends classic tales from the Shiv Puran and the Ramayana. It begins with the celestial powers of Sati Anusuya, which lead the trinity of gods (Brahma, Vishnu, and Mahesh) to test her virtue, resulting in them temporarily turning into infants at her ashram. Later, the narrative transitions into key events from the Ramayana. Goddess Parvati (Uma) doubts whether Lord Rama is truly an incarnation of Lord Vishnu. She tests Rama by disguising herself as Sita, but Rama respectfully addresses her as Mother, proving his divinity. The second half follows the core events of the epic, including the battle with Ravana, Sita's agnipariksha (trial by fire), her exile, the birth of Lava and Kush, and her eventual return to Mother Earth.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.

After losing his two younger brothers on a mountain climbing expedition, Vijay swears to his sorrowing mother that he will never undertake any expedition again. When he hears of a plane crash deep in the mountains of the Himalays, he initially refuses to even consider going there to look for the survivors, but the tears of a mother, Geeta, whose two children were abroad that plane, moves him and his mother, and he agrees to look for the children, little knowing that others are on the way to the crash site, with different motives.

Four young boys tragically separated from their parents and each other grow up to become four different men with divergent values and conflicting methods. Fate eventually sets their paths for a head on collision.

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

Ramesh, a widower, remarries for his daughter's happiness, but financial crises force him to choose between love and stability.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.

A runaway bride promises her dying widowed friend that she will assume her identity and look after her infant child.

Set in a fictionalized Maratha-era tale, Shivaji’s son Sambhaji kidnaps Kamala, whom he loves, but she returns home. When her would-be groom Yeshwantrao abducts her, Sambhaji rushes to rescue her.

After his family is slain by notorious bandit Gabbar Singh, former Inspector Thakur Baldev Singh enlists low-level outlaws Jai and Veeru to capture Gabbar and seek revenge.

A millionaire's wife leaves with their son after she realizes that her husband is a womanizer. Will the son, who grows up to be a taxi driver, reunite with the father, or will the adopted son, a womanizer himself, succeed in his evil plan?

Two slackers competing for the affections of an heiress inadvertently become her protectors from an evil criminal.

This was the first of the two films based on the same mythological story directed by B.K. Adarsh, featuring his wife Jaymala as the female lead, and having the same title. The second film, released in 1970, featured Pradeep Kumar as the male lead and was produced by Jaymala. This film had Prithviraj Kapoor in the lead role and was produced by Adarsh himself.

The narrative follows Princess Sukanya, the daughter of King Sharyati, who crosses paths with Chyavan, a young ascetic (tapasvi) with a vow to right a wrong done to the Ashvini Kumars by Indra. Due to the twists of destiny, Sukanya accidentally blinds and causes Chyavan to age into infirmity, marrying him in his broken state. Refusing to let destiny break their spirits, Sukanya rises as a devoted wife to fulfill her husband's mission, restore his youth and eyesight, and bring the three worlds—Akash, Prithvi, and Patal—to their door.

Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.

After witnessing the brutal slaying of her Forest Officer father, Sunder Rajan, at the hands of dreaded dacoit Jageera, Sandhya goes to Colonel Krishnakant Puri and asks for his assistance in bringing an end to Jageera's rule in the Devdurg region. Krishnakant agrees to assist her, and summons about a dozen of his fellow officers and subordinates to assist him. They all assemble at Devdurg with all the necessary ammunitions and arms to combat Jageera, not realizing that Jageera has influence over the local police detachment, who will prevent Puri and his men to possess any guns and weapons. This does not deter Puri and his men, and they continue to stay on in Devdurg and gain the confidence of the villagers. What the villagers do not know that Krishnakant and his men had all been dishonorably discharged from the army for cowardice and retreating when attacked by the enemy. Will Puri and his men abandon Devdurg and let history repeat itself?

When Ravi gets a job as a post officer in a village, he falls in love with Mohini, not knowing she loves another

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men abduct Gulabi. But before he could have his way with her, she is rescued by Raja, but Ajay subsequently shoots Raja to death. An enraged Haria wants to kill Ajay in return, but Ajay's dad stops him from doing so. Then Ajay's dad finds out a secret about his past life, and decides to change his last will and testament. Ajay finds out about this and lays in wait with a shotgun to kill his very own father - and anyone else who dares to stand in his way

Bansari Bala is a movie released in 1957.