No! You’re Not Going Anywhere Without Me!

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

In an effort to secure a promised inheritance, Onésime invents a time machine that speeds up activity on earth, hyper-animates men and machines, and telescopes the human life-cycle.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

Looking after his aunt and uncle's house when they're away, animal lover Onésime turns it into a hospital for sick animals.

Calino's uncle leaves him an inheritance, but only if he can uncover it hidden in his uncle's house. Detective Onésime is called in to help, and is soon tangling with some criminals after the treasure too.

Onésime came down and threw himself on stage, starting into the great aria at which he excelled. We must say, in respect for the truth, that he earned what critics calls "the estimated success": Onésime, who has the voice of a barrel salesman, sings like the pulley in a well.

Onésime becomes enamoured of a girl and sends a messenger to her on a motorcycle.

Not having enough money to pay his drink bill, Onésime sells his soul to the Devil.

The short by Jean Durand begins with his frequent character, Zigoto (Lucien Bataille) reading a boring book. So, instead he goes on an outing in his new car with his friends. The captioning says it's a new '101 horsepower car'--this, during an age when the horsepower of cars actually was between 4-30 horsepower! So, in other words, it's supposed to be a super-fast car.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions, leading her further towards Paris and the country wilderness.

At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.

When he goes to Paris an aristocrat steps into a cinema and is shocked by something he sees on screen.

Directed by Henri Fescourt.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

A woman enters a nightclub and slowly begins to open herself up.

Obsessed with a general's wife, a clergyman has strange visions of death and lust, struggling against his own eroticism.

During the stagecoach trip of a frightened group of inhabitants of Rouen, Elisabeth Rousset, known as "Boule de Suif", renders these people a signal service, but comes up against their stupidity and their sufficiency. A little later, Boule de Suif assassinates the formidable Prussian lieutenant whom his friends had nicknamed Fifi and who shamelessly displayed his taste for pillage and his sadistic tendencies.

The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.