Nham-Nham, A Criatura

In the heart of the city, the current Light Park emerged where the old municipal cemetery used to be. However, Júlia, Maitê and their friends, completely unaware of this peculiar story, decide to have a fun picnic. But what seemed like an innocent prank soon turns into a horrifying adventure when an eclipse triggers an unexpected invasion of shambling zombies.

Picumã is an action film that follows the journey of three travestis. One of them, Cleo, mysteriously disappears. Lua and Shaiene set out on a search to uncover their friend’s whereabouts. Time is running out, and their success will determine whether Cleo lives or dies.

BATE CABELO! unveils the story of an artistic creation that became a living symbol of memory, embodiment, and resistance.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.

Flávio is a filmmaker who was famous during the 1970s, but who's now forgotten by the public. Urging to become relevant again, he's willing to try everything, even by methods in which he doesn't believe. A supernatural debt, however, may be compromising his career.

Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.

While Brazil prepares to host the World Cup and to receive Pope Francis, a wave of pornoterrorists performances shocks the country. In this film we see how the boundaries of life and work blend together in this visceral artist’s path.

Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

SOAP manipulates the language of cinema and soap operas, accompanying a group of left-wingers’ attempt to infiltrate right- wing social networks. The tactic chosen by the group, composed of intellectuals and cultural agents, is the creation of a telenovela that would convey subversive messages in the apparently conservative form of the religious cultural product.

1970, Brazil. Georgia, a 8 year-old girl, is intrigued: one day, her play room appears locked. Away from the sight of her parents and her elderly nanny, Georgia gets to open the door and... someone is inside.

Ana (Manuela Campagna) is a 17-year-old girl who lives in a border town between Brazil and Argentina. There, she has no leisure options and no internet access. Your only refuge is to visit a tallow / lanhouse known as "The Cave". It is there that, one day, she ends up meeting Murilo (Fagundes Emanuel), the boy she will fall in love with.