Nazım'a Armağan

On the eve of the fall of the Ottoman Empire: in the harem of Sultan Abdulhamit II, the odalisque of Italian origin Safiyè dreams of becoming the sultan's first mistress. To achieve her goal, the girl, aided by the eunuch Nadir, is even willing to kill. But when her dream is finally about to come true, her entire world suddenly collapses: the sultan is exiled, the harem is closed, and the odalisques and eunuchs are abandoned to their fate.

The patriotic story of the daughter of a minister working under enemy forces and the artillery major Sami.

A film on Haldun Taner, a respectable, democratic intellectual and a brilliant author of political essays, various genres and kinds of literary texts and especially theatre plays all of which have been a masterpiece in Turkey art history.

Merve chose the bohemian life, but it didn't choose her back. Faced with eviction, she starts a new job and stumbles into a spicy setup with her boss.

Due to the war in Bosnia, Sevgi is sent by her family to live with relatives on a desolate hill in Anatolia, where she receives a very cold welcome. There is a strange tension among the inhabitants of the house. Sevgi begins to investigate the cause of the screams she hears at night. Meanwhile, she has fallen secretly in love with the eldest son of the house.

A scenario writer who struggles to have any of them filmed, delves into problems of his housemaid.

The story of a group of former activist friends who came together after September 12 and questioned the past.

An unforgettable love that overcomes all obstacles, even time, distance and falling apart.

A top secret mission for French Intelligence brings Indy to Istanbul during the first world war. Exploring the city's dark and dangerous streets, he is thrust into a web of betrayal and murder when he discovers a vile Turkish plot to assassinate French espionage agents. Evil of a more enduring kind awaits him in Transylvania where he engages in a mortal combat with bloodthirsty Vlad the Impaler and his horrific army of the living dead. With his life at stake, Indy must garner all his strength and wits in order to defeat the fiend and save mankind.

A woman is searching for a face in photographs taken by a photographer. The face she hopes to meet one day belongs to a watch repairman, but the shop has long since closed.

Yalçın and Bahadır are two close friends with contrasting personalities. However, Yalçın's unexpected death painfully separates the two friends. One day, Bahadır, who misses Yalçın's crazy antics, hears a knock on his door. He finds himself face to face with the ghost of his crazy friend Yalçın, whose death he mourns deeply! Moreover, he is not alone; he is accompanied by an Italian trapeze artist named Bernardo. Yalçın is stuck in limbo because he failed to keep a promise, and the only person who can help him fulfill that promise is his close friend Bahadır. Yalçın must fulfill his promise within three days, as this is the only way he can find peace. Meanwhile, Bahadır tries to help him but ends up getting into trouble. Additionally, his platonic love for Demet, whom he works with but can’t bring himself to confess his feelings to, adds another layer of complexity to his adventure.

Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."

The film is a love story. However, it is not a story about the love between two people, but rather a story about the love and affection that a group of people feel for life and for each other. The film depicts all kinds of love, from east to west, from schoolchildren to villagers, from young to old, in both an emotional and humorous way.

A confused script writer takes refuge in the ruins of a Byzantine church at a remote village while looking for locations for his next film.

An orphaned Kurdish child (Hêjar) and a Turkish pensioner (Rıfat) are thrown together by circumstance. Rıfat, a widowed retired judge, refuses to get involved in politics. He is forced out of his solitude, when Hêjar the only survivor of a police raid on his Kurdish neighbors, takes refuge at his home. Gradually, he warms up to the kid and decides to reunite her with her family.

During the period of the Wealth Tax, where many non-Muslims in Turkey were forced to pay higher taxes, often in an arbitrary and unrealistic way. Nimet and Durmuş migrate from Niğde to Istanbul and take shelter with Durmuş's friend Bekir, who finds Durmuş a job at the inn. However, making a living by serving as a porter is not in line with Durmuş's ambitions. He wants everything Halit Bey has, the inn owner. Halit Bey begins to dispose of his property in order to pay the tax stipulated to his beloved wife Nora, who was treated in a nursing home. Wealth Tax has begun to affect everyone's destiny.

The couple, who are married and have two children, are in the process of divorcing. Problems that have accumulated throughout their marriage have led them to decide to separate. During the divorce proceedings, they will reevaluate their relationship and marriage.

Mazlum, the eldest child of a family that migrated from the east, starts looking for work after his father dies in prison. While struggling to provide for his family, he meets Şahin and they begin secretly committing robberies. Şahin becomes the leader of the robbers and shares his earnings with Mazlum. However, a tragic end awaits them...

At the edge of divorcing each other, two movie stars are asked to star as passionate lovers in the same movie. In their last movie together, they have to experience something that is just the opposite of their real life. Both sides of life displayed: Continuous fighting in real life and a big love story on the film set.

Pelin and Caner are the closest friends of the Mole family. Shadow, who was turned into a tree because of the evil deeds he had done in the past, was saved by Uncle Köstan of the Mole family in exchange for his promise to become a good person. However, Shadow broke his promise and stole Queen Sora's dress, which was said to be enchanted, from the auction house where he was working. As soon as he touched the dress, the evil inside it activated the tree charm that Uncle Köstan had previously made. Gölge began to turn back into a tree. He was found in the forest by Şahane Postum, a hunter who was fond of precious stones and furs. Shahane is immediately captivated by Queen Sora's dress and desires to possess it. However, the enchantment from Uncle Köstan, which has transferred into the dress, begins to transform Shahane into a deer as well. The Shadow suggests that they must go to Uncle Köstan to resolve the situation. However, Uncle Köstan has already set off toward Köstebekya.

One day, exhausted by the fast pace of politics, the President secretly escapes to catch his breath, even if only for a short while, and mingles with the people. As this VIP escape team, consisting of the First Lady and the President, is about to leave the borders of Ankara, another unexpected escapee joins them: the prostitute Buse.

A beggar woman has to pretend to be a society woman to fool her daughter's wealthy prospective in-laws.

Queen Nazli's daughter disappears at a young age, and the queen dies without seeing her. The heirs take advantage of the disappearance of the daughter to divide the wealth among them, but when the daughter suddenly appears, they try to stop her from having the wealth.

Çağan Irmak's delightful new film is a fairy tale for the waking hour. Aziz works as a clerk in a library and lives in his own quiet and peaceful little world. Then one day he discovers that he has new neighbours: Seçil, the owner of the new opened local beauty shop and her 10 year-old daughter Gizem. Life for Aziz becomes much brighter and livelier but then something unexpected happens and darkness descends once again. A whole new set of events is set in motion as a bunch of memorable characters join together to try to change the course of fate. From the Diary of Aziz: There are those who say that fate cannot be changed, for if it could, it would not be fate. So be it. How hopeless we would feel if we had to live in a world where nothing could change. Don't you think so? It might just be that there will come a day when you will realize that something bad that happened to you happened for a reason and caused something better to come about. You never know.

Huriye Bacı, a poor peasant woman, moves to Istanbul to educate her daughter Ayşe. She struggles to educate her daughter despite financial difficulties. Ayşe, who has grown up with pure feelings, begins to stray from the right path due to her friends, leading to rebellion against her mother. The suffering mother returns to her village in a state of despair. As events unfold, Ayşe finds the right path, realizes her mother's righteousness, and they all strive together for a happy life.

A Turkish version of Straw Dogs (1971), set in a small Cypriot village in the days before the 1974 Turkish invasion.

An elderly piano teacher recently diagnosed with terminal cancer lives in fear of death. But her real fear is who will take care of her cat, her only friend, after her death. As she tries to find someone to take care of her cat, the generational clash of the times and the drastically changing urban identity of Istanbul confront her with an unpleasant prospect.

An urban Turkish teacher is transferred for political reasons to a backward Kurdish village in the mountains near the Iranian border. He is welcomed with distrust, but during that harsh year the mutual cultural misunderstandings fade away.

A Turkish small time black marketeer wants to enter the cell phone business. To get enough money, he promises the local doctor to get medicine for sick children.

When a nationalistic wealthy landowner's idealist son falls for a non-muslim prostitute, he finds himself in a conflict between his feelings and politics under the shadow of the events of September 6th-7th in 1955, the Istanbul Pogrom.

Documentary about Genco Erkal who is a veteran of Turkish theatre.