Naunihal

Unable to conceive, Thakurain Lajjo enlists the help of her maid, Mahua, and approaches a demon named Nevla, who assures her that she will indeed give birth but if it's a daughter, then she must surrender her to him, to which she agrees. Shortly thereafter, she gives birth to a daughter, Kamya, but refuses to surrender it. Mahua poisons her, abducts Kamya, and takes her to Nevla, but Thakur Pratap Singh intervenes just in time, banishes the former to a coffin in a cavern, and rescues his daughter. 18 years later, Kamya herself will be compelled to approach and resurrect Nevla in order to win the love of Kumar - who she is obsessed with - and will do anything to make him her's forever.

Tyrannical and wealthy Veer Pratap Singh, rules over a small town - ruthlessly. Whoever opposes him is crushed. He is attracted to women, and has a lengthy affair with Soundariya, and even has a secret marriage ceremony with her. When Soundariya gets pregnant, he asks her to abort the child. When she refuses, he shuns her, and denies ever having married her or even being intimate with her. Her brothers attempt to get justice, but are dealt with ruthlessly by Pratap Singh's bodyguard, Bhima. Soundariya then must garner support of herself, and must find someone who can stand up to Veer Pratap Singh and end his tyranny, in a town with men who have been subdued for eons by Veer Pratap Singh and his men for eons.

Mere Lal (transl. My Son) is a 1966 Indian Hindi-language drama film directed by Satyen Bose and produced by Jyotsna Sen. It is a remake of the 1963 Bengali film Badshah, based on the story of Nihar Ranjan Gupta. The film stars Dev Kumar, Indrani Mukherjee and Mala Sinha. It focuses on a stone-hearted dacoit who, when thrust with the responsibility of bringing up a lost child he finds on a riverbank, mends his ways and becomes an honest wage-earner.

A self proclaimed misogynistic writer rescues an injured woman who suffers from amnesia but claims to be his wife. In the process of finding out her real identity, he falls in love with her.

When he discovers an infant girl on the site of his latest job, notorious hit man Govindram (Balraj Sahni) turns his back on his employers and lays down his guns for good, deciding to raise young Rajni as his own child. Years later, the idyllic life that Govindram has built for Rajni and himself is in danger of being destroyed when the secrets of his dark past threaten to boil to the surface.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.

A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.

Harish lives happily with his sister Geeta and his father Radhe Mohan. Radhe Mohan is the titular "khazanchi" (treasurer) at the Northern India Bank. Harish and Usha fall in love with each other. However, they face obstacles in their love life due to Usha's stepmother and Harish's father's death.

When his brother's tragic death leaves his pregnant fiancée devastated, playwright Amit selflessly marries her to protect her from societal contempt. However, when fate brings him face-to-face with his former flame, love proves to be stronger than marital vows.

Girdharilal lives a poor lifestyle in Delhi along with his wife, Geeta, and two daughters, and a son. He works as a Money Order Clerk in the Post Office, earns Rs.110/- per Mensem, and wears a torn coat that his wife is tired of stitching. One day at work, he makes an error in a money order but does manage to fix it, collects his pay, and returns home, refusing to drink...

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

Inspector Raj Singh's father was killed by Shankar and his men for gold. Years later he locates them but also finds that he has a step brother Suraj who works for Shankar now known as Devi Dayal.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

A family of four is separated after the ship they're traveling on capsizes. The two brothers, Ajay and Vijay, grow up apart - only to reunite years later under much different circumstances.

An advocate faces heavy odds defending the brother of his sweetheart.

Based on plays by Bhattacharya and the story Annadata by Krishan Chander. A film about the famine that swept through Indian villages in the final years of the war for independence. After natural disasters (floods and droughts), villagers seek refuge in the city.

A Hindi drama directed by Ram Daryani, starring Balraj Sahni.

A young man travels to Kathmandu to find his long-lost sister who is with a band of hippies and bring her back to the family. But doing so may be more difficult than he thought.

Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.

Thakur Ranjit Singh buys the enslaved Kajal's freedom and gives her the status of a daughter-in-law... much to the disgust of his uncle, Jasbir. When the sleazy Shakal turns up and arranges a secret meeting with Kajal, Ranjit believes that he has caught his beloved being unfaithful. He exacts a fearful retribution. Obligingly, Jasbir destroys the evidence. Ranjit finds himself being plagued by the restless spirit of Kajal as well as a suspicious policeman. Seeking respite in Bombay, he is stunned to see Kajal's doppelganger, a nurse called Kiran. Unnerved, he brings Kiran home with him and finds himself falling in love again. The mystery deepens when Kajal's vengeful spirit murders the usurper, sending Ranjit over the edge and into an asylum.

Mera Qasoor Kya Hai is a 1964 Hindi film starring Dharmendra, Nanda and Om Prakash. The film's music is by Chitragupta.

Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.

Fated to die at the hands of a child, a demon wreaks havoc on the lives of the to-be parents.

After his family is slain by notorious bandit Gabbar Singh, former Inspector Thakur Baldev Singh enlists low-level outlaws Jai and Veeru to capture Gabbar and seek revenge.

Long-suffering heiress Seeta is treated worse than a servant by her abusive money-grubbing aunt. Meanwhile, her long-lost twin sister Geeta grows up to be a gutsy street performer. One day, the girls unintentionally swap places.

Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, be is so enraged at he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple).

1966 film starring Sanjeev Kumar, L. Vijayalakshmi and Sheikh Mukhtar

Nandu lives in a small town with his widowed mom, Paro. He is friendly with two young girls, Farida and Kamli. He is depressed when Kamli's dad becomes ill and she and her mom re-locate to Ambala. Years later, Farida and Nandu have grown up and continue to be friends. Then they get the news that Kamli's dad has passed away, and they are to return back. Initially they do not recognize each other, but when they do, both fall in love and want to marry. When Paro goes to meet with Kamli's maternal uncle, she is shunned, humiliated because they are poor and Nandu is unemployed, & considered a trouble-maker.

Twin princes separated at birth must foil an assassination attempt and take their rightful places as rulers of a kingdom.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

Shakti and Shaitan Singh are two brothers who belong to a gang of bandits, headed by the their dad, Bahadur Singh. One day while on a looting rampage in Jamalpur Village, Shakti is wounded and takes shelter with Harkishen and his daughter, Lali. He loses consciousness for several days, while the rest of the bandits think he is dead. When Shakti regains his senses he and Lali fall in love with each other, but Lali wants him to lead a honest life, and it is only then that he can marry her.

Directed by Majnu (Harold Lewis), the film revolve around the theme of a tarnished reputation or social disgrace.

When Ravi gets a job as a post officer in a village, he falls in love with Mohini, not knowing she loves another

An Astrologer informs Satpal Singh that his nephew will eventually kill him. When Satpal's sister, Maharani Meenakshi, gives birth to twins, he has one thrown from the castle walls, and ...

A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

Businessman Sonu Sharma belongs to a wealthy family and lives with his widowed mother. He suddenly becomes ill, is hospitalized and looked after by a young nurse, Heena, who he falls in love with. After he gets discharged both of them get married in a secret temple ceremony. Thereafter, he asks Heena to resign from her job, re-locate to a small town where he has rented a house called "Madhu Villa", and he will join her soon. Upon arrival at Madhu Villa, Heena is met by Sonu's brother, Laalu, and their paternal uncle. Days turn into weeks and weeks turn into months and still Sonu has not arrived. Quite unknown to Heena, Sonu has no brothers nor even any uncles. The two masquerading are actually two escaped convicts, one of who is awaiting the death sentence, and there no guarantee that Sonu may ever return to live with her.