My Mirrors

An ice-cream seller lusts after the female employees in his shop.

At the end of the seventeenth century, in Naples, still dominated by the Spaniards, a young pupil, Balthasar,is castrated to preserve the purity and beauty of his voice. The Duchess dies and her son, the Duke of Arcos, takes charge of the inheritance, which includes Balthasar. With the entrance of Maria Loffredo, former lover of the Duke, a triangle is established that unchains tragic consequences to the allegedly callous life of Balthasar.

the mobile phone of Alain, a belgium director in his fifties, appears a mysterious picture. Enough time to recognise Luisa, the portuguese actress he loved so passionately 7 years ago, during the shooting of his unfinished film.

A photographer, Isaac, is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

About the life and adventures of a gang of abandoned street kids known as "Capitães da Areia" (Captains of the Sands), in Salvador, Bahia, during the 1950s.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.

David is depressed and has lost his job. Joana works all day and takes care of their children, Rafael and Maria, when she gets home. David has lost hope, lost all motivation. Joana has to hold on, she has to be patient. But some time has passed... and it's starting to be too much.

After the passing of one of his friends, João remember's the summer he had with his friends when he was 12 years old.

When a group of friends fail to lower the ladder of their boat, they find themselves stranded in the surrounding waters and struggle to survive.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.

Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.

Romeu, a corrupt cop, hires the services of Cid and Alex, to catch a notorious criminal, who left Mexico and is on his way to Galicia, Spain to find the killer of his brother, also trying to catch the same criminal is an FBI agent.

Lázaro Lafourcade, an old capitalist, is found dead in his mansion after a dinner with his peculiar family. An inspector is called in to investigate the crime and find the culprit, delving into the glamorous and sordid underworld of the Lafourcades, kicking off a good old-fashioned crime story where everyone is a suspect. A whodunnit that takes us back to the 1950s and results in an "eat the rich" narrative, while the investigation takes place at the Lafourcades' home.

The character of a novel gains life to torment the author, revisiting and reliving the story of a crime.

1907. Afonso, a doctor, arrives at Principe Island to cure servants from a cocoa plantation “infected” with Banzo, nostalgia of the slaves, who are dying from starvation and suicide. The group is confined to the forest, where Afonso decides to heal them by trying to understand what is affecting their soul. Will he manage to save them?

During the war of in-dependency Evita moves from Lisbon to Mozambique to marry Luís. She slowly discovers how different and disturbing life is in a country of war and when her husband is send on a military mission she starts to fight loneliness. Over time she finds out more about her husband and Mozambique than she would have imagined in her peaceful European home. Racism, violence, injustice and fatalism make life unbearable...

Mariana is a 17 year old girl, who, after being rapped by drug addict, finds out she's pregnant and, in her path, discovers how difficult it can be entering adulthood.

Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?

Somewhere in an unspecified time, Patrick Mendes presents an initiation ritual in a community at the ends of the earth.

The family of Ana Luisa meets at home to celebrate her father's birthday. As the guests sit around the table they will share memories of the past, in which all have a common denominator: the late Josefa, Ana Luisa's mother. Hearing the stories, Ana Luisa realizes the impact that his late mother had on their life choices and imagines what would have happened if she had followed other paths, taken other options and said what was unsaid. At the same time, an event of unknown origin causes a change in space and time, enabling people all over the world the access to parallel universes. Ana Luisa will thus have the opportunity to change the past...

The hypochondriac Sebastião and his not so normal family must save the country from the prime minister's plan of selling the country to China, Germany, France and Angola, and show that Portugal is not for sale.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

This documentary shows a peculiar vision about theatre in general and O Bando in particular, on the bases of João Brites' directing the showcase of “ENSAIO SOBRE A CEGUEIRA” (essay on blindness), written by José Saramago.

How would you react if you couldn't see? In rehearsing the theatrical adaptation of "Blindness", by Nobel Prize winner José Saramago, the company "O Bando" made the experience. The actors lived 24 hours blindfolded in an abandoned hospital. How would you react if you could see again?

Three times she travelled until the last stop on the F line. Each as if it was the first. There she found a meatless Disneyland, only skin, bone and memories. She thought of Dorothy and her dog. On her skin she felt the taste of the sea and she discovered new flavours as she dived into the freezing cold water. Now she fears everything will vanish like a wave that goes and never returns. Unlike her, I never travelled to the end of the F line. But I can see, hear and feel it. Can you?