Motín en Sierra Chica

A fictionalized drama film based on one of the most shocking crimes in Argentina's history. In 1992, Ricardo Barreda was an unassuming dentist, brutally murdered his wife, mother-in-law, and two adult daughters in their family home. Branding himself as a victim, Ricardo Barreda ignited a media storm and fueled a national scandal.

Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past.

In 1936, in Cayastá, Aparicio Garay, a strange inhabitant of the islands, brutally murders an 11-year-old boy, and commits an act of cannibalism following the orders of his God, “El Hora”.

A modest law firm receives a somewhat ambiguous assignment regarding some properties from a mysterious foreigner, apparently of American origin. One of the partners is struck by the opaque nature of the case and decides to take some time to investigate. He eventually discovers that the foreigner was English and that it is a scheme to seize a house belonging to an Argentine family.

Tomás is a teenager whose life, as always happens, changed from one moment to the next. But that present awakens a latent past that must be resolved in order to face the uncertain future.

Santiago, gay single father, has reached a tipping point in his life. Reeling from a bitter breakup, he is facing the impending departure of his daughter Laila, with whom he shares a close yet emotionally charged relationship. As the fear of being alone threatens to swallow him whole, his behavior becomes increasingly erratic. Over the course of a chaotic summer divided between Argentina and Brazil, Santiago must learn to let go of Laila so each can find their own freedoms.

Lila, Ámbar, Marcela and Lisete, sex workers, have formed a family in a shared apartment. But Lisete's tragic death and Marcela's departure leave Lila and Ámbar facing an uncertain future. In their search for a new direction, Miriam appears, and she will change their lives in an unexpected way.

Cato, a hip-hop artist whose career is about to take off, runs into trouble with the law and a violently organized network of Argentine soccer hooligans.

Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

In Argentina, a woman is murdered every 18 hours as a consequence of violence against women. This story, told in real time, is all their stories. In 18 hours this will happen again. No! is a cry for help. A lament against the endless impunity. A demand for justice.

When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.

Mar del Plata, 1985. Pregnant and working as a sex worker, Margarita Di Tullio defies the mafia and a corrupt power structure to build a clandestine empire that shields women from the horrors of the streets, becoming a legend forged by a shotgun and maternal loyalty… the legend of Pepita, the Gunslinger.

Diego Lamote, a former star player whose injury leaves him off the field, returns to the country and seeks to make a living as a representative. He finds out that in the youth team of the Acassuso Club, where he began his football career, there is a boy who has the conditions of Un Crack and who is still in charge as coach Francisco, who was his mentor, with whom he has a past to resolve. Despite his doubts, Lamote goes to the Club in search of the Crack and to confront Francisco and his past, but Francisco's destiny will not let it be resolved without making them both pay for it.

Three stories that happen in one night. The starting point is a meeting of graduates. Former schoolmates are reunited after twenty years and all these stories will have something in common: second chances

Daniel, Juan Palomino is a security guard, he was once a policeman, and he would have liked to be a vigilante hero. But, far from it, his job is to take care of the buildings of others. The city will cross with Analía (Emilia Attias), a distant woman, obsessive and beautiful in a mysterious way. She avoids contact with men because she has been the victim of rape. That terrible past comes back when Julio, Esteban Meloni, a violent and obsessed man, gets out of jail. Between the three are weaving on the streets of the city a plot of passion and crime.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

Based on a real event, this is the spectacular escape of seven prisoners in 1991 from the Villa Devoto prison in Buenos Aires, Argentina. In the process of digging a tunnel to escape, they make a bizarre and frightening discovery just as they are about to break through to freedom. One escapee promises to report their findings when they are all free and once out, he pays his debt to "the tunnel of bones,"sharing their macabre story with a local journalist, and ultimately the world.

Before his compulsory retirement, on his last day of work, Marshall, JFK airport's chief Immigration officer, detains a group of Latin Americans and expose them to a series of humiliating situations. Blinded by prejudice, Marshall ends up by causing the death of a young Brazilian. After a period in prison, Marshall goes to Brazil, deadly ill and in a desperate search in order to purge his guilt. In his quest, he is guided by Bia, a young prostitute.

It tells of the troubled and difficult relationship between Beatriz, a single mother, and her 11-year-old son Mario. The action takes place in a post-industrial neighborhood of San Martín, where Beatriz tries to earn a living as an embroiderer. When he brings shrouds to his house to embroider, the story gains tension and suspense since, according to Mario, the house is full of the dead.

Familia para armar tells the story of the emotive encounter between a father and his teenage daughter after a long and traumatic separation. Ernesto is an obfuscated and distant father and Julia a hardheaded daughter wanting to be loved and to rebuild the relationship with her father.

The military coup of '76 means that the birthday of a little girl named Paula does not pass normally.

A stranger invades the family life of Victor. It seems that he has a hidden secret with Victor's wife, which involves their daughter. He wants to protect his family, and he is ready to face all the consequences to stop the threat.

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

International pop star Natalia Oreiro returns to western Europe for a non-stop concert tour through seventeen cities around the former USSR, traveling in the Orient Express. In this first person journey, Natalia also explores her personal and intimate life that started in a blue-collar neighborhood in Montevideo, Uruguay, and went into becoming a world-wide star and a Russian icon.

A frustrated jazz trumpeter rehearsing for an audition accidentally awakens an invisible ghost with the power to manipulate sound. The ghost promises to turn him into a virtuoso in exchange for his help unearthing an ancient treasure buried deep in the mountains. But what begins as a great deal soon becomes a dangerous adventure leading toward a dark secret.

Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.

A man with seemingly unwavering ethics is challenged by his new boss, who believes everyone has a price and it willing to prove it. In this Capra-esque tale no one leaves unscathed when principles and pragmatism collide.

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.

An argentine woman and an American man have a cultural disagreement about intimacy and how romance is conceived.

The evil Nasty comes to our world with two objectives -- kidnap Buji, and carry as much candy as possible back to his world. He has the ability to 'shape-shift', and using the appearance of Dibu, he holds up a bank so that he can get enough money to buy the candy. The police wrongly imprison Dibu, who manages to escape and confront Nasty.

An overweight teenager tells a video camera that she will commit suicide in three days unless something emotional happens to her first.