Mossane

A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.

A money order from a relative in Paris throws the life of a Senegalese family man out of order. He deals with corruption, greed, problematic family members, the locals and the changing from his traditional way of living to a more modern one.

Satché is about to die. He decides to make his last day on this world the day of his life.

As funeral preparations begin for Pierre Henri 'Guelwaar' Thioune, rumour spreads that his death may have been an assassination in retaliation for his radical political beliefs and constant criticism of the current regime. When the heroic Guelwaar's cadaver is stolen, his Francophile son, Barthelemy, contacts the authorities. As Detective Gora begrudgingly investigates, he discovers that Guelwaar was a complicated man guilty of his own share of sins.

The Ceddo people try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap his daughter, Princess Dior Yacine, to protest their forcible conversion to Islam.

This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.

The theme of the rural exodus has inspired many African authors. In the past, by tradition, the young peasant went abroad temporarily to earn the money needed to settle in the village. Now, he leaves the countryside with no idea of ​​returning, convinced that he will find all the means to make his fortune in these mirage cities. Issa, in turn, takes the road to the capital. Before leaving, Aminata slips a bronze bracelet on her arm as a token of loyalty and love. Then begins for Issa the inexorable chain of disillusions, bad luck, misunderstandings

The president of an African country is closely allied with European entrepreneurs for his own benefit and theirs. The sky falls on their heads when a political essay on "The Political Structures of Traditional Power" is published. To make matters worse, the military gets involved. The president, whose party ruled unchallenged (single-party system), finds himself under house arrest.

The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...

Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

A 53-year-old civil servant, who has been refused promotion, finds himself forced to resume studies with the help of his son in order to obtain the necessary diploma.

Following a misunderstanding, a traveler is mistaken for an important official on an inspection tour. Nothing will be spared to coax him into turning a blind eye to the prevarications: embezzlement, exactions of all kinds practiced by the local notables.

To inspire striking workers, the griot tells of a legendary prince, Dieri Dior Ndella, who sacrificed his life during colonialism, and Koura Thiaw, an entertainer who took up the cause of oppressed domestics in the 1940s, both becoming heroes to their people. Though this strangely lyrical film deals with a contemporary crisis, critic Roy Armes notes that "the film travels exuberantly through time to capture situations linked only by their common concern with the concepts of honor and dignity, the importance of keeping one's word and not being bought or corrupted.