Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.
The Monterey Jazz Festival was established in 1958 by impressario Jimmy Lyons who has hosted an enormous amount of music at this idyllic location. Against this beautiful seaside setting in Northern California, one spends a pleasent weekend listening to some of the giants of music.
Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.
An immersive look at the eventful life and brilliant artistic career of visionary American jazz trumpeter Miles Davis (1926-1991).
This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.
Born poor in Baltimore, Chick Webb broke his back as a boy and faced life as a hunchback dwarf afflicted with Spinal Tuberculosis. Someone suggested drumming as physical therapy, and Webb found his calling: at only 16 he built the hottest jazz orchestra in America at Harlem’s Savoy Ballroom, one of the rare places where Blacks and Whites could socialize together. The artists discovered and mentored by Webb are extraordinary, but perhaps no star shines brighter than that of Ella Fitzgerald. Features interviews with those who knew or played with Webb and period footage.
Virtuoso prog/pop/rock band with (former) members of Deep Purple, Dream Theater, The Winery Dogs, Avenged Sevenfold, Dixie Dregs, Spock’s Beard, Alpha Rev & Transatlantic •Second Flight is shot with 24 cameras during the Second Nature Tour 2014; the album Second Nature charted in Top-10 positions around the world. •All video, including the 4K Ultra-HD version, was mastered by Cinnafilm using their Dark Energy technology (IMAX) for stunning visuals.
On October 17, 1961, the popular and pioneering pianist-composer Dave Brubeck performed on Ralph Gleason's Jazz Casual, the television show that showcased some of the finest jazz artists in a half-hour of no-frills performance and conversation. Backed by the Lester Young-influenced alto saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello, Brubeck and his combo perform some of their odd-metered hits. Desmond's dancing ditty, "Take Five" is rendered in a faster tempo than the studio version. Brubeck's ragtime-flavoured "(It's a) Raggy Waltz," highlights his percussive piano lines, while "Castillian Blues" and the Turkish strains of "Blue Rondo a la Turk" reveal his multicultural, compositional genius. Gleason, the show's creator and host, was a well-respected, San Francisco-based jazz critic and author. He remarks during the show that Dave Brubeck was "a provocative, experimental, and interesting musician." That statement is still true today.
Jazz Icons: Dave Brubeck boasts two beautifully filmed concerts from one of the most beloved quartets in jazz history. Captured at the pinnacle of their power and popularity, Paul Desmond (alto sax), Joe Morello (drums), Eugene Wright (bass) and Dave Brubeck (piano) explore the trails they blazed into the realm of odd time signatures with "Forty Days" and two versions of their groundbreaking hit "Take Five", as well as forays into world music with two unique interpretations of "Koto Song". Their intimate onstage chemistry and impeccable musicianship made the DBQ an award-winning jazz supergroup.
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
Recorded at Berliner Philharmonie, Berlin, November 4, 1972. A DVD has been issued of the concert by "Standing Ovation" - "Gerry Mulligan, Paul Desmond & The Dave Brubeck Trio. Live In Berlin 1972". It does not include the non Brubeck tracks. Tracks 5-11 on CD 2, are from a rare live performance by Mulligan and Desmond playing together along with Jaki Byard, in New Orleans in 1969.
Jazz Pianist on the Creative Process & Self-Teaching. Here is the late, brilliantly original jazz pianist in intense conversation with his composer brother, Harry, on the nature of creativity in jazz. Occasionally, they stroll to the piano for a musical illustration (Evans play splendidly).
Berlin's 1965 Jazz Piano Workshop reunited some of the instrument's finest exponents from the full stylistic spectrum of jazz piano. The great Teddy Wilson was on hand to represent the swing piano style; the father of jazz piano improvisation Earl Hines was also present; Lennie Tristano served as an exponent of modern exploratory piano playing; two of the idiom's most lyrical modern pianists, Bill Evans and John Lewis were in attendance, and a nexus between the traditional and the modern, Jaki Byard -who alternated free and stride passages on the same tune- filled out this historical lineup. A notable absence was pianist Bud Powell, who was then living a troublesome period which would end with his death the following year. The two other main influences missing from the performance were Thelonious Monk, who was touring Europe with his own band, and Art Tatum, who had died in 1956.
Pianist Bill Evans (1929–1980) was one of the most influential jazz musicians of his instrument from his first recordings to his last. He possessed a very personal touch combined with a unique harmonic style. He played in many different instrumental settings, but he is best remembered for his many trio recordings and his less numerous solo albums. A very introverted figure, Evans' life was tormented by an addiction to drugs that proved fatal. The selections on this DVD—taken from a single concert—show him performing marvelous music with the members of his last regular trio—bassist Marc Johnson and drummer Joe La Barbera—nearly a year and a half before his tragic and untimely death. Among the highlights are versions of Gary McFarland's waltz "Gary's Waltz" and of Bill Evans' own composition "Turn Out the Stars". Live in Iowa, January 30, 1979.
Jazz Icons: Bill Evans features five separate performances by one of the most revered pianists in music history. This collection covers an 11-year span, highlighting Evans’ ever-deepening artistry as he performs with four different all-star rhythm sections, including the stunning duo of bassist Niels-Henning Ørsted Pedersen and drummer Alan Dawson. This DVD includes for the first time on home video Evans’ renditions of the rarely performed “Sareen Jurer,” “Blue Serge” and “Twelve Tone Tune Two.” Among the many surprises in this collection is a live performance of “My Melancholy Baby” with saxophonist Lee Konitz.
A film made in 1970 in the home of Finnish composer Ilkka Kussisto (whose two sons are famous violinists) when the Bill Evans Trio visited him for a private performance.
Featuring Marc Johnson & Joe LaBarbera, includes notable versions of Bill's own "Re: Person I Knew" (an anagram of Orrin Keepnews' name), Henry Mancini's classic "Days of Wine and Roses," "Your Story" (another tune composed by Evans himself) and Miles Davis' "Nardis.
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
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Berlin's 1965 Jazz Piano Workshop reunited some of the instrument's finest exponents from the full stylistic spectrum of jazz piano. The great Teddy Wilson was on hand to represent the swing piano style; the father of jazz piano improvisation Earl Hines was also present; Lennie Tristano served as an exponent of modern exploratory piano playing; two of the idiom's most lyrical modern pianists, Bill Evans and John Lewis were in attendance, and a nexus between the traditional and the modern, Jaki Byard -who alternated free and stride passages on the same tune- filled out this historical lineup. A notable absence was pianist Bud Powell, who was then living a troublesome period which would end with his death the following year. The two other main influences missing from the performance were Thelonious Monk, who was touring Europe with his own band, and Art Tatum, who had died in 1956.
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Jazz Icons: Bill Evans features five separate performances by one of the most revered pianists in music history. This collection covers an 11-year span, highlighting Evans’ ever-deepening artistry as he performs with four different all-star rhythm sections, including the stunning duo of bassist Niels-Henning Ørsted Pedersen and drummer Alan Dawson. This DVD includes for the first time on home video Evans’ renditions of the rarely performed “Sareen Jurer,” “Blue Serge” and “Twelve Tone Tune Two.” Among the many surprises in this collection is a live performance of “My Melancholy Baby” with saxophonist Lee Konitz.
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