As São Paulo erupts in an unprecedented wave of violence, a lawyer with underworld ties must strike a deal with the police to rescue her kidnapped niece.
As São Paulo erupts in an unprecedented wave of violence, a lawyer with underworld ties must strike a deal with the police to rescue her kidnapped niece.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
The elderly Perpetua, feeling the approach of death, decides to prepare Zeca, her beloved grandson, to the inevitable. She tells him the story of a king and a queen, a wealthy and powerful couple who lost their only child but wishes to bring him back to life. Meanwhile, Damião e Josefa work hard to support their family and to prepare their daughter Fátima's wedding. At the end, the tale told by Perpétua and the destiny of that family will cross.
Helen lives in a cortiço with her grandmother, Mrs. Graça, who supports the family with informal jobs, such as selling skewers. Still very naive, her biggest concern is buying her grandmother a birthday present: a makeup kit. The girl is going to bend over backwards to get the money and her search will reveal the daily life of those living in tenements, outlining a collective story from the network of relations that the girl establishes.
After committing a crime, the woman leaves her home and family in search of an unknown destination. It is not known who she is, nor the reason for the crime. The mystery about this woman is one of the key points of the narrative. Throughout history she will be called Maria, Rosa and Ana, perhaps one of them will be her real name, perhaps none. She will walk for a whole day, hugging a watermelon and will have brief encounters that will mark her day and her life, facing a world that is sometimes hostile and sometimes delicate, in an attempt to live with the love and disaffection that she brings in her. .
In the favelas of Rio de Janeiro of the 1930s, João Francisco dos Santos is several things — son of slaves, ex-convict, thug, homosexual and adopted father for a number of pariahs. João expresses himself on the stage of a cabaret as Madame Satã.
Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.
Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.
A film on childhood in Brazilian countryside. The boy faces changes which leave no alternative than maturity.
Hermila and Leandro want to escape. Hermila and Leandro want to stay.
In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.
Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.
A truck driver travels the roads as if going through his memories.
There are many ways to overcome the losses and drop-outs of childhood. Three boys reinvent the concept of family to face the traumas of their lives.
Paulete, the star of a daring theater group, is visited by his military brother-in-law, the young Fininha. A torrid relationship arises between the two, and now the soldier must deal with the prevailing repression during the Brazilian military dictatorship.
The desire for freedom still resonates in Margarida and the idea of being stuck in a daily routine leaves her suffocated.
1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.
Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.
After expelling some boys, Dona Miséria meets a beggar who claims to be sent from God. Her daily life is changed when death comes to take her to another world.
Ana and her father Luís return to grandma’s house. Memories, pain and longing are experienced and questioned by the girl based on her perception of life and death.
There are many ways to overcome the losses and drop-outs of childhood. Three boys reinvent the concept of family to face the traumas of their lives.
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