Mirza Ghalib

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.

Seth Laxmi Narayan and his wife had a son who was separated at an early age. The only clue they have is that he has a locket around his neck. When Laxmi Narayan passes away, he leaves behind a lot of money and wealth. His wife makes efforts to locate her long-lost son, with the help of her relative, Durjan Singh. Durjan Singh hires a local thug, Birju, and asks him to pose as the long-lost son, for a hefty price, to which he agrees. Mrs. Narayan welcomes Birju as her son, and accepts him, little knowing his agenda, and the evil scheme devised by Durjan Singh and his son.

Queen Kaikeyi exiles Rama and demands Bharat be king. Bharat, devoted to Rama, refuses the throne and goes to the forest, urging Rama to return. Rama insists on upholding his father's vow. Bharat then rules Ayodhya as Rama's regent, placing Rama's sandals on the throne until his return.

A poet who has spent life in the village with his childhood sweetheart goes to Bombay to meet a fan of his who is also a popular radio singer.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Two lovers are separated by the girl's conniving uncle, who marries her off to another man. Heartbroken, the man wanders around aimlessly until a common friend decides to reunite the two lovers.

A social drama set in a Bombay chawl, where a kind landlady, her ambitious daughter, and their tenants face struggles between community bonds and the lure of wealth.

Taj Mahal tells the epic love story of Prince Khurram (later Emperor Shah Jehan) and Arjumandbano (who becomes Mumtaz Mahal Begum). Their destined romance unfolds amidst political intrigue, military campaigns, and courtly life in the Mughal Empire. After Mumtaz Mahal's tragic death, a heartbroken Shah Jehan commissions the construction of the magnificent Taj Mahal as an eternal monument to their love.

Raja is the 18-year-old son of a wealthy Bombay businessman who suffers from his parents coldness and neglect. Shortly after finishing school he meets Bobby, the 16-year-old daughter of a poor Christian fisherman. They fall head over heels for each other, but they'll need everything they have to defend their love as their families won't accept them marrying each other...

Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.

Fate leaves Chandni shattered as her love Rohit disappears from her life. She meets Lalit and they befriend each other until Rohit knocks on her door.

Love triangle has a flowerseller and a doctor's daughter both in love with a struggling writer.

Somu and Vicky decide to exact revenge on the union leader, Bipinlal Pandey. However, when Somu understands the plight of the workers, it creates a rift between the two friends.

Surajmukhi is a 1950 Bollywood film directed by O.P. Dutta, starring Rehana, Shyam, and Gope. Produced by L. Prashad under the Madhuban banner, the film also featured Yashodra Katju and Durga Khote in key roles. The music for the film was composed by Husanlal Bhagatram.

Anita is a weird girl, who either loses her memory or pretends to not remember.

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

In a small town, Gangaa and Jamunaa's budding romance faces obstacles from Hansraj, who harbors dark intentions. Meanwhile, Saraswathi silently pines for Gangaa, as another suitor, Shanker, hopes to win Jamunaa's heart.

Kali is an uppercaste but naive and dim-witted Brahman and lives with his stepmother and her son. He has fallen in love with Pushpavali who is of a low caste. Kali's mother frowns on this and on the next small pretext throws him out of the house.

Akbar deputes Raja Mansingh to conquer Orissa, where Pathan King Katlu Khan reigns. Mansingh, despite enmity, asks for cooperation. He sends Jagat Singh to Burdwan to spy on Pathan military activities, meeting Durgesh Nandini.

Lakhan, an evil dacoit kills Shoor Veer Singh while robbing a royal locket that conceals a map to the treasure. Years later, Singh's son along with Sangha and Danny set out to save the treasure.

Vijay Choudhury lives a comfortable lifestyle with his wife, Laxmi, and step-brother, Ravi. Although Vijay and Laxmi have been married for several years, they have no children, and as a result Laxmi is shunned and humiliated in the entire town of Madhopur, despite of the fact the Vijay is the Chair of the Village Panchayat. After Ravi completes his M.A., he falls in love with the only daughter, Lalita, of Milawatram and Bandharlekha. Since the Choudhurys and Milawatram do not get along, both anticipate problems from both sides. They do overcome these problems, get married, and Lalita proves to Vijay and Laxmi that she is here to be one of the Choudhury family member. Soon Lalita and Laxmi both get pregnant, and it is here that the family will be subjected to a trauma as only one woman will be able to give birth to a child. Watch what happens when a son is born and resultant anxiety that will end up tearing this family apart.

In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.

Noor Jahan, the empress of the Mughal empire, becomes the favourite wife of Emperor Jahangir and steadily begins to exert more influence on the throne through her love for him.

Two movie actors are confronted by startling and hilarious obstacles.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

Sunil lives with his mom and sister in a middle-class dwelling in Delhi, India. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting and instantly falls in love. The only problem, Sunil hates rich girls and this girl is very wealthy.

A feudal aristocrat's life changes when his mansion is sold to Durgaprasad, a labourer who has become rich. To add to his worries, his daughter is forced to work in the mansion that was once her home.

A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.

The story is of a family consisting of a mother and her five sons. A relative causes discord. The mother argues they need to stay united like the walls of a room to avoid collapse.

A charming and reckless man finds his easy-going life of adventure and romance suddenly threatened when he must outwit a ruthless, unseen enemy who views life and love as nothing more than a dangerous game.

The film depicts Omar Khayyam's life, including his rejection of dancer Mahru, which prompts her and rival Ghiyas Beg to persecute him. Despite exile and suffering, Khayyam persists in his humanitarian and scientific work. The plot concludes with his unjust conviction and death sentence for treason, followed by eventual vindication.

Do Mastane is a 1958 Hindi film directed by Harish Tara.

A wealthy, scheming rival attempts to halt the marriage of Prakash and Rani through blackmail, but the young lovers and their friend execute a cunning counter-scheme to expose the plot and ensure a double wedding.

Mr. Rai is a wealthy businessman in Jammu, India, and lives in a palatial house with his wife, Shobha, a wheelchair-bound daughter, Ashu, a grown son, Rakesh, and a school-going son, Raju. His son despises him and is waiting him for to die, so that he can inherit all the wealth and spend it on dancing girls, alcohol, and gamblers. One day while Rai was returning from the Jammu & Kashmir Bank with a suitcase full of cash, he is attacked by bandits, but is rescued by a young man named Anand. Anand is injured in this attack and is nursed by Shobha and the rest of the Rai family. Rai himself trusts Anand and initially appoints him as a Chief Supervisor, very much to the chagrin of Rakesh, who attempts, in vain, to implicate Anand in the theft of 2 Lakh Rupees. Anand uses fisticuffs to convince a hoodlum named Girdhari to let go of Rai's property.

The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.

The film revolves around the struggle of a farmer who is fighting for the rights of the farmers, against an evil businessman with the help of his lawyer son.

The story is set in the last era of British rule when after several historical land reforms in the subcontinent, the government faced the gigantic problem of assessing the actual incomes of landlords to net them in for state revenues. For purpose of direct assessments revenue officers were deputed, while for a larger number of indirect assessments, persons were sent and dispersed to villages in disguise of varying professions and for longer periods to secretly make their own assessment of on the spot realities and of actual sources and incomes.

Set in two historical epochs, 1735 and 1735. The spirited Miss Queen (Khote), performing in a period play, recalls a previous incarnation when she was the actual person she is now acting on the stage. She inherited the throne because the state of Ranigarh had no constitutional male heirs and her horoscope was deemed auspicious. Instead of being merely a figurehead, she opposes the corrupt minister Jairaj and army commander Mubarak and, following the advice of the court poet (Pahelwan), she makes sure the royal court is accessible to the suffering people.

1940 Hindi film

A murder had taken place. The suspect ran away and jumped into the water . When he was dragged out of waters, he was unconscious. A story of mystery and of breath-taking suspense.

Amidst the vastness of the sea, two souls from radically different worlds find their fates intertwined like the unpredictable tides, only to discover that the ocean of life demands a sacrifice deeper than any love.