A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
Real Life
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'Mirror Movement' was filmed in the desert outside Tucson, Arizona, in 1973, on 16mm Kodachrome stock and with a Bolex camera. In front of the camera were Christallo Parmakis and Bob Di Matteo. At this time I worked with images and narrative in, one could say, a musical way – in the sense that we did not use a previously set script. What interested me was what the film itself needed, going from one scene to the next, the imagery and what could be achieved with that landscape and the combination of those two people. This way of working involved editing in the camera, hard work and dedication. (Håkan Dahlström)
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
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A continuation of the documentary spoof of what Thor and his roommate Darryl were up to during the events of "Captain America: Civil War". While Cap and Iron Man duke it out, Thor tries to pay Darryl his rent in Asgardian coins.
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When Jay and Silent Bob learn that their comic-book alter egos, Bluntman and Chronic, have been sold to Hollywood as part of a big-screen movie that leaves them out of any royalties, the pair travel to Tinseltown to sabotage the production.
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A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
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Fresh off being unseated as the ruler of Sakaar, the Grandmaster makes his way to Earth to start a new life. It's been over a year since Thor left Australia and Darryl has been struggling to pay his rent. Now Darryl needs a new roommate to help make the monthly payments. Unfortunately for Darryl, the Grandmaster was the only one who answered Darryl's "Roommate Needed" ad and with no viable options, the Grandmaster moves in.
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Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
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Join the likes of Oscar Isaac and Ethan Hawke as they reveal how Marvel Studios' Moon Knight was painstakingly brought to life. Through insightful interviews with cast and crew, along with immersive footage from the set, and a candid "roundtable discussion" with the series' directors, this "making-of" pulls back the curtain on the groundbreaking series of Marvel Studios' newest hero.
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For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.
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In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
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Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.
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