Historical film based on the life of Wu Zetian, the only female emperor in Chinese history
Historical film based on the life of Wu Zetian, the only female emperor in Chinese history
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.
Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.
Three enthusiastic graduates - Chu Lan - lan, Cheng Chia-I Lin Ta - hua - joined Chun Li Primary School as teachers. The school was sponsored by the working and fishing community on an islet under the leadership of veteran worker Uncle Chen to keep their offspring away from the bad influences of the society.
Two ladies of the sword are transporting a valuable Dragon Pearl and everyone else wants it. They’re assisted by two heroes, one of whom is somewhat less heroic and more of a rascal, although both demonstrate strong fighting skills.
A scholar falls for a beautiful maiden whom he invites to stay with him, but she is not what she seems to be...
Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.
Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.
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