Mi mejor escena

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

The way a group of police journalists track and obtain information for their work.

In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.

In 1997 the Argentine filmmaker Fernando Birri returned to his home country to film a documentary on the 30th anniversary of the death of Che Guevara and the relevance of utopias at that time. Carmen Guarini decided to record those moments. A rough edit of this film was hidden away on a fragile VHS tape for twenty years. Today, these images come to life and shed some light on the life of this Latin American poet and master filmmaker, who, at the age of 92, still refused to give up on his own utopias.

Between March and October 2000, millions of people around the world took to the streets to denounce poverty and violence against women. The historic World March of Women was a bold initiative of the Québec Federation of Women and represented a turning point in global solidarity. Director Sophie Bissonnette invited five filmmakers from around the world to cover the march. She also asked each one to film an innovative project. Set against the backdrop of a song, 'A Score for Women's Voices' ends at the UN, where women deliver 5 million cards signed during the marches. Their goal? To change the world.

Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past.

A tight-knit team of FBI investigators, along with their District Attorney supervisor, is suddenly torn apart when they discover that one of their own teenage daughters has been brutally murdered.

A former communist militant and a "live and let live" man form an unlikely friendship on a park bench, sharing their life stories with humor and heart.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

All seems well for Amadeo, a shy but talented foosball player who's in love with the free-spirited Laura. Trouble strikes when Grosso, the world's best soccer player, returns home with plans to destroy the village and turn it into a new sports stadium. When Grosso kidnaps Laura, Amadeo receives the ultimate surprise when the figurines from his foosball table spring to life to help him save his beloved and reclaim the town.

Carmelo, who is 30-years old and extremely shy, finds it difficult to reveal his innermost feelings to Verónica, his co-worker. Carmelo's world collapses when he finds out that she intends to get married soon. Accidentally, she spots him demonstrating in a gay rally where he becomes a leader of that cause. Of course, Verónica assumes that Carmelo is gay, and he takes adv antage of this misunderstanding.

A female teacher asks a bus driver to take her urine sample to Buenos Aires for its analysis.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

A collection of 10 short films made by known Argentine directors on the AMIA bombing of July 18, 1994.

A chess columnist ends in prison when one of his columns is mistakenly seen as a subversive attack. From there he invents a game of war and strategy and a cellmate who escapes uses it initiating a real revolution.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

Once Pedro Chazarreta found murdered in the wonderful gated, El Tribuno newspaper hires retired detective novelist Nurit Iscar/Betibù that is installed in the area and a series of newspaper columns about the case. Along with the Chief of police of the newspaper, Mariano Saravia, and a veteran journalist, Jaime Breña, Betibù starts to investigate the murder. Using an old photo of the adolescence of Chazarreta, which shows him with fellow high school, the Group discovers an apparent connection between this murder and a succession of apparently trivial deaths of members of the photo. At the same time, Betibù must face its past emotional with the editor of the newspaper, Lorenzo Rinaldi, who seeks to restore the relationship.

Two boys are sitting on the street, drinking alcohol and talking.

Based on a true story, this compelling film follows Sandra and Valentina, two former nuns whose paths intertwine years after shared trauma. As they confront their past and unexpected feelings, they manage to transform their pain and find the strength to overcome the after-effects of the abuse they were subjected to into shared love and their marriage.

A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who is determined to discover the truth.

Thriller about a family whose ties are put to the test when the patriarch’s wife dies.

A young man is struck and killed in a traffic accident, and the wrong man is accused of the homicide.