Menschen

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

Wide-eyed and poor young Leonora weds an obsessive millionaire named Ohlrig, but the marriage is loveless. Even worse, Ohlrig seems to have manic, violent tendencies. Eventually, young Leonora escapes her unhappy life and begins working with New York City doctor Larry Quinada, who she soon falls for. Unfortunately, Ohlrig refuses to grant his wife a divorce, and things get even darker for Leonora when she realizes she's pregnant with his child.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

In occupied Berlin, an army captain is torn between an ex-Nazi café singer and the US congresswoman investigating her.

Poor physics student Marie is studying at the Sorbonne in 1890s Paris. One of the few women studying in her field, Marie encounters skepticism concerning her abilities, but is eventually offered a research placement in Pierre Curie's lab. The scientists soon fall in love and embark on a shared quest to extract, from a particular type of rock, a new chemical element they have named radium. However, their research puts them on the brink of professional failure.

When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.

On New Year's Eve 1946, Sheila Page kills her husband Barney. She wishes that she could relive 1946 and avoid the mistakes that she made throughout the year. Her wish comes true but cheating fate proves more difficult than she anticipated.

A young man succumbs to gambling fever.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

A prison warden fights to prove one of his inmates was wrongly convicted.

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.

Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her.

Propaganda film detailing the plight of ethnic Germans, known as "Volga Germans", in the Soviet province of Manchuria.

A gambling-drama based on Dostoevsky’s works: The retired General Kirileff is addicted to gambling and also has a costly affair. He takes out a loan from the greedy imposter Vincent, for which he is to pay an exorbitant interest rate. Vincent, for his part, wants to get closer to Kirileff’s daughter Nina, who is to inherit her grandmother’s fortune one day. Nina tries to help her father and goes to the gambling tables, only to lose a lot of money. She asks Alexej, her father’s secretary, to play for her. Alexej is in love with Nina and would do anything for her. He plays; at first loses; then asks Nina to get Vincent out of there. Once that happens, he wins a large amount of money, becomes overbearing and treats Nina like a prostitute.

For many years, Ulrich, the hereditary forester, and Steinbach, the landowner, were the best of friends. But one day, this friendship is put to a severe test: Driven by financial need, Steinbach wants to have the forest cleared, which Ulrich condemns as brutal exploitation of nature – and therefore refuses to grant permission for the project. To clear the way for his plan, Steinbach ensures that Ulrich is dismissed as forester. When, a few days later, the dam built by Steinbach is blown up and the floodwaters inundate Steinbach's sawmill, suspicion immediately falls on Ulrich. The hereditary forester is ostracized, threatened, and even fears for his life.

The story of Madame DuBarry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

Parisian Women (German: *Pariserinnen*) is a 1921 German silent film directed by Léo Lasko. Ressel Orla, Xenia Desni, and Ralph Arthur Roberts starred in the film. The film premiered at the Marmorhaus cinema in Berlin.

"The Bear Joseph", so named because of a fight with a bear, is rescued by Wally, a farmer's daughter, from a dangerous situation in a vulture's nest. He then calls her "Geierwally". They fall in love. Wally's father disapproves of this romance. He has other plans for Wally.

The movie follows two distinct plot lines until the two eventually merge: the first is that of the bored middle-aged man seeking a departure from monotony in his life; the second is that of the blind man and the little boy, his grandson, who are interdependent. None of the characters have been given names and are therefore referred to only by description. The city is an expressionistic nightmare, a dangerous and chaotic place.

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

Juggler and con-artist Caesar comes to Karlsbad, where he hopes to trick the renowned Vaudeville manager Willard into taking him to America. But when he actually meets Willard, Caesar mistakes him for a certain Mr. Lehmann. Willard / Lehmann is not amused, since Caesar constantly courts his daughter Eva. While fooling around, Caesar doesn’t notice that young Rosl, the daughter of innkeeper Mrs. Svoboda, has fallen in love with him. Finally, the romantic and comical confusion is resolved during a hotel fire.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

A 1920 German costume drama from the days of Napoleon Bonaparte directed by Arthur Teuber and starring Carl Auen as Johann Baptiste Lingg.