Mejdidi

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Alone, his wife, Sarbojaya, looks after her rebellious daughter, Durga, and her young son, Apu, as well as Harihar's elderly aunt Indir. The children enjoy the small pleasures of their difficult life, while their parents suffer the daily indignities heaped upon them.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

Jogin, a poor school teacher, had brought up an orphan Tomato as his nephew. But now suffering from the deadly tubercolosis, he decided to gamble with luck to see if a better home could be found for Tomato.

When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.

Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.

Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

A 1958 Bengali Romantic Drama Film directed by Jiban Gangopadhyay featuring Mahanayak Uttam Kumar.

The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.

A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.

Heeru, Naren, and Chandranath were friends. From his college days, Chandranath had been aspiring and ambitious. He is also a man of strict principles in life. He leaves his brother and sister-in-law and goes away to gain immense power and knowledge. In the meantime, he marries and is blessed with a kid. However, Chandranath's quest to learn more drives him to leave his new family as well as he sets off to achieve new goals in life. He not only fails to fulfill his request but ends up losing his family too. On the other hand, Naren hails from a rich family and is a happy-go-lucky-natured man. He appreciates the finer aspects of life. He falls in love with a courtesan and brings her home. Caught between the two friends who have opposite ambitions in life, Heeru wonders which path would bring contentment in one's life. However, Heeru loses control of his life and slowly realizes that his life has become a mirror of Chandranath's life.

Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.

Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.

When Abhoy gets engaged to Sabitri she starts to ridicule him as he is old fashioned and socially awkward. Will situations change for Abhoy?

The wealthy, self-obsessed, and possibly crazed Manoj (Barua) is sent by his concerned family to the rural estate of his future father-in-law. Along the way, however, he gets lost and soon finds himself taking shelter in the abode of the railroad stationmaster whose beautiful, down-to-earth daughter, Meena (Kenan Devi), Manoj finds irresistible. When his haughty, progressive-minded fiancée gets wind of this, she freaks out and soon there is a showdown between the two women. In the aftermath, Manoj finds reason to go with his heart and marry Meena.

Ramesh is the eldest brother in a close-knit joint family. When his salary is doubled, he pays more attention to his wife and child's needs, making others jealous. The family disintegrates as members start moving out to live separate lives. Will they realize the shortcomings of living independently?

Ajay is a musician by hobby and also runs a business. His younger brother Arun wants to become a doctor. After his mother’s death, Ajay becomes the head of the family however, he falls into debt. He decides to take singing lessons to earn money. Bandana is a good singer and she starts taking classes from Ajay. Ajay starts liking Bandana because she is a charming lady and sings well. Arun and Bandana meet and they fall in love. Ajay is forced to sell his inherited property to pay Arun’s fees. His poverty is only short-lived as his popularity spreads and he becomes wealthy. In the meantime, Arun comes to know that Ajay has sold their family property but does not know the reason behind the act. This creates a misunderstanding between the two brothers. However, it is soon cleared and Ajay transfers his wealth to his brother. Arun and Bandana got married.

Pushpa, thrown out of her house by her husband, is pushed into prostitution by someone she trusts, and has a complex relationship with an unhappily married businessman, but finally gets what she has always longed for.

Shreemonto, who raises his son Jayanta alone, finds solace in his friend Anuradha, but she soon leaves him. Years later, Jayanta falls in love with Anuradha's daughter.

A 1951 Bengali Thriller Film directed by Naresh Mitra.

A comedy adapted from a successful play. The zamindar Damodar Chakraborty (Chakraborty) starts a school named after his wife and recruits a married couple as teachers. Manas (Ganguly in the role which had made him a stage star) and Niharika (Kanan Devi) pretend to be married in order to get the jobs. Their imposture, together with the fact that he is Hindu while she is Christian, produces complications.

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

A 1955 Bengali Drama Film directed by Haridas Bhattacharya.

A film based on the novella "Nastanirh" by Rabindranath Tagore written in 1901.

A middle-aged bank clerk happens on a stone with alchemical properties, allowing him to turn steel into gold.

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.

Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.

A Punjabi immigrant woman stuck in an abusive arranged marriage finally musters the strength to escape when she realizes that her estranged son’s life is in danger. Mother and son quickly learn, however, that life is not necessarily easier on the streets. But through perseverance and ingenuity–and a little bit of luck–they eventually arrange for the promise of a better future.

Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?

Haria, an elephant driver, loves gypsy girl Gulabi, but faces rivalry from Ajay, the tea estate owner's son. After Ajay kills Haria's elephant, Raja, Haria seeks revenge, intertwining with a family secret and inheritance dispute.

The story of the short life, and brutal gang rape and murder in Delhi in December 2012 of an exceptional and inspiring young woman. The rape of the 23 year old medical student by 6 men on a moving bus, and her death, sparked unprecedented protests and riots throughout India and led to the first glimmers of a change of mindset. Interwoven into the story line are the lives, values and mindsets of the rapists whom the film makers have had exclusive and unprecedented access to interview before they hang. The film examines the society and values which spawn such violent acts, and makes an optimistic and impassioned plea for change.

Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh