Matir Swarga

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

A powerful industrialist and a celebrated singer seem to have the perfect marriage until an ambitious young actress enters their lives. As past feelings, misunderstandings, and public scrutiny begin to test their bond, the couple must confront the fragile balance between love, trust, and ambition.

Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.

Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

This is a family drama. A poor school master had three sons and one daughter. He was very tense for his daughter's marriage. He meets his former student Bablu, who meets Minu and falls in love with her. He wants to marry Minu. But Minu loved another boy, Alok. Bablu meets Alok and helps him by giving him a job in his office. But Alok was an uncivilised person and falls in love with Rupali, a girl in Bablu's office. Rupali was not a very nice person. Bablu warned Alok about her but Alok left Minu and started staying with Rupali. Minu was dejected and wanted revenge. She wants to transform herself and Bablu helps her to become Minoti,a modern cultured lady. Alok now wants to get Minoti but she slaps him. Minoti realizes that Bablu is the right man for her and they get married.

Rahmat, a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini who reminds him of his own daughter back in Afghanistan. One day Rehmat receives news of his daughter’s illness and decides to return to Afghanistan. But before he goes a violent fight with a customer leads to Rehmat killing him. He gets out of prison ten years later. Based on a Rabindranath Tagore story.

Kabita, a middle-class working woman, looks after and tries to financially support her family. Soon, she sacrifices the love of her life for her widowed sister.

While shooting a documentary on true love, Pramit learns of a mysterious village named Mohini where anyone who enters will fall in love. He and his camerman decide to seek out this strange place.

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

Bengali drama film

Sub-Inspector Tinkari Haldar comes to the house of the Industrialist Chandra Madhab Sen to inquire about a Suicide and Mystery starts to Unfold.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

The story of a popular young writer and an idealistic young architect.

The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.

The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

A man survives a shipwreck and brings his wife home only to find out the woman he found unconscious on the shore was not his betrothed but a complete stranger.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

Arun, a famous Bengali actor, approves Shuvobrata's proposal of remaking Satyajit Ray's famous film 'Nayak'. Problems arise when Shuvobrata requests his live-in girlfriend Shrin to act opposite Arun.

A scientist accidentally finds a drug that can reveal an individual's past. However, when a few politicians fear their exposure, they plot to kill him.

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.

Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.

The story revolves around Nayantara, a woman who is perceived as a witch by the villagers. As the narrative unfolds, it gradually reveals whether she is indeed a witch or if her tragic life has led her to appear that way.

Anandamela is a comedy Bengali film directed by Mangal Chakraborty. The film was released in 1976 under the banner of Ananda Chitra

Minati marries Tonmoy who undergoes a serious accident.

Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.

Rawmapawdo is a poor farmer in Bengal who reunites with his ravaged wife and starts afresh with the help of Shankar, a social reformer.

Asadharan is the story of Jagabandhu, a man who is always eager to help people. He doesn't even think of his well-being in his efforts to do so. The district's magistrate asks him to help him and reveals the corrupt government officials. Jagabandhu falsely declares his death, hoping to get financial help and the support of the people. No one turns up for his funeral, and he is disheartened. He reveals the corrupt people and leaves his district forever.

The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.

Chupi Chupi is a 2001 Indian Bengali romance film released on 2001.

Fuleshwari, a beautiful young woman, falls in love with Brindaban, a simpleton who arrives in her village. She plans to marry him but is hesitant when she learns that he is involved in a crime.

Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?

When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.

The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)

A budding singer's marriage with his childhood sweetheart is in shambles after his ex-girlfriend from college comes back in his life.

Mr. Mukherjee, along with his family, is caught in a storm. His son Chandranath AKA Lattoo is the only survivor. While growing up, he faces many hardships and meets a lonely cabbie, Bhola, who decides to unite him with his family.

Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.