Mathias Sandorf

James Bond is sent to investigate after a fellow “00” agent is found dead with a priceless Fabergé egg. Bond follows the mystery and uncovers a smuggling scandal and a Russian General who wants to provoke a new World War.

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.

Vittoria is a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.

In order to get María Rosa, the woman he is deeply in love with, Marsal murders a moneylender hated by all the people and casts suspicion on his friend Andrés, the husband of his beloved María Rosa. After being imprisoned Andrés, Marsal becomes the protector of María Rosa while waiting for the development of events.

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a "web camera" which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.

Pierre Fresnay plays the title character in Le Defroque (The Defrocked One). Cast out by his church, former priest Maurice (Fresnay) delights in mocking the traditions and credos of Catholicism. Even so, young Gerard (Pierre Trabaud) becomes convinced that Maurice has never truly lost his calling. Becoming a priest himself, Gerard devotes his life to bringing Maurice back into the fold. Things don't turn out quite as Gerard hopes, however; he has not reckoned with the possibility that Maurice may have been driven into insanity by his raging self-hatred.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

A married Roman landscape architect starts an affair with a young woman who might be a shadow from his past.

At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.

In the Camargue a local young playboy named Frédéri falls in love with a young woman from Arles. His family thinks she is unsuitable as a wife because she had a fling with a soldier. His entourage attempt to cheer him up but he intends to commit suicide.

The film tells the story of two writers in love with the same woman. For years, they have worked together. One day they separate. Ten years later and Ditirambo meets up with Rocabruno, at the very least to tell him his latest story. An epilogue that closes what they together have opened.

After being released from a mental hospital, a troubled young man tracks down an actress he once had sex with and forces her into captivity, determined to make her part of his life.

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.

Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

Catherine Hubscher, who washes the shirts of young Napoleon and other soldiers fighting the Revolution, falls in love with Sergeant Lefebvre. Circumstances bring Lefebvre a noble title and even more -- Napoleon decides to make him the local ruler over a large territorial fiefdom. But trouble brews when Madame Sans-Gene, now elevated to the nobility along with her man -- cannot keep her frank observations under control.

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.

Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.

The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.

Henri La Tour, a strolling player, is also a daring adventurer. So, when, after accomplishing a brilliant feat, he is awarded a title by King Louis XV, the Duke of Saint-Sever takes offense at it and challenges Henri to a duel. However, while they fight, a group of Austrian soldiers appear suddenly and the two rivals instantly unite to repel their enemies. Unfortunately, Saint-Sever is mortally wounded and, feeling he is about to die, he entreats his new friend to offer protection to Toinon, his natural daughter, whose life is being threatened...

Louberger, director of an orphanage, is full of praise for a former boarder, Mr. Sauval, who has become their benefactor. One night he arrives and he does not seem to be exactly the man described by Louberger. He has in fact become a crooked lawyer and he is wanted for a crime he has just committed. Despite his efforts he will not escape the police but he will manage to remain, in the eyes of the children, at the height of his legend.

Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.

A group of people visit a weird old man who is a student of the black arts. The man lives in an ancient, cursed castle. Soon people in the group start being killed off.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

Mario di Donati, a deserter from the Italian army, lives in Paris under a false name with Germaine, his French lover. When the latter learns about his hidden past, she feels hurt by Mario's lack of trust in her and she distances herself from him. In despair, Mario surrenders to the law but, at the time of trial, he runs away to join the woman he loves.

This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion. 

A man and a woman, both disappointed with their partners, meet by chance at the beginning of the night. They will spend the night together drinking red wine in Barcelona's Chinatown.

A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...

Mutated by his own secret formula, Dr. Alec Holland becomes Swamp Thing, a half-human, half-plant superhero who will stop at nothing to rescue government agent Alice Cable and defeat his evil arch nemesis...even if it costs him his life.

XVII century Spain. Don Pablo tries to climb position and falls into the hands of students, rogues, whores, fake skilled, executioners, jailers and comedians. Based on "The Buscón called Pablos" Francisco de Quevedo.

The Swamp Thing returns to battle the evil Dr. Arcane, who has a new science lab full of creatures transformed by genetic mutation, and chooses Heather Locklear as his new object of affection.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

Shortly before the War, Jan Lazlo, a Hungarian musician who has emigrated to France, falls for a young woman. Alas, the lady forsakes him and the poor man tries to overcome his grief by writing "Gloomy Sunday", a song so desperate that it can drive its listeners to suicide. Max, a music publisher, likes the song and decides to launch it by all means, foul or fair. Bob, his accomplice, manages to talk his mistress Michèle into committing a fake suicide. She obeys him and the scheme is a success as a result. On this occasion, Jan gets to know Michèle and the two young people fall in love. Happiness seems to be in store for Jan again but this is without counting with Bob. Jealous of Jan, the naughty fellow indeed tells him that Michèle's attempted suicide was nothing but an advertising pretense.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

A mad scientist captures young women and drains their blood, in order to keep alive an ancient, evil duchess.

After WWII, a young man without perspective arrives in Rome. Living in a loft, he gradually discovers the city becoming a tour guide.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

A chronicler gets himself hired as a gamekeeper in Monsieur De Saint-Ricquier's mansion where he lives with his stepdaughter, Henriette, everybody considers insane .

In 1969, Jesús Franco and Christopher Lee shot Count Dracula in Barcelona. At the same time, Pere Portabella became aware of this filming, vampirizing it in Cuadecuc, Vampir. Genre and Art-house films had never been so close. Drácula Barcelona tells the story of these two movies.

The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.