Marriage in a Season

Darso, a clown busker, lost his wife and unborn child to thug violence. In grief, he brought his wife's body back to his village. However, the village is in chaos due to a conflict with an evil developer and a curse ritual that summons dark forces. Darso is also caught up in the evil forces connected to the person he loves most.

Set in 1960s Java, a young Javanese woman betrays her teacher, falls in love and must face dire consequences.

Two siblings, Ali and Zahra, who agreed to keep the matter of Zahra's missing shoes a secret, which Ali had brought in for repair. To solve the problem, they decided to share Ali's worn-out shoes. Zahra would wear them in the morning during her school schedule, and after returning home, she would run as fast as she could so Ali could wear them to school in the afternoon. New hope emerged when Ali learned of an inter-school running competition with a prize of a pair of shoes for the third-place winner. Ali signed up, determined to win the competition so he could buy Zahra new shoes.

Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.

Although Ayu has been honest, Sutra is continuously haunted by the fact that Ayu was not a virgin when they married, even after five years of marriage. As a result, Sutra always faces problems in having sex with his wife. Then when he finds out that Ayu met her old friend, Manaseh, Sutra becomes increasingly suspicious and his mental state grows unstable. He himself has a relationship with Rhoda Darsono, who has a very possessive nature. This disturbs Sutra, who only wants to have fun with her. Just when Sutra starts to realise his mistake, he is murdered.

Office clerk Mamad breaks his ethics and steals a pack of paper from his office while preparing for his seventh child’s birth. Haunted by guilt, an opportunity to confess seems to always elude him.

Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.

The level-headed owner of a struggling coffee shop finds his future at risk when his partner—a talented but cocky barista—makes a major bet with a wealthy entrepreneur. To save their beloved shop from bankruptcy and overcome their differences, they must find the ultimate perfect cup of coffee.

A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.

After her husband passes away, Dameria is forced to give up her daughter, Sari, to be adopted by her aunt, the spinster/lawyer, Purwanti. Dameria remarries to Zainal and lives a good life. Later, she yearns for Sari who is now a grown up. Sari knows about her intention. Dameria visits her at school, takes her for walks and lunches. Ten years later, when Purwanti is overseas for business, Sari leaves for Medan to meet her biological mother. When she returns, Purwanti goes straight to Medan. A confrontation ensues but Purwanti lets Sari decide. The girl eventually chooses to stay with her biological mother. But as time goes by, Sari feels uncomfortable with the new atmosphere and finally returns to her aunt’s home.

A caricature sketch of life in a modest flats.

The death of Mrs. Maengkom causes some change in her family. Willy Maengkom, the father of four children, has to learn to manage the household. He becomes extremely busy because his oldest daughter, Elsa, has to be hospitalized after the death of her mother, who slipped on a bathroom brush that Elsa left. After she recovers, Elsa feels the responsibility to replace her mother. Taking care of her father and her three siblings changes her. She is not the lively and active teen in church and school anymore, and starts behaving like a housewife.

Ineke and Jamal, have already discussed their marriage plan, but disaster strikes. Ineke is hit by a horse, and faces the possibility of paralysis. Jamal, who has already applied for a job in the oil industry, has to leave her in the hospital and goes to Natuna island. Jamal never fails to send her letters, but his letters are always kept by Ineke’s mother. Doctor Yaman, who has just returned from Timor Timur, is challenged to cure Ineke. His effort is successful and he even marries Ineke who has forgotten about Jamal. Then Jamal returns home and is heartbroken when his younger sibling informs him about the situation. Ineke’s mother feels guilty.

Set in 19th century Batavia, within the community of Portuguese descendents, Amallo has issues withhis father, Umbu Kapitan, because his irresponsible behaviour has led to his mother’s death.

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

Agus moved out of his huge house because his father, Raden Mas Sudewo, intended to marry Rahayu after his wife's death.

The world of science is shocked with the creation of sophisticated weapons as the savior of the world from giant asteroids that can hit the earth in the future. But, these weapons are successfully hijacked by a group of villain led by Durja King and transformed into a threat of destruction. But in times of crisis, GARUDA appears as a figure who has super power that can save the world.

The story follows Prayoga’s revenge against Bandot, who killed his brother, Prabowo, after Prabowo made Bandot’s girlfriend the model for his painting.

Indonesian war movie set during the Japanese occupation of WWII.

Siska, a young woman was heartbroken after her fiancé broke off their engagement. Unwilling to see his sister depressed, her brother Johnny introduced her to his friend Leo, who is known as a womanizer.

Director Teguh Karya intended to make a “real” comedy amidst the many slapstick comedies at the time, and in fact calls this film a bitter comedy. In the film, Ms. Sumirah, a widow who used to be a favourite pretty girl in Padalarang, worries about her daughter Anna, who is shy and self-conscious. She keeps pushing Anna’s brother, Willy, to invite home a co-worker from the clothing factory he works in. Then a change occurs after Anna meets Jaka, an English teacher living near her house. When their relationship starts to bloom, it is found out that Jaka is the son of Saodah, a woman who once had an affair with Sumirah’s husband, Van Nijs. Sumirah changes her mind and opposes their relationship. Finally Anna and Jaka elope.