A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
Mariza is known as a thrilling live performer, and it seems clear that she responds to the audience as powerfully as they respond to her. The live album medium seems ideal for such an artist, and with Concerto em Lisboa, Mariza delivers what is undoubtedly the finest album of her still-young (though internationally renowned) career. The accompanying DVD is both full of fascinating historical information about fado music, as well as an inside look at Mariza herself, who comes across as humble, kind and incredibly down-to-earth.
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
The new queen of the Portuguese folk music known as fado shines in the impressive Mariza Live in London, a 2003 concert recorded at the Union Chapel in London. The twentysomething Lisbon resident has been hailed as the successor to fado legend Amália Rodrigues; now, after two well-received CDs, comes Mariza's first filmed concert performance, and it is stunning. Mariza is backed primarily by acoustic guitar, acoustic bass guitar, and "Portuguese guitar," a 12-string instrument that looks something like a lute and sounds a bit like a Greek bouzouki; there is some piano as well, and Guy Barker's muted trumpet provides "O Deserto" with a pronounced jazzy feel. But the singer is the main attraction here, and the power and passion of Mariza's delivery on "Barco Negro" and nearly all the others in the 16-song set, including more upbeat, celebratory numbers like "Oica La o Senhor Vinho" (the introductions are in English, but the tunes are all in Portuguese) are undeniable.
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