Marinaleda

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, the father of one of her pupils. When learning that Vladimir cannot come because his wife organized a surprise trekking holiday in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with Patrick, a protective donkey.

Lambert, a recovering sex addict, tries to redeem himself by becoming a marriage counsellor. He stays abstinent for several months, but his alluring assistant's unbridled sexuality tests his resolve.

Tired of life on the run, a pro thief decides to retire — but not before one easy last job with her partner in crime and a feisty new getaway driver.

A young Romanian woman living in France works for a French family and joins a theatre company who are adapting Octave Mirbeau's The Diary of a Chambermaid.

After years of toxic relationship with Joachim, Laura is raising their daughter on her own. Joachim's new partner, Shirine, shows up at Laura's door in trouble. Laura realizes that they are both under the same harmful influence. The two women try to help each other find a path out of the toxic relationship.

David Zimmerman, almost 40, is a photographer but no one knows it. When friends drag him to a wild party, he spots a woman in the crowd and can’t take his eyes off her, he follows her… A few hours later, David wakes up: he’s in the body of the unknown woman.

Sophie is far from being the model little girl one would like her to be, unlike her friends Camille and Madeleine. She always insists on having her own way, often getting into trouble, to the despair of one and all. But her mother is unbending and otherwise inclined. She will not let her get away with anything, and poor Sophie will often have to live with the consequences of her bad behaviour and learn her lesson.

Anticipating eviction from her retirement home after the death of her son and sole provider, rebellious septuagenarian Émilie decides to take revenge on all those who have wronged her. During her journey of initiation, she cuts to the quick to right the wrongs and is joined by Linda, a cleaning lady with whom she has forged a close bond. She, too, has nothing left to lose and decides to wage war against those who have scorned her. Soon, these two companions are hunted down by a pair of policemen.

Following the burial of his father, in his village right in the middle of the Corsican countryside , Dumè discovered the existence of a brother, Lucien, with whom he will have to share the inheritance left by the patriarch... On the condition of being able to live together for a month in the family home. Under the backdrop of cultural legitimacy and of real estate inheritance a balance of power will be established between Lucien, the blood son, and Dumè, the adopted son.

An eccentric family portrait set during the May 1968 protests in Paris. A nine-year-old boy stays with his grandparents and uncles while his parents protest. When an illustrious guest seeks refuge in the apartment, the family’s dynamics change.

Lina, a film director, learns from her friend Judith that Bastien, the highly professional sound editor she works with, is a serial seducer. Lina doesn't pay much attention to it, especially as she can't see any signs of him corroborating this reputation, but those around her keep asking her questions...

Four seasons to tell the fluctuating moods and mores of a small community that shares its daily chores and life experiences in the military base of Fort Buchanan. In this imagined (perhaps dreamed?) location, peculiar habits respond to the needs of a peculiar environment. Roger, a fragile gay man, and his female companions, trying to cope with the absence of their husbands, go through their own brand of challenges for survival, with their own form of outdoor camaraderie, thought-occupying chat and DIY activities. Roger has a tough daughter who runs him ragged, but he has buddies willing to help: Justine, Denise, Pamela and Claudia-Joy.

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

When Blanche meets Grégoire, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Together, they relocate. For Blanche, far from her family, from her twin sister, Rose, a new life begins. But little by little, she finds herself caught in the grip of a deeply possessive and dangerous man.

A successful photographer gives up everything to devote himself to writing and discovers poverty.

Bright days ahead? Caroline has retired, at last. A new life lies before her: time to take care of her children, her husband, and, most of all, herself. However, she soon comes to realize that this new freedom is synonymous with boredom and idleness. Especially when she receives a membership to her neighborhood’s senior club as a birthday present… Reluctant at first, she nevertheless decides to take the plunge. Oddly enough, she meets great people there, starting with the young computer science teacher, who is far from insensitive to her charms. Caroline gradually takes control of her life again and lives a second youth: taking a new lover, living new experiences, breaking the rules, not doing what’s expected of her… Who said that retirement was the beginning of the end and not a new beginning?

Greg is a police lieutenant; he must collect informations on eco-activists, infiltrating them for months. Myriam, a young free woman, is fighting to save a forest from the building of a dam. They meet and fall in love on the Zone. A beautiful life, a joy that Greg discovers, despite the risks of being unmasked. For each of them, time is short: soon everything will disappear.

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

An elderly woman has secluded herself in her remote home in the French countryside, when a young foreign couple on vacation suddenly intrudes on her isolated life.

Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.

Andréa spends the summer writing in a holiday home. Inconsolable after a break-up, she urges her sister Ninon to join. But her ex-girlfriend Elise unexpectedly shows up to patch things up. And it’s already too late to tell Ninon not to come. Let the full game begin.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

Two young boys, Victor and Rainer, take the commuter train to spend the evening in Paris. In a nightclub on the banks of the Seine they go from one disappointment to another, from failed chat ups to street brawls. But as they get carried away by the night, they leave the city for the forest. In the silence of the moonlight nature, the desire between the two friends becomes increasingly vibrant. A new day is born from their friendship.

Paris. Winter. One night, Antoine, a 22 year-old boy, decides to go to the seaside. All night long, dealing with drug and love, he will try to buy his train ticket, which will leave at the crack of dawn.

After a break-up, Jimmy has returned to live in the neighborhood where he lived as a student. He knows the streets, cafes, and discussions among friends by heart. And yet, this afternoon, everything seems foreign to him, apart from his sorrow.

Ideas improve. With the help of the meaning of words. Plagiarism is essential. Progress implies it. It embraces a writer's sentence, uses his expressions, erases a false idea, replaces it with the right one.

When penniless young writer Labidi meets Elisa he knows she’s the one for him. But Paris is expensive. A captivating film that combines the classic themes of French New Wave cinema with questions about roots, familiarity and distance.

Two teenagers meet one Saturday evening to hang out together. While they cross Paris, meetings and disappointments are linked and push them to ask themselves about the feelings they have.

Thomas, a Swiss-German musician, is stuck at home because of a broken foot. He wanders around his tiny Parisian flat, his leg in a plaster, busy composing a new piece. At sunrise, an unexpected female visitor is showing up for him at the door.

Two boys meet by the side of a road. A strange desire drives them to cross the volcanic landscapes of Auvergne together, like a huge treasure hunt. To probe the mysteries that inhabit the mountains, they tell old stories of condemned wizards, spells cast in secret, forgotten sabbaths. Haunted by these stories, they gradually become the protagonists, until these adventures reflect on the present of their meeting.

If we regard wandering as a way of inhabiting a place without claiming ownership or blending into it—a notion still open to question—the inner movement within this wandering, which sometimes feels like stillness, indeed traces an irreversible line toward a gradual dispossession of self. Dispossession in all its forms, yet primarily there is the issue of language. In the short film Le Livre laissé blanc, we explore the protagonist’s conscious journey as she confronts her loss of language within the inner landscape of her wandering. She attempts to remember her lost language or, alternatively, to make the language of the Other her own.