A pioneering family fights back against a gang of vicious outlaws that is terrorizing them on their newly-built farm on the plains of Montana.
Terror on the Prairie
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Brazil, 1940. Maria, a young outlaw, discovers she is pregnant; after her band is wiped out, she flees to the Center-West to give birth and start life anew. She joins Getúlio Vargas’s "March to the West" government program, which promised land to small farmers. In the first half of the story, Maria confronts untamed nature—discovering that farming is an art. In the second, her past comes back to haunt her, and she must summon her fiercest, most indomitable courage.
A pioneering family fights back against a gang of vicious outlaws that is terrorizing them on their newly-built farm on the plains of Montana.
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Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
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Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
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A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
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Two tough westerners bring home a group of settlers who have spent years as Comanche hostages.
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A wandering cowboy gets caught up in a range war.
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A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.
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Put-upon lawman John Dorsey is on the verge of losing his wife and his job as sheriff, so he posses up with bullish U.S. Marshall Butch Hayden to hold outlaw Emily Rusk hostage. A battle of wills ensues as Emily turns the posse on themselves, but as her marauding husband and his gang approach, Emily and John realize they will need each other to survive.
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Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
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In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.
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