Postman Titus Müller returns from his daily rounds with a letter that will change the course of his modest provincial existence.
Make Me Happy (German: Mach' mich glücklich) is a 1935 German musical comedy film directed by Arthur Robison and starring Julia Serda, Albert Lieven and Richard Romanowsky.
Postman Titus Müller returns from his daily rounds with a letter that will change the course of his modest provincial existence.
A diligent office worker and a cheeky sales representative are tasked by their boss with reserving a first-class hotel room with a bathroom for a visiting Hamburg exporter and his wife. A misunderstanding leads to non-stop confusion, because the office worker is spending his first wedding anniversary with his wife in the rented hotel room.
General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.
Peter Korff isn't a famous actor yet, but he is young, handsome, adventurous – and once again hopelessly in love. The object of his affection is named Erika and works as a model at the fashion salon "Yvette." Although the pretty young woman claims to be just as in love with Peter as he is with her, she's always up for a little fling behind his back.
Aimless Bohemians are encouraged to find their salvation in Arbeit (Work) in this propagandistic Nazi era German production.
Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?
Pepe Nietnagel and his fellow students of the Mommsen school come up with all kinds of ideas to get out of doing any actual school work. This includes simulating suicides, setting off the air-raid sirens and abusing the school director's new broadcasting system. They succeed in sending their teacher to a sanatorium and get a replacement that turns out to not be so bad after all.
The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered.
The traveling salesman for a bathing suit company has trouble getting business until he meets a girl willing to take off her clothes and act as a model.Misunderstandings and complications ensue.
The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.
A shoemaker has delusions of grandeur when he inherits from a baron whose life he saved.He prevents his daughter from seeing a mere carpenter, abandons humble old friends, and shows poor judgment by falling for a couple of poseurs.
Vienna, 1826. The penniless composer Franz Schubert lives with friends in the house of court glazier Tschöll and his wife. Because of their three beautiful daughters, Hederl, Haiderl, and Hannerl, the property is called the "Three Girls' House." Hederl and Haiderl celebrate a double wedding with the gentlemen, master saddler Bruneder and postmaster Binder. Due to an intrigue by soprano Lucia Grisi, Hannerl, with whom Schubert is in love but dares not reveal herself, turns away from him and marries singer Franz von Schober. Schubert is left with nothing but music.
Ludwig Gruber, the director of a spa café, is a good man. Now and again, he makes little adventure-trips to Berlin to find business for his company. The women he is traveling with have an accident on the highway. Gruber is traveling incognito as “Mr. Rabbit” with Lotte, the leader of the group. Because of the accident, they’ll have to overnight together in a hotel. Since Mr. and Mrs. Rabbit are a “couple”, they’ll be getting a double-room, where they can … mmm … do what rabbits do. Since they both insist on climbing into bed with the lights out, it isn’t until the next morning that they notice they’ve been in the same bed the whole night. In the ensuing chaos, Grube loses his wedding ring, which is later sent to the address of Lotte’s mother, who now insists repeatedly, that he marry her daughter.
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.
The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
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