Lupus (Tangkaplah Daku Kau Kujitak)

A victim of catastrophic violence by motorbike gang members in Cirebon, Vina does not accept that her death was called a single accident. Her spirit returns to reveal the facts. What actually happened?

Agus leaves his wife and the three children. After many years, Agus wants to return but he has to apologise to his wife and children, namely Anwar, Dani and Aini. But Anwar, the oldest son, who has been supporting his family all these years, rejects him.

Four stories unfold in Jakarta, a big city that feels cold and dehumanizing. Life there strips away meaning, turning people into soulless zombies. In their search for purpose, youths turn to the only things that seem worthwhile—television and movies. This obsession pushes them down a dark path, transforming them into twisted versions of anti-heroes who make anti-social choices that spiral out of control.

The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.

The story takes place in a mental hospital. Many things are going on. There is Pesta (Bucek Depp), a junky who was moved from a prison to the hospital. He meets Beth (Ine Febriyanti), the daughter of a high-ranking government official, who asked that her daughter gets a special treatment, but this must remain a secret. There are a poet, a politician and a nurse who was an ex-patient, and Beth’s helper, also Rehan (Nurul Arifin) who has her own set of problems. The doctors at the hospital seem no different from the patients. There is also an artist who makes installation art works. His artistic doctrin is: the more complicated it is for a work of art to be understood, the better. It is unclear if the artist is the hospital 's patient, because he is never inside of the hospital but is always in the courtyard.

When Alya loses her daughter in a tragic accident, she buries her in the backyard of her mother’s village home. But the land is cursed—now her daughter has risen and she’s no longer the same.

Ustadz Qodrat now embarks on the next journey to find his wife, Azizah and once again strike the revenge of evil powers.

It starts with Rana and his best friend Janu who are climbing a mountain in bad weather. In the middle of a dense forest, they got separated and lost. Janu is lucky to be back home at last. But not with Rana. An extensive search was carried out. Rana not found. A week has passed. Rana's extended family decided to hold a tahlilan. Rana is considered unlikely to have survived and will surely die there. Dini can't accept that. As a mother, Dini doesn't want to just give up and still believes that her daughter Rana is still alive. Sure enough. After the tahlilan, Rana came home in the pouring rain.

After graduating from high school, Lupus was not accepted at a public university and forbade his mother to sell inherited jewelery so that Lupus could enter a private school and cover his debts. Lupus asks for a down payment from the magazine where he often writes with the promise of writing about teenage girls who like to come home early. He then interviewed and approached Pia {Paramitha Rusady} who went to the disco every night because the house was crowded. His widowed father only scolded him but was rarely at home. Disco is a place of entertainment. She's not like other disco girls, who are also sex-free etc. Writing about Pia had invited misunderstandings, so Lupus preached. And it is said that his father then wanted to change his attitude. Pia's story is intertwined with: catching frogs, applying for jobs that turn out to be unsuccessful.

Lupus (Ryan Hidayat) falls in love with Kunti (Conny Nurlita), the daughter of Mr. Galiman (Tile). Mr. Galiman himself is a widower who is looking for a replacement wife because he considers Kunti to be grown up. To make Mr. Galiman's intentions a success, Uncle Agus (Anwar Fuady) helps find a new mother for Kunti. He approaches Lupus' mother (Tatiek Wardiono) who is a widow, making Lupus' sister, Lulu (Firdha Razak) hate the man. When Lupus calls Kunti's house, it is discovered that Mr. Galiman is looking for a wife with the help of Uncle Agus. It turns out that what Uncle Agus offers to Mr. Galiman is not Lupus' mother, but Lulu. So, Lupus and Kunti try to make everyone aware so that Mr. Galiman's proposal to Lulu does not happen.

Berlian and her teenage daughter Daya are on the run from political violence. Constantly daydreaming that her absent father will return, young Daya chafes under the stern hand of her mother. Forced to move inland from their seaside home to a desert of constantly shifting sands, the pair settle down to their familiar antagonism. Finally, Daya sees a vaguely familiar face shuffle in from across the wasteland.

Surya, a retired ship captain and a widower with five children, has trouble with disciplining his kids. So he invites a private teacher to educate and guide his children. Several teachers try and fail. Eventually, a young teacher, Utari, is able to conquer them slowly. One day the children disturb Surya’s future wife. She suspects that Utari is behind it all, so she is fired. Utari goes home, heartbroken. The children are gloomy and the youngest one gets sick. Surya approaches the teacher to work again for them. Utari refuses. Only when the children approach her does she relent and return to Surya’s house.

Roy, a handsome martial artist and head of the student senate, organizes a camp to bridge the gap between rich and poor students. He falls for Novi, a rich girl who accepts him only out of gratitude while secretly dating Iwan, and Tiwi, who loves Roy, leaves for abroad. When Roy is revealed to be from a rich family, Novi changes her attitude.

Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.

With the theme song, Indonesia Tanah Pusaka, the film’s melodrama takes on a nationalistic undertone. Hendrik Maulana, a staff officer in the Netherlands’ Indonesian Embassy, and his half-Dutch wife Nona, return to Indonesia. Hendrik is aware that he has to work hard in his country to support his family. So he trains as an air traffic controller before he returns home. However, there is still the cultural clash and his children have to adjust to school and their hometown. Then Eka, their second child, who is always the scapegoat of the family, runs away. Eka is attracted to an orphan ice seller who can support himself. He joins him selling the ice until he is stricken with typhus. His friend then breaks the news to Hendrik and Nona. Both parents rally with their three children, to complete the family again.

Dadang's family, which has three sons, accepted Bugi to stay at his house. Bugi, Dadang's younger brother, whose parents both died. Bugi's appearance and boyishness have become the subject of ridicule for many people, both at school and in social circles. Even at home, Narsih, Dadang's wife, teases and cynics Bugi. A math and sports teacher, Zein, has another attitude toward Bugi. Zein tries to change Bugi's behavior. But other teachers, Bugi friends, and Bugi themselves misinterpreted. As a result, Zein was uncomfortable and uncomfortable, then tried to stay away from Bugi. As a result, Bugi lost his footing, a place to complain and take cover. Meanwhile, Iwan, one of Dadang's children who has low self-esteem as a result of being a child because of his mother's mistakes, feels attracted to Bugi.

When his household is no longer harmonious, Akbar's old love, Auzy, returns to his life as his son's music teacher. His wife is jealous because Akbar wants to repeat his love story with Auzy.

Following a localized string of youth abductions and homicides, a cynical newspaper editor forms a desperate alliance with a law enforcement officer and three investigative journalists to track a missing child, uncovering a malevolent force that forces them to choose between self-preservation and lethal sacrifice.

As a child, Yuli witnessed her parents die at the hands of a mysterious force after her mother became possessed. Branded a cursed and unwanted child, she survived and grew up under the roof of her father's other wife Ambar and her daughter Laras, enduring constant humiliation. Fueled by vengeance, Yuli performs a forbidden ritual. As the dark magic takes root, the world around her begins to unravel.

Joe, a film director, is shooting a horror movie on a remote island with his crew. A critical error, however, leads them to the wrong location—a mysterious territory inhabited by creatures that should never be disturbed. When Joe finds himself in need of extras, the crew encounters these "inhabitants," mistakenly believing they were summoned by Opie. Unsuspecting, the crew treats the creatures just like ordinary extras—until the situation takes a turn that is both tense and absurd.

Nagabonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. Soon a mask becomes his true self, and he becomes a true soldier and patriot.

Swordfights, disturbing midgets, kung fu, black magic, killer centipedes, zombies, special effects rivalling the Turkish Evil Dead.

After being removed from his position at the Keraton by Cokrokusumo, Brotoseno intends to take revenge. Brotoseno invites a woman named Kanti who is also filled with hatred for Cokrokusumo.

After swearing an oath to marry the one who picks up her weaving stick, Dayang Sumba embarks on an unexpected romance with a royal staff member.

A cursed mirror opens up a supernatural bridge to a demonic force that disturbs and terrorises young Maya and her family.

A seminar about Men and Faithfulness, to discuss the result of Matra magazine’s survey, that concludes that two out of three men have affairs, becomes a hot topic. Doddy, a faithful husband, becomes a suspect. The office secretary, who adores him, suspects him. His wife, Atik, also suspects him because, when working out of town, she sees the behaviour of her male colleagues. Furthermore, Doddy has to work late because he has to accompany the company’s director during a business meeting with a Japanese company. In addition, he has to find a lady escort for his guest, and at one of the dinner parties, he is photographed being very close to Neni, the escort. Atik refuses to accept Doddy’s explanations so he has to find Neni’s pimp to prove his innocence. Instead, the escort agency’s bouncers beat him up. Finally, Atik believes him, especially when she finds that Neni is going to be married to the director.

Newlyweds Merry (Lydia Kandou) and Andi (Ray Sahetapy) have to say goodbye to Anita’s parents who are going abroad for a holiday. Aunt and Uncle (Zainal Abidin, Ida Kusumah) have been asked to watch over them. While Merry and Andi are at the airport to see the parents off, a sweet looking girl comes up and kisses Andi and gives him a message for another young woman. Confusion ensues. Merry becomes suspicious. In the midst of this atmosphere of suspicion, Andi has to take part in an office meeting in Puncak. Even worse, after the meeting, Andi’s boss invites him to a party and after that Andi has to go to Bandung on business. Andi calls Merry, who has taken Andi’s joking around with his servant Kadir about women seriously, to inform her of these plans, and she tells him that she wants to separate from him.

Ferdian and Benny both have a crush on Amalia, whom they met at a discotheque. Through unique and funny competition, Ferdian finally manages to get Amalia, who also likes Ferdian, who is handsome, but a playboy. Unexpectedly, a new student who transferred from Jogja, Indriani, appeared in Ferdian's class. Ferdian likes Indriani and wants to win the girl's heart.

In this Warkop DKI comedy, Dono has two girlfriends, Windy and Cindy, so he finds it difficult to arrange dates and they often misunderstand. His sidekicks, Kasino and Indro, are jealous. They ruin Dono’s dating life by degrading Dono in front of the two girls’ parents. Then Dono seeks revenge by tricking the two of them.

Nadia does not want her widowed father Bramasto to marry Astria as she's sure that her new stepmother is not a good woman. Her suspicions are correct. After the marriage, Astria has an affair with Lukito, Bramasto’s black-magic-practicing brother. Astria then becomes involved in Satanic rituals and serves as Lukito’s servant. Her duty is to seduce men and then sacrifice them to Satan for Lukito’s benefit. Can Nadia stop them?