Luca Lives

Car crashes are instant art and sculptures made in seconds. At least to a certain Buenos Aires photographer, who spends his nights driving through the city in search of capturing the perfect accident. Meanwhile, another man is trying to find a legendary cock sucker who hides somewhere in the dark rooms of a gay sex club. Accidentes Gloriosos tells nine different stories of death and transformation. From the man who undergoes a heart transplant and wakes up with new and strange artistic powers, to the woman who receives a last letter from her husband, written just before he freezes to death in one of history s most dramatic polar expeditions.

Things aren’t going well for Esteban. His record shop on the outskirts of San Telmo has gone bust. Esteban has had enough. On the bicentennial of Argentina’s independence he decides to call it day and put an end to the shop – and his marriage to Elisabeth. He wants his freedom – for Esteban has fallen in love again.

Javier, a 19-year-old young man drafted into the war, goes to his ex-girlfriend's house seeking forgiveness before he leaves. At the same time, Javier's mother, Alicia, visits an old friend who is now a colonel to ask her to spare him.

Heterophobia traces the quick fall into hell of Mariano. A young gay man who, having been first raped and then rejected by an heterosexual friend with whom he had vague romantic illusions, has a sentimental journey from initial guilt and messianistic will of redemption, through flaring spite, up through castrating rage, before arriving to a final conclusion: that the the only possible action against patriarchy is revolution. Made in the margins of the Argentine audiovisual community (from which some of the creative team have been effectively blacklisted). It was produced according to the precepts of guerrilla film making is a romantic torch song--not melancholic, but actually demanding a torch with which to ignite the world.

A comedy about a straight guy who thinks his girlfriend is leaving him because he loses in comparison with a friend. Very frustrated by this situation, he decides to seduce a film school classmate with dark intentions.

Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.

Pablo and Matías are two friends who decide to travel to Mar del Plata; the first to recover his girlfriend, and the second to find a treasure that he believes hidden in La Feliz. Once there they must deal with Pablo's former father-in-law, an elite group of the American Army, and an extraterrestrial conspiracy

Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.

Emilia is sent to a convent where paranormal forces begin to mount among the religious and mentally ill women confined in the place.

Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.

An experimental film director reconstructs —through film, spiritualism, dance and shamanism— the death of her mother in a train accident, using representation as a way of reaching the intangible.

CEMENTO lived for nineteen years that spanned three key decades for the democratic history of Argentina. How much of relevance is the rock in this adventure of living in real democracy is difficult to estimate, but rock denounced, rock was containment, rock was a source of pride. Rock is culture and had a house where it developed, CEMENTO. We make CEMENTO - The Documentary - because we think that a people that forgets its milestones is a people destined to fail. We want to reflect in audiovisual format what CEMENT was, its origins, its facilities, the public opinion, its anecdotes and its imprint in the culture, narrated by musicians, producers and workers who gave it life.

The crew of a 24-hour store live their life while dealing with a drug cartel

Blanca Luz Brum traveled an unusual path, through twentieth-century Latin America, actively participating in the intellectual, political and artistic movements of Uruguay, Chile, Argentina, Peru and Mexico. It is today a symbol of female emancipation in Latin America. The versions about her life are varied and dissimilar, the testimonies of those who knew her, full of contradictions.

Martín Sala (Nicolás Mateo), now returns to work in a radio together with his cousin, Diego (Luciano Leyrado), and Lando Carrizo (Diego Gentile), a radio producer. The station is in need of a change and Lando comes up with a contest that has as a prize a transmission of the program from where he designates the winner.

Bernardo is fifty years old and feels overwhelmed, confused, almost devastated; surrounded by the violence typical of a society that is slowly collapsing. With relationship problems, difficulties in conceiving a child and a woman who cannot - and does not care - dive into his deepest conflicts. Bernardo finds no rest anywhere. His head is about to explode when he decides to take a little vacation with Diana at their house in Tigre. They will not go alone: ​​Nancy, an islander and house cleaner, will be part of a key night for Bernardo.