Lu curaggio de nu pumpiero napulitano

Four tales unfold in the Eternal City: While vacationing in Rome, architect John encounters a young man whose romantic woes remind him of a painful incident from his own youth; retired opera director Jerry discovers a mortician with an amazing voice, and he seizes the opportunity to rejuvenate his own flagging career; a young couple have separate romantic interludes; a spotlight shines on an ordinary man.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

A distinguished military leader whose reign was touched by great scandal, shocking betrayals and rousing victories. A simple shepherd boy chosen to be king, under the watchful eyes of prophet Samuel.

In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.

Three tales of very different women using their sexuality as a means to getting what they want.

During the bombing of Naples in World War II, a cynical businessman helps a naive prostitute, who spends the next two decades desperate to have him reciprocate her feelings.

Villa Borghese, Rome's biggest urban park, is the place where everyday laughs and dramas are consumed. The movie is made of six vignettes set there.

A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

Nine episodes about life in Italy in the period just before its economic boom.

When Italy surrenders to the Allies, part of the Italian army is dispersed and soldiers begin to return to their homes.

In the French countryside, circa the 17th-century, Serafina, Pulcinella and Isabella are three lusty, beautiful members of a travelling theatrical troupe, leaving in their wake a crop of broken hearts.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

The relationships between a veteran marshal, his bride-to-be, a rookie and his fiancée are severely tested when the young carabiniere is temporarily sent to a distant town.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.

An Italian woman faces challenges at JFK Airport when Customs confiscates the mortadella sausage she brought as a gift for her fiancé, leading to a humorous and frustrating ordeal.

Movie starts with a small boy watching his father boarding a ship to America. Years later, all grown up and in colour, Pippolo Cavallo (Adriano Celentano) takes the same route (dressed as a woman) to search for his father and begin a new life.

A mature mother of several children is concerned that her beloved husband is losing interest, so she does her best to provoke some jealousy in him.

Three episodes about the relativity of time.

Antonio Barracano is an old Camorra member who administers justice according to his own unique criteria. Magnanimous and tough, severe and affectionate, he is recognized as the 'mayor' by all the dispossessed of the Sanità district. His particular brand of justice towards the poor leads him to sacrifice his own life in order to solve the financial problems of Rafiluccio and Rita, a couple expecting a child and overwhelmed by debt.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Sasà Jovine (Nino Manfredi) is a self-styled lawyer involved in petty businesses with Neapolitan mobsters (camorristi). When one of his clients, don Michele Miletti (Paolo Stoppa) offers him a huge bribe (mazzetta) to search for his daughter who disappeared mysteriously taking with her some hot documents, Sasà finds himself trapped into a spiral of homicides.

Gennarino is a Neapolitan orphan boy. He lives with Angela, his adoptive mother, a former famous singer now fallen on hard times. She has a serious illness, and they together try to get the money, necessary for her right care, by singing around. But one day Angela is obliged by the illness to stop her activity, and Gennarino decides to join a pilferers gang.

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Pasquale Grifone, who lives in Naples with his family, receives in a dream the visit of Dante Alighieri. The poet suggests to the man, clouded by the fumes of alcohol, four numbers to play.

Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.

Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.

Love blossoms between crusader Bradamante—a woman knight wearing an invincible suit of armor—and Moorish prince Ruggero. But a sorceress predicts to Bradamante her beloved will die in battle at the hand of fellow Christian paladin Rolando, whom in turn is in love with Isabella, Ruggero's sister.

Antonio Barracano is a respected figure among the Neapolitan underworld, keeping order and administering justice according to his own criteria, beyond the law. One day he's faced with a dilemma after a youth asks him permission to kill his father.

Sicily, Fascist Italy, 1925. Dictator Benito Mussolini appoints Cesare Mori, a man as tough as he is honest, as the new police prefect of Palermo and entrusts him with the arduous task of putting an end to the Mafia, a sinister criminal organization that has sown terror on the island for centuries.

Immersed in the jungle, among relics of a "forgotten future", two kids, Yaya and Lennie, meander. The two live freely in their Eden until armed men, who carry with them an "ancient" concept of civilization, force them to leave their territory. It is the beginning of a journey in search of their place in a world that no longer belongs to man.

After Annunziata opens up a hostel with her friend Antonio, she is saved from being raped by a Camorra boss as the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others, and always with the same “signature” — a syringe in one of the testicles of the victims. As the gangsters continue to be killed off, the identity of the killer – or killers – slowly becomes obvious.

Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

An advertiser who lives in Milan learns from a former teacher that his mother is dying. He leaves immediately in his car; as he drives thinks back to his childhood and the time he believed his mother had a relationship with the teacher.

After refusing his boss' marriage proposal, Mario gets caught in a fake homicide case and, with help from his friends and son, tries to prove himself innocent and run back to his hometown, Napoli.

Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.