Love Letters from the Engadine

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Sounded version of the 1928 film 'Der Kampf ums Matterhorn'. The added sound track included music composed by Schmidt-Boelckeb and dubbed dialogs by different actors. This version is slightly shorter than the silent film due to the disappearance of the movie titles. The story, based on the novel by Carl Haensel recreates the struggle between Edward Whymper and Jean-Antoine Carrel for the first successful ascent of the Matterhorn in 1865. In 1938 two new versions of the movie were filmed under the direction of Luis Trenker, who acted again in the role of Carrel. One version was shot in German (Der Berg ruft) and the other in English (The Challenge).

English-language, dubbed sound and partly re-edited version of Der Kampf ums Matterhorn. During an early, unsuccessful attempt at climbing the Matterhorn, Edward Whymper finds himself rescued by an italian guide, Jean Antoine Carrel. The two men quickly build a friendship and agree to reach the peak together. However, local villagers plot to divide the alliance of Whymper and Carrel and both men join rival teams as they set out in a race to conquer the mountain. A mountaineering drama based on the novel by Carl Haensel and inspired in the dramatic true story of Edward Whymper, who led the first successful ascent of the Matterhorn in 1865.

In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.

During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the resistance against the French army, which immediately submits the city to massive bombardments.

In the pre-Civil War South, a sadistic plantation owner brutalizes his slaves to the point of rebellion. Always obedient, peaceful and honest old slave Tom plays a central role in this tragedy.

The young Marion is arrested by the police for pimping, prostitution and indecent exposure. Reporter Axel Rottmann sense a lucrative story for his newspaper. He makes a deal with Marion, to tell her story.

Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

German film about Luftwaffe pilots. It depicts a love triangle involving two of them being overcome by their participation in battle together.

Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.

Heralded racing driver Pierre Chaillot has never noticed the pretty young flight attendant who dotes on him adoringly. But when his fiancée's infidelity drives him to the brink of suicide, Pierre's guardian angel takes the form of this stewardess to urge him to choose life. Though the angel confesses her divinity, Pierre is skeptical of the existence of angels. But, despite their difference, the two bond during her brief sojourn in human form.

10-year-old Rosmarin von Stetten lives with his widowed father Robert in the big city. During the holidays one day in the morning Rosmarin goes to the lake near the castle and meets Thymian, the poorest boy of the village, whose mother did not come back from the war and who has to do several jobs in the village for his living. The boys enter a boat, but both fall into the lake. Thymian crawls out of the water first and is found by a servant from the castle, who thinks he is Rosmarin and bring him to the castle and to bed. The boy doesn't know what happens and thinks he's spellbound...

A diligent office worker and a cheeky sales representative are tasked by their boss with reserving a first-class hotel room with a bathroom for a visiting Hamburg exporter and his wife. A misunderstanding leads to non-stop confusion, because the office worker is spending his first wedding anniversary with his wife in the rented hotel room.

Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.

This German slice-of-life drama is based on a very real postwar dilemma. At the time the film was made, there were over 3000 children living in Germany who'd been fathered by African American GIs. Referred to as "mischlings," these children were often treated as outcasts because of their illegitimacy and skin color. One such mischling is Toxi (played by herself), who is sent to live with her American father when her mother dies. At first, Toxi is welcomed with opened arms, but the father, who already has two children, has neither the time nor the money to care for the girl. Toxi is then bundled off to an orphanage, sparking a serious rift in her father's family. By concentrating on a highly fictionalized plotline, Toxi tends to ignore the thousands of other mischlings whose lives are far more complex and tragic than that of the film's central character.

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.

Max and Karla visit his deceased uncle's farming estate where it is confirmed that they will inherit it. Financial expert Max tries to manage the farm but collides with manager Georg whom Max soon suspects to have an affair with Karla.

A young woman works for two different men, both of whom fall in love with her. In the mornings she is secretary for a popular author and in the afternoons for a singer. Which of them will she settle for?

In 1848, the freedom-loving Hungarian people, led by Ludwig Kossuth, rose up against the hated rule of the Austrian Habsburg dynasty. In its expansionist policy, the Austrian monarchy had long relied on Hungarian feudal lords who betrayed the interests of their people. The anger of the rebels was directed against the Austrian oppressors and their Hungarian supporters. Against the backdrop of these historical events, the personal fate of the Hungarian patriot Maria Ilona is shown.

A tenor sparks new hope into the life of a wife,a former piano player whose husband has not been paying enough attention to her.

Dark love story.

A famous American tenor, relaxing on a farm near Naples and singing for pleasure in the fields, is mistaken by a lady journalist as an unknown talent she has discovered.He plays along with her and even falls in love.

On the eve of the Russian Revolution, a performance of "Tosca" is taking place at the opera house. The artists and staff are too engrossed in their work to notice the unrest in the streets. The leading roles are played by Marina Marta and René Areno, who are also lovers. However, Marina has another admirer in Captain Alexander von Harbin. When, during the final performance, the insurgent communists suddenly storm the opera house, Alexander seems to be Marina's last hope…

After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

German all-star musical from 1938 that was a big commercial success.