Losing the Thread

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

In a poet’s room, an armless statue abruptly comes to life. It invites the poet to step through a mirror and to discover another world. Strange places and characters present themselves to him. The poet tears himself away from these twisted fascinations and returns, with some difficulty, to his room.

The eight-hour series of interviews between Gilles Deleuze and Claire Parnet, filmed by Pierre-André Boutang in 1988-1989.

A trio of money-hungry women rent a luxurious penthouse, spending their dough on drink and debonair clothing, backbiting and catfighting as they steal each other's boyfriends.

Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer. With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.

A TV documentary that recounts the many "battles" Coco Chanel overcame to become the great businesswoman and legend she is considered today.

This documentary tells us about two beautiful stories, two beautiful women, two routes of life that marked each in their own way the memories of the French. One, Gabrielle Bonheur Chasnel aka Coco Chanel is the great fashion designer and seamstress of genius, the other Léonie Bathiat known as Arletty is a wonderful actress. They both have an atypical path whose paths intersect several times.

An aspiring singer quits her menial job and is talked into performing as a female impersonator by her friend. Her drag act makes her famous, which causes problems for her when a very determined young man falls in love with her. A remake of the 1933 German film Viktor und Viktoria.

Frédéric, a shy small-town man, falls in love with Anne, a middle class woman married to Didier, who cheats on her with top model Barbara. Catherine, a very determined woman, is secretly in love with Frédéric and in order to keep him away from Anne, pushes him into Barbara's arms.

Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

The confrontation of reality and dream.

Disjunctive fabric or network that collides, by means of re-appropriated or stolen resources, liberated archives that disrupt structures of power and institutions. Psychiatry and universities explode in an accelerated disruptive essay of archiving and post-archiving that coins “anarchoautism” as a flow of liberated desire. Through its form and politics of liberation, autistic and schizophrenic becomings imply a violent line of flight within institutional spaces.

The film concerns the famed 19th century French writer, proto feminist George Sand, in discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism.

The Title Was Shot was commissioned for a conference of film theoreticians in Berlin in 2009 entitled: The Cinematic Configurations of 'I' and 'We.' Composed of fragments from over 25 films dating from the 1920s to the 90s, this mischievous short features cowboys, Indians and damsels in distress. Tarzan, Jane, a transgender gorilla, and a menacing lion tango from frame to frame, prodded by Wittgenstein, Gilles Deleuze and Slavoj Zizek's philosophical considerations. A fast-paced, heart-pounding cinephilic farce.

A conference given by Gilles Deleuze on the act of creation, taped on video.