Lloronas

A sexy Spanish siren named Elvira schools a young man in tantric lovemaking.

On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.

A policeman lifts a boy who was smoking marijuana in the street and in the patrol car they go through the streets of Buenos Aires.

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Martín, a young student, gets injured during a swimming class. Sebastián, the PE teacher, takes him to the hospital. When they leave, he offers to drive him home, but Martín is planning to spend the night at a classmate's house, since there is no one at his own home.

Fernando and Ana meet again after a few years and relive their love story from two different angles. It is a story (or maybe two) that dives into the universe of the body, the memory of the body, the marks of love, desire, and memories. It is a story in which the "real world" is challenged by the emergence of desire.

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Mariela and Gabriel, newly engaged, are trapped inside a parking lot where they can only go down. This descent will test the couple. Is it a harbinger of what coexistence will bring?

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

Nadia spends a few days in Mar del Plata, where she meets Pablo and Marta, although she's the only one who sparks her interest. While sharing dinner at Marta's house, the atmosphere becomes tense and Pablo becomes violent. The two girls leave and find the warmth they were looking for.

Rubén, a humble healer, attends to his patients with extravagant and disturbing healing techniques. With the appearance of Benjamín, he becomes more popular and gains a cult following. But that fame will end up being his own hell.

Martina was a famous singer in Argentina during the late 90s, who's become completely frigid and disenchanted with love. The arrival of a so-called sister, alongside her attractive boyfriend, compel Martina to go to Chile with one objective in mind: getting back her libido.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.

At the request of his daughter, Turbo is reluctantly forced to open his doors for 30 days to his emotionally fragile and eccentric ex-wife, Loba, following a prolonged stay at a mental hospital. As old feelings reemerge, Turbo and Loba find themselves at the center of a perfect storm that could set them on an odyssey of rediscovery… or send them both back to the madhouse.