The media hype didn’t do any good for the Calais Jungle. Far from such echoes, Christophe Clavert’s concern is to come back to the sites – afterwards, otherwise. Beginning with clarifications as to how to do things. Thus, by way of a preamble, the scrupulous and detailed reminder of events and the political, administrative context of the jungle in Calais in 2016 while the places the film-maker evokes unfold through slow, methodical sequences. It’s about the tale’s rendition, from one time to another, and from the images of the regime unfolding, with its magnificent drawings taken back then, in counterpoint to the photographic archives and video. A work of hospitality, devoid of excessive light or spectacle, yet insisting on History’s memory, as the final annotation reminds us with striking dryness.
Henri “Papillon” Charrière, a safecracker from the Parisian underworld, is wrongfully convicted and sentenced to life imprisonment in the penal colony of French Guiana, where he forges a strong friendship with Louis Dega, a counterfeiter who needs his protection.
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Four kayakers take the wrong river into a jungle inhabited by a tribe of merciless cannibals.
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San Jose, California, 1906. Isolated in her labyrinthine mansion, eccentric firearm heiress Sarah Winchester believes that she is being haunted by the souls of those killed by the guns manufactured by her company.
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When North Korean ruler Kim Jong-il orchestrates a global terrorist plot, it's up to the heavily armed, highly specialized Team America unit to stop his dastardly scheme. The group, which has recruited troubled Broadway actor Gary Johnston, not only has to face off against Jong-il, but they must also contend with the Film Actors Guild, a cadre of Hollywood liberals at odds with Team America's 'policing the world' tactics.
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Three juvenile delinquents arrive at a correctional center and are put under the care of an experienced guard.
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In Los Angeles, undocumented Mexican immigrant Maya finds work as a janitor through her sister, Rosa. However, as both work non-union, conditions are grim. After enduring abuse from her superiors, Maya is open to the pro-union rhetoric offered by organiser Sam Shapiro. Rosa, meanwhile, is far less interested in clashing with management, given the needs of her family, and a rift forms between the sisters.
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