Lily Boy

A naive girl's love for Switzerland is put to the test in this satiric comedy. Irina is a woman from Russia who all her life has always been fascinated by Switzerland and longs to live there some day, though her notion of Swiss life has more to do with Heidi and old movies set in the Alps than reality.

Peter Gothar films give a sharp, uncensored view of the society. This film is no different. The plot is rather simple: a family goes to vacation with the usual stress. Then on the vacation the wife gets a strange kind of sickness and they go back to Budapest for a cure. While the wife is in the hospital, the husband visits his family. This is quite banal. However the scenario was written by Peter Esterhazy, one of the most influential contemporary writers in Hungary. His style uses a lot of surrealism but in a way that profoundly illuminates the reality. In this film, the reality is an atomized society where the so-called communist ideals are nowhere so everyday people are fully disoriented.

Two actors and a theater assistant live in modest circumstances in a rented apartment in Budapest. The two men constantly play cards with each other in symbolic stakes, and Béla Bognár's wife, Piri, runs the household. However, the atmosphere is good, and they quote dialogues appropriate to the given situation from the texts of their roles.

20 years after the events of the Cat Catcher, there is only one cat tribe left in Central Africa, who, after learning of what happened at the end of the first part, summon Moloch to help liberate the tamed cats and regain power over Earth.

20-year-old Gida, having just survived his first amourous disappointment, falls for Katinka, the young widow, at first sight.

In Ervin Lázár's story, which combines elements of fairy tale and reality, Peti moves the old lion, who goes by the name of Szigfrid Bruckner, into the abandoned barn. Peti later takes pity on the lonely lion and, with Viktor's help, sets out to free Szilvia, Szigfrid's partner, who is imprisoned in a circus. The operation is a success, but Peti's father decides to demolish the barn. Viktor and Gabriella do everything they can to stop the plan, but eventually Peti's father changes his mind and the inhabitants of the boy's imagination can live happily ever after in the abandoned barn.

Éva, the young, wild girl, the "wild rose", who was raised by her grandfather, Uncle Ábris, on the country estate, runs away from marriage to her father, the famous divorce lawyer Sándor Sziráky, in Budapest. In Budapest, Eva is welcomed by her kindly grandmother Clementine, who then becomes acquainted with her father's affairs with women. His secretary, Mária, is in love with Sziráky, but to make him jealous, she pretends to be his friend, Dr. Ámon. Mrs Tertayn, who is on the verge of divorce, is also vying for Sziráky. Éva springs into action, brings her father together with Maria after much complication, and finally finds happiness and peace of mind with Doctor Ámon.

Against the backdrop of the Adolph Eichmann trials, an elderly paraplegic pharmacist is summoned to the police station, where he believes that his hidden wartime guilt has caught up with him, unaware that it is all in fact an elaborate practical joke.

This film describes the narrator's childhood, the years before and after the Hungarian Soviet Republic, in a burlesque and fabulous style and with the humour of a child's fantasy.

The celebrated actor considers his wife a nitwits actress of a mediocre talent. But an influential playwright, a friend of theirs, has written a play with the main role designed for her, Kati, particularly. Its title is "The Most Intelligent Woman in the World". On the day of the first night performance Kati recalls their past, the times she had together with her husband.

The Tóth family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Hilarity ensues when the Tóths go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son, the soldier.

A few days from a daily life of a regular school in Hungary during fifties.

The two main characters of this ironic account of the general condition of intellectuals are the charming psychologist, Korin György, and the unexpected. Korin starts a television series of people in their 40s. In the afternoon just after the first section, however, he is reported to be dead as a result of a rather strange accident. Everything turns upside down.

A young peasant boy stands up to tyranny, aided by his trusting friend- a goose.

Fodor, a script-writer of promising talent finds himself in a difficult financial situation. So he comes out with an absurd idea to make a film of. The director, with several scripts having been refused, likes it.

Napoleon's army besieges Győr. Mr. Léner, the grain merchant, is deeply hoping for the French emperor's victory, hoping an alliance with him could assure Hungary's independence from the Habsburg rule.

Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

Adaptation of Mór Jókai's classic 19th century novel on Mihály Tímár, the captain of a commercial Danube ship in the 1830s, who finds unexpected fortune by meeting a Turkish aristocrat fleeing from his home country with his daughter Tímea. On their journey, they find an unknown island on the Danube, called the Senki szigete (the Island of No-one), a sort of earthly paradise, with only an old woman and her young daughter Noémi living on it.

Mary, Mother of Jesus is a 1999 made-for-television Biblical film that retells the story of Jesus through the eyes of Mary, his mother.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

A light comedy of four love-stories. Mary's search for happiness has always been influenced by history. Her first husband, Halász, makes his point with two slaps in an argument and Mary wants a divorce immediately. But this is not enough to get a divorce, so she asks her boss, Endre Horváth, to prove Maria's adultery by perjury. After a few years, Mari is questioned by the couple about her divorce, but then Comrade Bor comes to her rescue and eventually marries the pretty woman. However, László Bor soon goes to prison and is the victim of a plane crash. Pál Zalán, a journalist, is the woman's soul mate...

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

János Háry, the old veteran is telling his stories in the pub without end.

Dressed as a gypsy woman, Krisztinka Oltay spies, organizes, and takes measures to help Prince Rákóczi and free his lover, Péter Szakmáry. Péter was taken in by his brother, who was loyal to the emperor, and he wants to execute him in Kassa together with the other Kurucs. Krisztinka inspires the tired kuruc troops with a song and Rákóczi's music to capture Kassa and free the prisoners...

1922. Sándor serves as a farm-hand, but would like to become a blacksmith. He is completely enchanted by the beautiful wife of his new master.

This romantic and grandiose historical film depicts the era of the constant incursions and heroic battles fought by the defenders of the castle of Eger, led by captain István Dobó, against the heavy odds of superior numbers through the lives and love of Bornemissza Gergely and Cecey Éva. Gergely is inaugurated as a fighter already at the age of 7, when he escapes the captivity of the half-eyed Turk, Jumurdzsak, with Vica and the war-booty. In thirty years' time he becomes the first assistant of captain Dobó and the brain of the castle in the defence of Eger.

Dismissed from the railroads in 1863 for his union activities, Etienne Lantier found a job at the Voreux coal mine. But work was hard, wages were low and safety left much to be desired. Lantier tried to organize the miners into a union. When mine manager Hennebeau refused to negotiate, the workers launched a general strike, which ended with the intervention of the troops.

The film is a story of a double journey. The main character of the first journey is the author himself, who, while sitting in his customary café, suddenly realises that he has hallucinations. The psychologist reassures him that all this is merely repression. The symptoms, however, appear again. Soon it turns out that the author has a brain tumour. Professor Pötzl in Vienna suggests operation right away. The intervention, through which he is awake, is carried out in a Stockholm clinic.

On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.

Based on the stories of Hungarian writer Gyula Krúdy, this film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád. As the protagonist looks back on his life, past and present, imagination and reality flow inseparably into one another.

The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

The young worker Tóth Gáspár gets into hospital with stomachache. During the night his state is worsening. The doctor on duty, Málnási does not attend the patient despite the call of the nurse, for he spends the night with nurse Margó.

Kiss, an engineer, accompanies his wife to the maternity ward. He wants to leave the woman because while he was away in Brazil, she did not undergo an abortion as they had agreed before. While he is packing up at home, the memories of the sweet events of their life together keep coming to him, one after the other.

The film version of the hit TV film series recreates the Kuruc-Labanc skirmishes. On the orders of the Kuruc brigadier Ádám Balogh of Béri, the cunning Eke Máté collects the poor. They set out from their farmhouse in Tenkeshegy Castle to raid against the Laban, crushing the Siklós Laban colonel's nose in the process, and then take the castle. Máté continues the fight against the Labanc as the Kuruc captain of the Siklós castle.

Luca, who regularly visits her bedridden mother-in-law, hides from her the fact that János, his son, has been arrested on a trumped up political charge.

Vera gets acquainted with Imre on a tram. Later, she learns that he is the brother of one of her pupils. They meet again. Imre's too passionate courting provokes refusal from the reserved school-teacher.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

Count János Buttler rushes home to his parents and his beloved for the school holidays. On the way, they stop at Baron Dőry's house, where János is deviously trapped. In the presence of false witnesses, he is forcibly married to Baron Dőry's pregnant daughter. The swearing priest is the father of the unborn child. Although Buttler, his family and friends do their utmost to have the marriage annulled, the Church and the court, fearing for his authority, will not allow it. John Buttler and his lover therefore choose another way to divorce.