Shivam returns to the crime world, where his path forward demands redemption, love, and sacrifice. As relationships deepen and conflicts intensify, every choice tests his resolve and shapes his destiny.
The film is about married couples of urban India having extramarital relations and adultery. Based on Gulzar's own story "Seema", the film portrays the relationship between a theatre director, Sudhir, who neglects everything but his work and is struggling to establish his theatre group. His wife Seema is also the leading lady in the theatre group but is left alone as Sudhir is involved in his work. Things take a turn when Sudhir's friend TK turns up and woos Seema
Shivam returns to the crime world, where his path forward demands redemption, love, and sacrifice. As relationships deepen and conflicts intensify, every choice tests his resolve and shapes his destiny.
Haunted by a childhood romance and recollections of love lost during the 1947 Partition of India, 95-year-old Ishar Singh Grewal shares his story with his grandson Nirvair, the past unfolding through memories of migration, longing, and a romance that endures across generations.
Three friends who were inseparable in childhood decide to go on a three-week-long bachelor road trip to Spain, in order to re-establish their bond and explore thrilling adventures, before one of them gets married. What will they learn of themselves and each other during the adventure?
In the early 70s, aspiring actor Om Prakash Makhija, and a famous starlet Shantipriya, are murdered. Thirty years later, his reincarnation Om Kapoor sets out to discover the mystery of their demise.
The story of an elderly Hindu woman who refuses to leave her ancestral home in Lahore, only to have a Muslim refugee family from Lucknow allotted to her house following the events of the 1947 Partition of India and Pakistan.
An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.
Max Lowe is a Houston surgeon who has grown weary of the bureaucracy of American medicine. When he loses a patient on the operating table, Max impulsively decides to leave America and travel to India in the hope of finding himself. Not long after he arrives in Calcutta, Max is attacked by a group of thugs and left without money or a passport.
A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.
Gym-freak brat Rocky falls in love with Rani, who comes from a well-educated Bengali family. Being from polar opposite worlds, the two decide to switch their families to adjust to each other's cultures and backgrounds and to know if their marriage will survive. Rocky and Rani are trapped in a world where they are united by love but divided by families and the ultimate question is will they fit in?
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
When Parima, a school teacher in Delhi, is gang-raped on her way home late at night after an office party, Raavi, a prosecution lawyer, fights tooth and nail to help her get justice. But when eighty sexual assault cases are reported in India every single day, regardless of age group, ethnicity, time, or place, and only four go to trial, what does justice really mean?
The Great New Wonderful weaves five stories against the backdrop of an anxious and uncertain post-9-11 New York City.
Lovely Singh is extremely respectful of Mr Rana and his daughter Divya. While appointed as Divya's bodyguard, he falls in love with a girl he has never met, unaware that she is none other than Divya.
Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.
In London, eccentric piano instructor Madame Sousatzka takes on a new prize protégé, Manek, a teenage Bengali immigrant who displays incredible talent. Manek forms a close bond with his teacher, but soon discovers that she expects her pupils to become disciplined in all areas of life, and not just behind the piano. As he struggles to meet the challenges, Manek must also deal with his mother, who vies with his teacher for his attention.
Not wanting the same fate as befell her sisters, Sona Mishra re-locates to Mumbai to try to make a living making movies, but she soon finds that the path she has chosen is not an easy one.
Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.
Meet, an adventurous young man from Vancouver, travels to India with his mother to attend a wedding. While he falls for Rajjo, a small-town girl, his mother arranges his marriage with someone else.
Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.
Babu works for three underworld dons and must go to prison to protect them. When his sentence is over, he returns home to find that Purnima (his wife), Arjun (his son) and Pooja (his daughter) live a destitute life. When he confronts his bosses, he is beheaded in front of his wife and children, and his daughter is abducted. Purnima (Raakhee) loses her mind, and is hospitalized in a mental hospital. Growing up, Arjun (Akshay Kumar) becomes a high profile vigilante. As for Purnima, she becomes terribly ill and can be saved only if she sees her daughter again. Thus, Arjun decides to re-unite his mother and sister. In order to do so, he must discover the identity of his father's killers.
Born in British India, Bhagat Singh witnesses numerous atrocities during his childhood and grows up to become one of the most fearless freedom fighters in the country.
'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.
A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
Shares a lead actor · Same director
Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.
Shares a lead actor · Same director
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