Les Conquérants de l'Impossible: Portrait de Groupe

Fifteen years have passed since the spectacular images of Jean-Paul Janssen's "Life at Your Fingertips" introduced the general public to free climbing and its embodiment: Patrick Edlinger. We witnessed the birth of a sporting phenomenon that would leave a lasting mark on generations of climbers. But fifteen years later, in 1997, beyond the myth, where is Patrick Edlinger? Gilles Chappaz found him on some of the most beautiful walls of the Verdon Gorge and other cliffs during the filming of Maurice Rebeix's documentary "Roc'n Wall 97," where he shares his climbing practice and philosophy with the younger generation, including Liv Sansoz and Arnaud Petit.

Climber Patrick Edlinger visits various climbing areas in the American West, including Joshua Tree (routes and bouldering), Yosemite (bouldering), Hueco Tanks (bouldering), and Smith Rock (routes). He is seen climbing alongside Russ Clune, Ron Kauk, Jean-Paul Lemercier, and Todd Skinner in numerous sequences accompanied by Native American-inspired music composed by Benoît Fromanger. Less well-known than his two previous films, "La Vie au bout des doigts" and "Opéra Vertical," it remains a benchmark for all climbing enthusiasts and admirers of Edlinger, the world's most famous climber. His familiar voice provides narration throughout many sequences with iconic phrases that encapsulate the man, such as: "Climbing, this useless thing to which I dedicate my life."

Behind the scenes of the filming of a film on climbing a cliff by Patrick Berhault and Georges Unia on the parishes of the route "La Tête de Chien" in Monaco. Director Laurent Chevallier explains the difficulties of filming at height, the kind of shots that are suitable and the specifications of equipment suitable for filming on a cliff.

"In 1983, a French expedition, led by Yannick Seigneur and including Jean Afanassieff, left for Tibet to climb the western ridge of Everest on the Chinese side in alpine style. Jean Afanassieff films the Tibetan population between tradition, religion and modernity and tells us about this expedition."

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

Ski Peru is the story of two skiers’ dream of descending the untamed slopes of Huascaran, although maybe 'Ski Peru and die' would be a more appropriate title given the tragic climax to Peter Chrzanowski’s Peruvian odyssey. Filmed long before today’s adrenaline charged ski videos on heavy 16mm movie cameras there is no heavy rock soundtrack, no helicopters, no roboskiers mainlining powder at Mach 5.0. It is a slow moving film that explores man’s relationship with the mountain and what it is to ski into the unknown.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

A 2016 film about the Cateissard, a mountain overlooking the Val di Susa near Turin, a laboratory of innovation and evolution in Italian climbing. From the Risveglio route opened by Grassi, Bonelli and Galante in 1974, in the heart of Nuovo Mattino, to Patrick Berhault's visit in 1980 and his legendary climbing demonstration on the Nani Verdi route, to the rediscovery of these rocks by Andrea Giorda who, with Marco Croce, Fabrizio Pennicino, Aldo Tirabeni and Claudio Battezzati, Marco Bernardi, Federica Mingolla, Carlo Giuliberti and others, opened 116 new single-pitch routes, graded from IV to 8b. The success of these climbing sites is undeniable; the cliffs of Profondo Rosso, Falchi Penne and Croci, Neverending Wall, Cateissoft, Sky Wall and Cateisstrong, opened by Giuliberti and Lotito, attract dozens of climbers, even from elsewhere.

Directed by Jean-Marc Boivin in 1977, Glace Extrême is a documentary about mountaineering and extreme skiing at the Aiguille Verte and the Grand Pilier D'angle in the Mont-Blanc massif chain in France, with the legends of mountaineering Jean-Marc Boivin, Patrick Gabarrou and ski champion Patrick Vallencant. It was broadcast in the Carnet de L'Aventure on France 2 in 1980.

With the proliferation of private climbing gyms and the sport's inclusion in the Olympic Games, climbing, long a counter-cultural movement, is undergoing a profound transformation and facing a major paradox. On the one hand, private gyms are enjoying increasing popularity, while on the other, natural climbing sites are under serious threat. What vertical legacy will we leave to future generations? Is outdoor climbing destined to disappear? What will the future hold for climbing? Led by Cédric Lachat, a multi-award-winning Swiss climber, the film provides an international overview of this counter-culture, which has recently become a social phenomenon.

Roger Frison-Roche born in Paris in 1906 and moved to Chamonix at the age of 17. He was quickly adopted by local mountaineers and became the first guide in the Company not to have been born in the valley. He is also an insatiable explorer, in love with landscapes and peoples, having traveled from the Hoggar to the Sami camps in Lapland. And the author, among others, of the famous adventure novel Premier de Cordée! This documentary, made up of archive images and interviews, exposes the prolific life of a man who communicated his passion for the mountains by all possible means. A young journalist from Chamonix follows in the footsteps of Roger Frison-Roche. She meets people who knew him and others who followed in his footsteps: guides, filmmaker and author Philippe Claudel, a director, his family; on a trip to Lapland, Algeria, Chamonix.

In a vertiginous sequence, Claude Lelouch's camera follows Patrick Edlinger climbing with his bare hands one of the routes of the spectacular Cimaï cliff. The action takes place in the Consensus voice (7c+/8a+) at the Cimaï quarry. In a place large enough where Claude Lelouch had been able to take out his crane to make a vertical trip. Later, in 2013, the foot of the Consensus route will experience landslides, the climbing sector has since been prohibited by municipal decree, huge blocks threatening to fall.

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

To understand the difficulties of an ascent to over eight thousand metres, it is enough to remember the almost 300 victims these peaks have claimed. The Swiss alpinist Ehrart Loretan, the third alpinist in the world to have climbed all 14 8,000, and the Austrian alpinist Kurt Diemgerger cover the whole history of the conquest of the world’s 8,000, from the fifties to the present day, together with other alpinists and film directors who have climbed them. They talk about their experienced when they ventured into the death zone.

"Les Compagnons Du Vide" (The Companions of the Void) is a documentary made in 1989 by Claude Andrieux and Gilles Chappaz, broadcast in two parts on the FR3 program "Montagne." The film explores the history of the mountain guide profession through portraits of mountain guides, showcasing the diversity of this high-risk occupation. It also delves into the intimate relationship between the climbing team and the client, using the example of prestigious guides. The documentary follows these teams on major climbs around Chamonix, on Mont Blanc, and on La Meije in the Écrins massif.

The World of Gaston Rébuffat is a documentary on mountaineering which takes place at Gendarme Du Pic Du Roc and Grande Candelle. Directed by Gilles Chappaz in 2009 and produced by Seven Doc, we find Christophe Profit, Françoise Rébuffat, Thierry Renault, Jean-Olivier Majastre, René Vernadet, Sam Beaugey and many others. Friendship of his rope companions, friendship of the mountain, friendship of all of nature, he spoke of the mountain with simplicity and happiness. A precursor, a visionary, Gaston Rébuffat was a resolutely committed person, without ever having spoken of an exploit, let alone a fight (among other achievements, he was the first to climb the six north faces of the Alps in a lifetime as a mountaineer).

Less than two years after his serious road accident, Eric Escoffier brought together the "Turbo" team (Frédéric Ancey, Michel Fauquet, Christine Janin and Stéphane Schaffter) with whom he will attempt to climb Everest without oxygen and without prior acclimatization in the Himalayas, the project being to complete the Paris-Everest-Paris loop in two weeks. It is also a medical experiment: the athletes spend a week at Mont Blanc, at the Vallot observatory between 4000 and 4800m, then a week in a hypobaric chamber in Grenoble. Doctors (Dr. Richalet, Herry and Bittel) perform tests throughout this training, which will learn about how the body acclimatizes to altitude and allow applications in the management of mountain-related illnesses . On September 2, 1989, they arrived at Everest base camp in China. They attempted the ascent via the North Col but could not carry out their project, prevented by bad weather.

A documentary portrait of the legend Eric Escoffier at the height of his mountaineering career. A true athlete, Escoffier has comprehensive, cutting-edge preparation in three different climbing disciplines: rock climbing, ice climbing and solo free climbing, without any safety devices. Philippe Lallet's camera follows Eric in his performances and in his preparation for one of the first La Sportroccia climbing competitions, in 1985 in Bardonecchia in Italy.

Meeting in Chamonix with Éric Escoffier, famous mountaineer of the 80s, victim of a car accident in September 1987. Victim of multiple fractures and total paralysis on his left side, Escoffier managed to walk again, despite the doctors' pessimistic prognoses... The commentary on images of Éric Escoffier in his daily life in Chamonix and archive images and photographs alternates with archive documents, extracts from the films "Profession grimpeur" by Philippe Lallet and "Face nord" by Jean Afanassieff as well as interviews with the protagonist, Rémi Éric Escoffier and Michel Garcia. Great among the greatest, Éric Escoffier, who disappeared in the mountains at Broad Peak on July 29, 1998, will never have been an ordinary man.

The history of the Chamonix Guides Company is inseparable from that of mountaineering and the valley where it was born. For 200 years, guides have risen to multiple challenges, making their organization a legend. Today, they are the actors of a changing mountain: overcrowding, global warming, loss of freedom—the causes are multiple. This film is at a crossroads. Between tradition and modernity, it traces the history of the Chamonix Guides Company, evoking the incredible challenges it has met with dignity and those it now faces.

In 1983, three climbers became the first French people to reach the summit of Everest. Among them were expedition leader Pierre Mazeaud and a promising 25-year-old climber, Jean Afanassieff. Twenty years later, the two legends, accompanied by mountain guide Michel Pellé, retrace the steps of their exploit and make the trek from Kathmandu to the foot of the roof of the world. This is an opportunity to retrace the history of the successive assaults on Everest and to assess the current situation of a mountain that has become a victim of its own success: while Sherpas have been able to take advantage of Western enthusiasm and thus enrich themselves and equip the summit to make it more accessible, the site's attendance poses numerous problems, both human and ecological.

March 12, 1987. The young French mountaineer Eric Escoffier prepares his equipment, very reduced in material and food. He leaves the next day and intends to chain three north faces in the Alps: Eiger, Matterhorn and Grandes Jorasses. The ascent of the first summit, the Eiger is slow, difficult and full of pitfalls. It takes 17 hours to reach it. Without recognizing the terrain -he prefers to improvise- the mountaineer continues through the Matterhorn. When night falls, anxiety is felt on Zermatt's side. Help is organized to pick him up. Despite his refusal to return, Escoffier is finally hoisted. Christophe Profit, a few hours earlier, managed the chain of three summits.

A team of 12 men, 5 sailors, a doctor, a writer, a film crew, and 3 mountaineers, Jean-Marc Boivin, Thierry Leroy, and Dominique Marchal, set off by sailboat from Mar del Plata in Argentina to reach Riso Patron in Chile, via the Strait of Magellan, the Patagonian Channels, and Falcon Fjord. Their goal is to climb Riso Patron and then make the first crossing of the Campo de Hielo Sur glacier, or Hielo Continental Patagónico, to meet up with the sailors in Puerto Williams on Navarino Island in Chile, a village at the end of the world. After three attempts and an accident for Leroy, who was repatriated, they gave up, crossed the glacier and rejoined the boat, to set off for Cape Horn to climb the South face, knowing that the weather was good one day a month... On January 20, 1983, Jean-Marc Boivin and Dominique Marchal succeeded in making the first ascent of the South face of Cape Horn.

A film about the preparation of the "Trilogy For a Single Man," about the medical and nutritional monitoring of French mountaineer Christophe Profit during his climbing "trilogy" and the period of intensive training that preceded one of the most fabulous "chains" ever made by a mountaineer. On March 12 and 13, 1987, Christophe Profit, then 26, successfully climbed the three largest north faces of the Alps in winter in 40 hours: Grandes Jorasses, Eiger, Matterhorn. But beyond this coverage of the event, it is the behind-the-scenes that is revealed, the story of this project, the ups and downs of its preparations and the personality of its author, a dancer of the verticals, who concentrates at his fingertips the energy and reflexes of life itself.

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.

An American general with highly confidential defence information has been kidnapped by terrorists and is being held in a cliff-top fortress in the Mediterranean.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Billy Ze Kick is name of a fictional serial killer in a bedtime story that a police inspector reads to his daughter. Soon three girls turn up murdered in his neighbourhood, and the killer leaves a note signed "Billy Ze Kick."

Jean-Marc Boivin had chosen the natural elements as his playground. In his quest for extremes and discoveries. By turns mountaineer, skier, hang-glider, explorer, paraglider, sailor, speleologist or base-jumper, he loved constantly exploring “terra incognita” and playing with the limits of the possible. His "career" - the word is so weak - Jean-Marc, one day, agreed to tell the strongest moments to his father who recorded everything: happiness, doubts, emotions and difficulties. In this film, which won the Human Adventure Prize at the Saint Hilaire du Touvet Free Flight Film Festival, it is Jean-Marc who himself “comments” on some of his most spectacular feats. Confronted with period documents, Jean-Marc's voice-over sheds new and moving light on the extraordinary personality of a man who once admitted "having lived all his dreams"...