Left-Handed Pen

In the chaos of post-Soviet Russia, rising KGB officer Vladimir Putin joins forces with master manipulator Vadim Baranov to reshape life behind the Iron Curtain, using violence and deception to change the world forever.

Based on a true story, during World War II, four Jewish brothers escape their Nazi-occupied homeland of West Belarus in Poland and join the Soviet partisans to combat the Nazis. The brothers begin the rescue of roughly 1,200 Jews still trapped in the ghettos of Poland.

Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.

Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.

An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.

Lonely Lithuanian teenager Rokas, whose mother works abroad, is trying to rise above his depressing post-socialist housing block by singing in a choir. His only refuge – his voice – quickly turns into a threat, as local gangs hunt him for being branded a snitch.

On the eve of Russia's invasion of Ukraine, a high-flying executive tells her husband she wants a divorce, forcing the couple to navigate their bitter separation amid an escalating mid-life crisis and an unfolding regional refugee emergency.

Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.

Dreaming of an escape from the bleakness of their hometown, two teens form a unique bond at a local modeling school, where the promise of a better life pushes girls to violate their bodies in increasingly extreme ways.

Simas wakes up - hungover, as usual - only to find his ex-girlfriend at his doorstep. Later on his best friend Vacys comes over as well. The friends suddenly find themselves at the never-ending party of life, in the background of which their loves, ex-loves and present friendships take form and shine through. This is an excerpt from the lives of three young people, a story about indecision and attempts to understand all the rights and wrongs in life.

Elzė returns to Lithuania from Switzerland for a vacation. She rents a cozy farmhouse in a remote village, hoping to find peace and inspiration for her painting. However, the idyllic peace is disturbed by Nojus. Their budding friendship soon sparks passion, and their love is intertwined with desire, longing, and fear. Elzė's past haunts her—she is being pursued by her ex-boyfriend. Will these two passion-driven people be able to overcome the shadows of the past and simply love each other?

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.

Sisters Ernesta and Justė, along with their husbands Lukas and Tomas, gather at their parents’ summer house. It’s been a while since they’ve all been together and the children are delighted to be spending the last warm days by the lake. But an intense weekend soon unravels, thrusting both families into a radically altered reality where time is limited and emotional issues must be solved amidst growing heartache.

A nearly-suicidal, young woman visits a psychotherapist. She is in love with a priest, and the diagnosis of her husband's mental illness leaves no hope. The psychotherapist, in her attempts to resolve the amassed difficulties, seemingly begins to duplicate the life stages and behavioral patterns of her patient. A script for this film is based on motifs from the best-seller, scandalous novel, Witch and Rain, by female author, Jurga Ivanauskaite. By choosing a priest as the main role for a love story, the author broke an existing societal taboo. Faith, Love and Hope form the trilogy by the authors of this screenplay. Love stands as the grandest of the three.

The behind-the-scenes true life story of a groundbreaking producer, Milton Fruchtman, and blacklisted TV director Leo Hurwitz who, overcoming enormous obstacles, set out to capture the testimony of one of the war's most notorious Nazis, Adolf Eichmann, who is accused of executing the 'final solution' and organising the murder of 6 million Jews. This is the extraordinary story of how the trial came to be televised and the team that made it happen.

This is a documentary film about five actresses of different generations who played the same role of Masha in Anton Chekhov's play 'The Seagull'. Masha is a woman who is in love with Konstantin, unrequitedly and for ever. This role left a mark of some sort in all the actresses' lives. The film is about parallels between their lives and the role they played, it is about the enclosed world of loneliness to which one comes and struggles to leave.

Early years of Lithuanian independence from the soviets. Rebellious, weak hearted, but strong willed boy Saulius arrives at a youth sanatorium where he meets some charismatic friends, fights for the love of his life and gets some valuable life lessons from his coach.

The first feature of Lithuanian Valdas Navasaitis is a drama which unravels the hopeless 1970s, when people were deprived of their roots and forced to sit and watch their lives slip from their fingers. In a decrepit house that once belonged to a bourgeois family, several families seek shelter. Senis, a 65-year-old alcoholic, lives on the ground floor with his wife and their 16-year-old daughter. Senis is a survivor of the Nazis as well as the communist camps. He drowns the pain of his memories in a nearby pub and in talking to a depressed young laborer, Lorenca. Later on, a young couple and a lonely eccentric who enjoys only his cat's company join the inhabitants. Children wile away the time with useless games or spying on adults. When Lorenca hangs himself at the ruins of a nearby factory, the lives are shaken up. During the dinner held for the deceased, they find a moment of common hope.

Left homeless after a fight with her sister Yana spends 24 hours desperately looking for a place to stay.

Eleonore and Jonas, an elderly couple, invite a real estate agent round to sell their flat. While Eleonore barely speaks, Jonas reminisces about their first encounter, which happened 60 years ago in this very flat.

The plot follows an ordinary woman whose family are becoming estranged. Her daughter is a compulsive liar, and her husband seeks escape by working as a stuntman in a B movie with a third-rate film company. The chances of him dying while filming are high, and everybody in the family knows it. Tormented by the thought that she is no longer needed and is unloved by her family, the woman will go to any extreme to prove the opposite, and to keep her family together for ever.

Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.

Kaunas, 1978: endless shortages, black-market flea markets, fake gold, and the screeching tires of Zigulis. Loreta, an unhappy young mother, trades her grey, impoverished daily life for the bustling Olympus of Kaunas's criminal elite. When she finally becomes the wife of Mongolas, a charismatic mafia man, her life of luxury and love doesn't last: on Christmas 1993 her husband vanishes without a trace, and her world shatters. After two decades of silence, Loreta hears the imprisoned Henrikas Daktaras call her a "barracuda, junkie and tramp" on television and she returns to Kaunas to defend her dignity. In court, the women of the neighbourhood and the widows of mobsters gather and begin a merciless lynching. Drawn into a whirlwind of dramatic memories, the viewer must answer one question: who is this woman, the first in Lithuania to be legally ruled a "barracuda", an innocent victim of her era, or a cold-blooded player?

Philip is very successful. Everything in his life happens according to his plan. He is a brilliant lawyer, winning all hopeless cases thanks to his informal connections with supreme authorities. He is also happy in his private life: his virtuous wife and two adopted twin siblings love and admire him. One day, that harmony crumbles. A force major arises on his way to the perfect future. Suddenly, his children are found to have a severe genetic disease that they inherited from one of their biological parents. It means they both will soon become disabled. What will he do? Will he accept this circumstance and bury his plans for a perfect life. Or, will he defy this destiny and castle the pieces on the chessboard to reverse the game's course in his favor? How many figures will he sacrifice before he realizes he himself is a pawn in someone's higher-level game?

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

Migle’s grandfather has been living in an apartment that is too big for him. Two sibling families decided to move him out. In order to please Migle, Eimantas comes to grandfather’s home to help family move all the furniture. But not everyone in the family is happy about his presence.

The site manager of the palace of culture, sports and entertainment is thwarted by a call from his wife. Meanwhile, the children gather in the palace lobby for a martial arts session, but two boys escape.

Bumbling country bumpkin Kęstas and his urbane brother Vincas unexpectedly inherit five million dollars each, but only if they complete their late uncle’s bizarre final wishes. Under the watchful eye of notary’s daughter Justė, the pair must pull off a series of outlandish tasks - from staging their uncle’s funeral to stealing apples, selling potatoes, and even climbing inside a cow’s pancake - before they can claim the fortune - and, perhaps, discover what it truly means to be brothers.

A wealthy, hard-working farmer has an only son. Immersed in the bohemian lifestyle of the capital, he lives a carefree life—painting pictures when he feels like it, partying when he feels like it, with girls falling into his bed one after another. It's hard to even remember their names. When life is so fun, who would dream of taking over their father's land and driving a tractor? But one day, life is turned upside down. With his head bowed, the prodigal son returns to his father.

Gytė is trying to savour the last days of the summer. Her parents are very tense and their behaviour raises many questions, the answers to which she starts seeking on her own.

Rimants is more interested in playing rugby, listening to music and dealing on the black market than studying for school, but when he falls in love with Monika, his faith in love and the future is tested.

Somewhere in Eastern Europe, a middle-aged blue-collar worker rents a room in his flat to a young single mother and her son. The man searches for ways to get closer to her, but all his efforts are in vain. One night, he brings home a bottle of champagne and tries to surprise her, with the hope of developing an intimate relationship.

How would you feel if you knew your exact date of death? A time comes when every person in the world can find it out. Beloglazovai family – Kolia, Lena, their daughter Sonia and teenage son Igor live in an old house in Vilnius. Today is the day when fourteen year old Igor must die.

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

Ieva and Kasparas, sister and brother, are locked out of their home. Their mother has shut the door from the inside and is out of reach. The older sister Dovilė is their last hope, but even with her being there, there’s nothing they can do, but wait.