Le Concert de Paris 2025

Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

During European Heritage Days, France’s most famous castle becomes the setting for a spectacular event where heritage, music, and contemporary art come together in an exceptional setting. From its most iconic locations to spaces that are usually overlooked, the castle is transformed into a living stage.

On Thursday, June 16, 2022, after two years of the coronavirus pandemic, the Vienna Philharmonic was able to welcome back an audience without restrictions to its traditional Summer Night Concert. This year's atmospheric highlight of the summer music season was dedicated to solidarity with Ukraine and to Europe's musical heritage. In the festively illuminated park of Schönbrunn Palace, they delighted a huge audience with popular classical music by Dvořák, Smetana, Rossini, Beethoven, and others. One of the program's highlights was the waltz "Farewell" by Ukrainian composer Mykola Lysenko. Andris Nelsons conducted this year's Summer Night Concert, with Gautier Capuçon as cello soloist.

After being steeped in Chinese traditional culture for 30 years, CHEN went to Paris in 1984. The different cultural environments of China and France enabled him to grow into a unique figure in the field of classical music. CHEN neither seeks approval from the West, not even his advisor Olivier Messiaen, nor caters to China. Instead, he uses his personal musical language to tell Eastern stories.

The 2025 edition of the yearly charity concert for the Yellow Coins foundation.

The Berliner Philharmoniker dedicate their New Year's Eve concert to famous lovers from the repertoire, embodied with intensity by French tenor Benjamin Bernheim. On the program: Don José (Carmen by Georges Bizet), Lenski (Eugene Onegin by Tchaikovsky), Werther (in the opera of the same name by Jules Massenet) and Romeo (Charles Gounod's Roméo et Juliette). Conducted by Kirill Petrenko, works by Gabriel Fauré, Emmanuel Chabrier, and George Gershwin round out this festive program.

The 2024 edition of the yearly charity concert for the Yellow Coins foundation.

The 2026 edition of the yearly charity concert for the Yellow Coins foundation.

The Berlin Philharmonic with Kirill Petrenko perform their annual concert for Europe, this time from the baroque magnificence of the Esterházy Palace in Austria. On the programme are works by Haydn, Stravinsky, Tchaikovsky and Beethoven.

The show, recorded on December 16 and televised on France 5 on February 5, provides a different perspective on the international pop star. For the performance, MIKA was invited by the sumptuous Royal Opera of Versailles and accompanied by the Symphony Orchestra of the Royal Opera of Versaille, conducted by Stefan Plewniak. Throughout the production, MIKA was joined onstage by prestigious guests such as the “Gospel for 100,” pianist Vincent Bidal, cellist Gautier Capuçon, classical guitarist Thibaut Garcia and countertenor Jakub Józef Orliński.

A staging of Charles Gounod's "Faust", staged by Tobias Kratzer.

Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.

From heartbreak to ecstasy, the Berliner Philharmoniker’s New Year’s Eve Concert takes you on an emotional roller-coaster ride. With his velvety, lyrical voice, star tenor Benjamin Bernheim revels in the lovesick agonies of famous opera heroes: Don José from Bizet’s Carmen, Lenski from Tchaikovsky’s Eugene Onegin, Massenet’s Werther and Gounod’s Romeo. Chief conductor Kirill Petrenko provides some sunnier touches with works by Chabrier and Gershwin.

The story of Romeo and Juliet, who pay for their passion with their lives, has been interpreted in the widest variety of literary and musical genres ever since the Renaissance. Vincenzo Bellini's much too rarely staged Romeo and Juliet opera, I Capuleti e i Montecchi, is far removed from Shakespeare's version: rather than telling the story of a tenderly burgeoning love, the piece is an account of the last 24 hours in the two young people's lives. The underlying mood of the piece is thus one of melancholy - which then develops into a catastrophic maelstrom. The première of the thrilling Zurich production of this bel canto gem, directed by Christof Loy and conducted by Fabio Luisi, was enthusiastically received by critics and audiences alike. The two protagonists also met with acclaim: experience world star Joyce DiDonato in the trouser role of Romeo, with the young Ukrainia soprano Olga Kulchynska at her side as Giulietta.

Brazilian sopranist Bruno de Sá brings his unique voice to the stage accompanied by the Wroclaw Baroque Orchestra, featuring extracts from lesser-known operas by Luigi Caruso and Felice Alessandri, as well as arias by Mozart.

Every year, Bayreuth Baroque stages a new production directed by Max Emanuel Cencic, the artistic director and creative head of the festival. This year, he is staging the love drama Alessandro nell'Indie by Leonardo Vinci based on a libretto by Pietro Metastasio. Alessandro nell'Indie was published in Rome in 1730, where women were barred from performing for religious reasons. The Bayreuth production takes up this fact with an all-male cast featuring the Brazilian soprano Bruno de Sá and the countertenors Franco Fagioli and Jake Arditti in the leading roles. The orchestra is the Polish {OH!} Orkiestra Historyczna under the direction of Martyna Pastuszka. The Bayreuth Baroque Opera Festival stages music theater in the authentic ambience of the Margravial Opera House in Bayreuth.

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

Nineteen-year-old Laura is stressed by her first year at college when money worries distract her from her studies and so, desperate for cash, she answers an online advertisement for intimate companionship that leads her down a dangerous path.

After the death of her mother, 17-year-old Prudence finds herself living alone in her Paris apartment. Then she meets Maryline, a rebel of her own age, who introduces her to the thrills of motorcycle racing on the biker circuit at Rungis. Prudence’s newfound lease of freedom becomes complicated when she falls for a boy Franck who wastes no time in taking advantage of her naivety...

At the end of summer, Clémence tells her ex-husband that she’s had relationships with women. Her life is turned upside down when he files to strip her of their son’s custody. Then begins a struggle of several years for Clémence to defend her right to be a mother and a woman – free to make her own choices.

In a prehistory for operettas that is seemingly doomed never to evolve, a conflicted father and daughter disrupt the Stone Age routine. After a tragic-comedy round-trip to the future, they accidentally bring back an Ikea “bent key”, which will at last trigger Evolution, for better or for worse… Writing, religion, politics… who will be capable of putting an end to these disasters?

Marking the 40th anniversary of the Brigitte Bardot Foundation—established in 1986—and coming just months after the icon's passing on December 28, 2025, this program explores BB's true legacy. Joined by numerous guests, Stéphane Bern paints a portrait of a woman who transformed her fame into a powerful tool for driving action, legislation, animal rescues, and public mobilization on behalf of the animal cause.

Thirty-year-old Camilla, realizes that she doesn't have the life she deserves and decides that the only destiny worthy of her is that of a royal princess.

Like an indelible memory, this Olympic closing ceremony will be marked by audacity, fraternity and emotion. In the heart of the Stade de France, athletes from all over the world will represent their countries one last time in an incredible moment of celebration and sharing. With their eyes riveted to the flame, the emotion will be immense as we close the great Olympic book of Paris 2024.

Pre-show of the Gala des Pièces jaunes: the concert event, which is a continuation of the charitable operation for the Hospitals Foundation.

The first part in a new series of films produced by Musée d'Orsay, 'Flight of the Red Balloon' tells the story of a French family as seen through the eyes of a Chinese student. The film was shot in August and September 2006 on location in Paris. This is Hou Hsiao-Hsien's first Western film. It is based on the classic French short The Red Balloon directed by Albert Lamorisse.

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

An ultra-orthodox Jewish family from Aix-les-Bains comes to a farm in southern Italy for a brief stay every year to carry out a sacred mission: harvesting citrons. Here Elio, the farm owner, meets Esther, the rabbi’s daughter, who is tired of the constraints imposed by her religion. Through this relationship, Esther will understand the importance of freedom and find her path, and, in the same way, Elio will find the peace he had lost for a long time.

Hélène leads a sad life as editor of cheesy romance novels. But one day, when the old and delightfully eccentric American Mrs. Mills moves into the apartment next door, there is a sudden return to her everyday life. The two unequal women make friends in a hurry and Mrs. Mills is finally even the new face for Hélènes publishing - and that brings great success. But actually the old lady pursues a completely different plan. And is she even a lady?

Middle-aged best friends Eddie and Patsy live in an endless haze of drugged, drunken selfishness. The duo leave no impulse unenacted and no lust unsated — be it for sex or the latest in designer clothing. Waking up from a night of drunken debauchery, the two dip right into a feast of champagne and caviar, much to the irritation of Eddie's elegant mother and her resentful daughter. As Eddie stretches an appalling pair of leopard-print leotards (complete with matching shoes, purse, and hat) over her massive rear end, she and Patsy learn of a handsome young rollerblading delivery boy who quickly becomes the object of their lust.

June 1944. Europe is torn apart by war, and preparations are underway for the Normandy landings. Denis Porte continues his daily work with dedication at a British military base... which is fake. His mission: to move fake soldiers around every day and thus deceive the enemy. In the Porte family, there is a tendency for fathers and sons to die as heroes for France. So there is no question of Porte taking the slightest risk for his mother. Looking after a fake base is the most she will tolerate for her son. But after meeting Sami, an Algerian doctor who dreams of meeting De Gaulle, they decide during a drunken evening to take part. They set off bravely (and with quite a few drinks under their belts). Except that they don't have the right date or the right place. Add to that a hero who doesn't want to expose himself to danger. On D-Day, or almost...

The Arbac de Neuvilles are one of the oldest families in France. They have inhabited their ancient château for fifty-two generations and are proud of their noble ancestry. But today they are stone broke. When a bailiff turns up notifying them that they owe two million euros in back taxes, these proud aristocrats are understandably shaken to the core of their ancestral seat. Just how are they to find this amount of money when none of them has any capacity for work?

A young woman is searching, today, in Paris, the collection of paintings stolen from her Jewish family during WWII.