Layla, Ma Raison

A girl later known as an orphan has to be taken care of because of an accusation of her Former employer. She gets fired and lands on the street. Rain , cold and hunger make her sick. But she has luck ; a young boy named Ahmet finds her and takes good care of her. They have to face many obstacles to be together- gossip, miscarriage and dreams of a better life in Australia.

A group of affluent private school slackers enjoy a prankster lifestyle until a tough new disciplinarian headmaster arrives.

After he kills his beloved wife, Puiu Faranga is helped by his father to fake insanity.

Anthology film portraying the stories from the collection Sleepless Nights by Ali Douagi.

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Nazim, a foreman working on a dam construction, falls in love with Aysel, the most beautiful girl of the local brothel. Too shy to identify himself, Nazim sends her love letters, signing as Orhan, one of his employees - and a man with not many scruples... When Aysel arrives on the construction site, the deception does not last long. It all ends in a happy marriage. Only, it's not the end yet.

When work accidents in a coal mine start to result in death, İlyas warns his colleagues working in the mine. It starts to collect signatures for the necessary measures to be taken, but the necessary solidarity among the workers cannot be established. A tent theater that comes to the region further complicates things.

A determined young woman in a remote Tunisian city bucks tradition by studying for an academic degree, instead of accepting the time-honored, submissive role of her sex as a wife and housekeeper for some 'mustached man'.

Over three periods of her life, a grandmother keeps repeating to her grandson the same apparently trivial story.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

After the death of her husband in very strange circumstances, a young widow decides to refuse to re-many, and thereby breaks with the traditional submissive role of women. She tries to choose how to love, and how to live. A feminine journey through the depths of Islamic culture. A tale that involves reality, poetry and magic..

The story of a family in the instability and violence that shook Algeria during the riots of October 1988 in the midst of the rise of fundamentalism and intolerance, disappointments and prohibitions, corruption, nepotism and abuse of power. On October 5, 1988, young Algerians occupied the streets... Afterwards, Algeria would plunge into the chaos of the Black Decade which would last more than ten years and leave more than 150,000 dead.

Torn between the life he thought he could leave behind in Tunisia and the life he’s created for himself in Marseille, a man finds himself at a crucial crossroads, in Nejib Belkadhi’s latest.

Sabriyya finds herself trapped in the whirlwind of caring for her domineering mother, Turkiya, turning her daily life into a chain of comedic situations. As unusual characters and new guests enter their home, relationships become entangled and the humorous moments escalate.

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

The isolated lives of people on a farm at the top of the mountains are changed by a ten-year-old child named Mirka.

Le Gone du Chaâba (The Kid of the Chaaba), translated into English as Shantytown Kid by Naima Wolf, is an autobiographical novel by Azouz Begag about his life as a young Algerian boy growing up in a shantytown next to Lyon, France, called the Chaâba by its inhabitants. The story covers a period of approximately three years in the life of the protagonist and deals with issues developing from the clash between two cultures, that of France and that of North Africa, as well as the difficulties of finding a cultural identity between the two. The story focuses on the cultural differences between the Arab and French communities, as well as how the two groups react to each other

In late 2013, Zina and Djo, both in their twenties, come back to Tunisia from the Syrian front where they were sequestrated and raped. Zina was separated from her two-month-old child and Djo finds out she's pregnant and plunges into mutism and expresses her Syrian horror only in the novel she is writing. Tunisian lawyer, Nadia and Dora, a humanitarian doctor, assist them in their hard and lengthy reconstruction; impeded by the violence of their close circles, the harsh view on the social networks and their angst. Nadia, also Driss' lawyer, a 21-year-old persecuted homosexual who's been banned from all school establishments, asks him to help Zina in the hopes that their stirring meeting will allow them to open their black boxes, to assume themselves and stand up to the unjust society.

A factory owners son falls in love with a worker who works at the factory.

Ferit is a basketball player from Istanbul. One day, at a camp he attends, he meets Emine, a village teacher. They fall in love at first sight and get married, but the spell is broken when Ferit's friends from the city arrive.

Laborers of the film industry have decided to march against the new censorship act in 1977. 60 years of silence in cinema was going to be interrupted for good. From actor/actresses to set workers, 400 women and men have started a 5-day-long walk to Ankara. A walk that was conceived with supportive but surprised looks of the public. The documentary tries to picture this forgotten but historical event in the light of the 100th year of cinema.

Historical biopic that traces the life and struggle of Zighoud Youcef (1921-1956), a prominent martyr (“chahid”) of the Algerian War of Independence.

A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.

A masterpiece of Tunisian theatre and arguably its most iconic production to date, Marshal Ammar has been performed over 300 times across Tunisia and remains deeply ingrained in popular culture, especially through its television broadcasts. The play tells the story of a wealthy yet uncultured man, Marshal Ammar, who desperately tries to bridge the gap between his social standing and the aristocracy. His misguided attempts to appear refined lead to a series of foolish decisions, resulting in comical and often farcical situations.

A controversial issue that reflects a part of Tunisia's cultural heritage in the countryside, it takes the viewer on a journey of tension and conflict between myth and reality, through a story revolving around the dark transformations that can occur when white magic, known as "fortification" for little girls or "Tasfih," turns into demonic possession, entering terrifying dimensions that touch on both religion and science.

Ali is a young Egyptian screenwriter determined to succeed in London, where he has been a student. He loves the artistic and political freedom, the colours, the music, the individualism. But he has little money, his student visa is about to expire and he has been thrown out of his lodgings. And so Ali moves in with a succession of eccentric and colourful London flatmates: Mark, a photographer with a very individual style, Linda, a young, blonde, very sexy model and Marilyn Monroe impersonator, and Miss Stevenson who is convinced that Ali is the reincarnation of her long dead Egyptian lover.

On a forgotten road far from the city, Sammy and Lilia find themselves facing a group of gravediggers

In an asylum designed for political opponents to the ruling system, residents are subjected to oppressive practices. The repression is practiced by all the staff, and led by Hazem the director. The resistance is manifested through Nidhal, an activist who has spent his life in jail.

At long last, the two Hamlet sisters are allowed to go to Paris by themselves, and the discotheque they have heard about beckons. When the driver for their ride home becomes too drunk to drive, they cannot reach their mother by phone, and it is too late to take the last train back to where they live, they are stranded in town. The girls, who are themselves partly of Algerian descent, are accosted by a disreputable looking older Algerian immigrant, who tries to give them cash so that they can take a taxi back to their homes. They are afraid of him and try to get away from him. He apparently accepts this, but trails them without calling attention to himself. It is good that he does, for they soon run into real trouble, and then they find out that despite his frightening appearance, he means them well.

The imam of the village mosque “Chak Wak” is dead. Officials have decided to open a competition to recruit a new Imam with benefits and an attractive salary.

Salim, a reporter, is having trouble with his wife Nadia. They have lost their passion for each other, and Nadia falls in love with Miloud, Salim's driver. Miloud then murders his boss.

In 2011 Tunisia, as the Arab Spring awakens, unemployed graduate Aziz, nicknamed Zizou (Zied Ayadi), travels from his Saharan village to the big city of Tunis in search of a job. From television aerial installation to political intrigue, this fresh-faced young Candide will learn the ways of the world, fall in love with the ravishing Aicha (Sara Hanachi), and become famous.--Eddie Cockrell, FilmFest DC

A fake producer, an armed group, masked bearded under the guise of religion and a corrupt cop in a place that is not precisely specified but whose words originate in one of the countries of the Arab Spring after a revolution benefiting from a situation where everything is allowed and with impunity. Sultan, a shabby little crook has finally found a way to amass a good little bundle of money. His combination is the Star Academy, or rather, his Star Academy has him - He organizes a large cast in order to strip all the budding young stars and, of course, many people are scrambling to participate in this casting Very peculiar. But, Sultan is out of luck. A mysterious group takes the money collected in this evening. The men in the group are not lucky either; they lose money on the way. Chief Hedy, a corrupt policeman, will be on his way to find the money no matter what means to achieve it.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.