The historical musical made in the Inca citadel in 1981 with texts by Pablo Neruda and music of The Jaivas. Special Guest: Mario Vargas Llosa in the presentation.
Los Jaivas played for the first time on Rapa Nui on May 5, 2006, fulfilling a long-held dream. José Luis Valenzuela, using this concert as the central focus of his narrative, juxtaposes it with domestic scenes, work scenes, timeless images, and breathtaking landscapes that evoke the first morning of the world, allowing us to share the band's experience of trying to understand this ancient culture.
Los Jaivas are the most important rock band in the history of Chile. 55 years of music and friendship. Memories emerge note by note, song after song, tour after tour. An intimate portrait of their musical life where for the first time they share their archives that have been accumulated for years on the shelves of a small apartment in Santiago.
Los Jaivas take a symbolic train to celebrate their 60 years of musical life. A choral story where the protagonists narrate the intimacy in this journey of commemorations and obligatory stops throughout Chile connecting it with their music. The band together with other authorized voices reflect on the free and democratic circulation of Chilean cultural heritage, closing the year's tour with the realization of the mural in Cal y Canto station of the Stgo subway by René Olivares and the great final show at the Quinta Vergara in Viña Del Mar.
A historic concert by the progressive rock band Los Jaivas in Vancouver, Canada. Funded and televised by Shaw Cable 10.
Los Jaivas concert at the Teatro Monumental, held on May 5, 2000. The closing of a great tour that the group carried out throughout Chile.
Documentary filmed in Neruda's homes with interviews with Los Jaivas, in which they recount how their work "Las Alturas de Macchu Picchu" was conceived and created and how they came to perform it in Macchu Picchu.
A valuable archival document showing how the musical "Las Alturas de Macchu Picchu" was made in 1981.
Five young men from Viña del Mar brought to life in the 1960s the most internationally renowned Chilean folk band. This documentary is a journey into the past, featuring testimonies from the members of Los Jaivas themselves about their early years, recalling their beginnings in the fusion of progressive rock and Latin American folk music.
Nineteen years after recording "Las Alturas de Macchu Picchu", Los Jaivas returned to Cusco in March 2000 for an exclusive concert at the imposing ruins of Sacsayhuamán. Thirty thousand people gathered (braving the rain at times) to witness this magnificent spectacle, which also featured a thrilling and massive choreography. The reunion with their friends from the band "El Polen" fostered a sense of camaraderie that Los Jaivas have always cultivated in their songs. The work of filmmaker José Luis Valenzuela is particularly interesting, blending footage of the concert with images of the set, rehearsals, travel and stay in Cusco.
On Saturday, April 27, 1985, Los Jaivas made their first presentation in the United States, at Carnegie Hall in New York, in the concert of Erwin Frankel's "New Audiences" cycle.
On August 15, 2023, at the iconic Movistar Arena in Santiago, Chile, an unprecedented musical milestone was commemorated. Los Jaivas, Chile's longest-running fusion rock band, celebrated six decades of musical history in an event filled with emotion and unforgettable memories.
A valuable archival document showing how the musical "Las Alturas de Macchu Picchu" was made in 1981.
Shares 5 cast members · Same director
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
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Los Jaivas concert at the Teatro Monumental, held on May 5, 2000. The closing of a great tour that the group carried out throughout Chile.
Shares 3 cast members · Same director
Los Jaivas take a symbolic train to celebrate their 60 years of musical life. A choral story where the protagonists narrate the intimacy in this journey of commemorations and obligatory stops throughout Chile connecting it with their music. The band together with other authorized voices reflect on the free and democratic circulation of Chilean cultural heritage, closing the year's tour with the realization of the mural in Cal y Canto station of the Stgo subway by René Olivares and the great final show at the Quinta Vergara in Viña Del Mar.
Shares 3 cast members · TMDB similar
Documentary filmed in Neruda's homes with interviews with Los Jaivas, in which they recount how their work "Las Alturas de Macchu Picchu" was conceived and created and how they came to perform it in Macchu Picchu.
Shares 4 cast members · TMDB similar
The well-known explorer and hunter Captain Spaulding has just returned from Africa, and is being welcomed home with a lavish party at the estate of influential society matron Mrs. Rittenhouse when a valuable painting goes missing. The intrepid Captain Spaulding attempts to solve the crime with the help of his silly secretary Horatio Jamison, while sparring with the anarchic Signor Emanuel Ravelli and his nutty sidekick The Professor.
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Three eclectic, never-quite-famous folk bands come together for the first time in decades following the death of their manager to put on an reunion concert in his honor, at the request of his son.
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Mike Windgren works on a boat in Acapulco, but when the bratty daughter of its owner gets him fired, Mike finds new work as a lifeguard and singer at a local hotel. Tensions increase when Mike runs afoul of the rival lifeguard—also the champion diver of Mexico.
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The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.
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Returning to Earth as an imitator, the legendary Mexican artist Pedro Infante must prove that he is no longer a womanizer to enter paradise.
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The Spanish public knew the award-winning journalist as the anchor of their main newscast. Her meteoric rise in the media ended with her wedding, after which a completely different life began for Letizia—first as crown princess, then as queen. Yet some of her compatriots still see her as the ambitious journalist she once was. From the very beginning, Letizia has sought not only to take on patronages but also to delve deeply into issues close to her heart: health, nutrition, education, and women’s rights. In doing so, she openly takes a clear stance. This is a new development for a Spanish queen, and it doesn’t always go over well.
Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.
The Peruvian army captain Pantaleon Pantoja, a very serious and efficient officer, is chosen by his superiors to set up a special service of 'visitors' to satisfy the sexual needs of the soldiers posted on remote jungle outposts.
Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin’s aunt Julia, not related by blood, returns home after many years away and Martin falls for her. Once Pedro finds out about this romance, he starts incorporating details of it into the script of his daily drama series. Soon, Martin and Julia are not only hearing about their fictional selves over the radio, but about what they are going to do next.
Pantaleón and the visitors is a peruvian film made in 1975 and based on the book of the same name by Mario Vargas Llosa. Directed by the novelist himself along with José María Gutiérrez Santos, it was released in Puerto Rico. Among its protagonists, José Sacristán, the Mexican Katy Jurado and Rosa Carmina and the Peruvian Camucha Negrete.
Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.
On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.
Four angry cadets have formed an inner circle in an attempt to beat the system and ward off the boredom and stifling confinement of the military academy, set off a chain of events that starts with a theft and leads to murder.
