Lady Meng Jiang

Night Inn (Chinese: 夜店; pinyin: Yè Diǎn) is a Chinese black-and-white film released in 1947, directed by Huang Zuolin and starring the popular Shanghai singer Zhou Xuan. The film is based on the Chinese theatrical adaptation of Maxim Gorky's The Lower Depths by playwright Ke Ling. The play and the film were both banned in China during the Cultural Revolution but were popular in the post-Mao period.

Jiang Danping arrives in a city at night, where often a mysterious man causes panic.

Diaochan (aka Diau Charn and Sable Cicada), one of the Four Beauties of China, is supposed to be so stunningly lovely that the moon was shamed to hide behind clouds. Despite being the only Beauty among the four who is not a real historical figure but one conjured by storytelling imagination and embellished by public fascination, her story was nonetheless incorporated by author Luo Guangzhong into his popular and influential novel Romance of the Three Kingdoms. Her tale is one of Machiavellian intrigue, in which she schemes with her godfather Wang Yun to restore moral order to the land, sowing discord between the corrupt Minister Dong Zhuo and his adopted son Lu Bu, a man of martial and military prowess.

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

The story is about a fisherman's family living near to Shanghai. In the beginning, twin babies are born, a boy and a girl. Their growing-up is briefly sketched, and their friendship with "young master", a boy from rich family about their age.

This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.

The story was liberally adapted from a short sequence in the popular Chinese folk tale Journey to the West. Princess Iron Fan is a main character. Specifically, the film focused on the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village.

This is a historical drama that was produced by the Shaw Brothers Studio.

Blood on Wolf Mountain tells the story of a village that is beset by a pack of wolves. Made just prior to the commencement of full-scale war with the Japanese, the film itself is often considered an allegory of conflict between China and Japan.

Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

A warlord's nephew lusts for farmer Song Ke's sister. When Song refuses, the whole family is thrown into jail and the sister commits suicide. The father dies of grief and Song lives with his cousin abroad. The warlord's nephew loses power and also escapes to the same country.

Six young men from the city take jobs building roads for the Chinese Army

Lady Windermere's Fan, Oscar Wilde's play on moral values, is adapted for a setting in Shanghai. Young wife Meilin mistakenly believes her husband is having an affair with a social butterfly and decides to leave for a suitor. Her reputation, about to be ruined because of a misplaced fan, is saved by the social butterfly who turns out to be …Unlike typical Chinese scripts on parental love, the understated familial love in the original play is aligned with Li's preference for the undramatic. Motherly love is portrayed indirectly while emotions run strong yet subdued in the film. Poking fun at social culture of the times, this is Li's earliest extant feature film in a modern setting and a showcase of his modernistic and crisp directorial approach.

Meal Time is a comedy film about all the mess with housework that director Yan and his wife had to go through after the maid gave up her job.

Spies, Military Documents and Traitors.

In old Shanghai, two sisters, a prostitute and a singer, try to escape from the local scoundrels with the help of a trumpet player and a newspaper seller.

Two famous comedians from pre-Revolution days perform a series of sketches in a theatre for a group of Party cadres. The stage performances blend over into absurdist, self-contained fantasy episodes where the two comics allegorically parody Party propaganda and ideological orthodoxy.

Young sprinter Lin Ying enrolls in a sports college in Shanghai. As she becomes a sports celebrity, she starts to mangle with the upper class and has gradually forgotten the true essence of sports.

Historical film based on the life of Wu Zetian, the only female emperor in Chinese history

Lu Ban's second short titled The Man Who Doesn’t Bother about Trifles (不拘小节的人 bùjū xiǎojié de rén). He carefully toned down the political satire here, switching his target to intellectuals instead of bureaucrats. The main character, Li Shaobai, is a rude literary critic who goes to a conference to lecture about satirical literature. Li is absolutely full of himself, and constantly misunderstands other people. Like Before the New Director Arrives, The Man Who Doesn’t Bother about Trifles was greeted with plenty of positive responses. Still, while Lu tried to be more careful with this second short, this didn’t stop some critics from taking issue with its ridiculous main character and humor.

Based on the famous 18th century Chinese novel with the same name. Set during the 1700s in China, a prominent family loses its good luck when one of the sons loses the jade chip that was embedded in his mouth.

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.

Three women, three generations. This is a Chinese family without love in 1940s.

The young poet Xin Baihe flees Shanghai with his friend, Liang. Liang soon joins the resistance against the Japanese invaders, but Xin chooses to pursue a relationship with a glamorous and westernized widow in Qingdao. After hearing that Liang has been killed, Xin has a change of heart and rushes to join the war effort.

"Among the many filmmakers who immigrated to Hong Kong after WWII was theater tycoon Jiang Boying, who established the company Great China in 1946, inviting fellow migrants to work on the first post-war Mandarin films of Hong Kong. Their hearts still anchored in Shanghai, they made films catered to the mainland market, with production modes of the former glory days. Fan Peilin, a virtuoso in musicals, was invited south to make Orioles Banished from the Flowers, dying in the crash of the returning flight. The only two films Fan made in Hong Kong–the other one Song of the Songstress–are thus his last. Both star the singing-acting superstar Zhou Xuan. In this MusCom–musical comedy–Zhou plays not the hapless songstress but a vivacious, willful youngster, rollicking between a young man and his girlfriend, resulting in a series of embarrassing but amusing situations. A remarkable sample of transplanted Shanghai-style entertainment."-- Hong Kong Film Archive

Three women fled to Shanghai due to the war and rented a room in the back of a building. They met four homeless men, who, coincidentally, lived next door, and the seven became friends. When the landlord cut off the electricity to a tenant who couldn't pay their rent, the seven intervened and learned that the man of the house was serving in the army, leaving only the invulnerables in the family. To help them, the seven performed an open-air play in the city center square to raise funds.

A female ghost appeared in a barren mound near Yangjiazhuang, wailing every night and terrifying the villagers. The feathered priest of the God of Wealth Temple tells the villagers to offer food and paper money to the female ghost, and the female ghost is indeed much quieter, but she only takes food and not paper money. When a young man, Wang Yuan Sheng, comes back from a trip, he does not see his child bride, Xiu Fang. His mother tells him that Xiu Fang has been having an affair with someone since he left and is pregnant, so she has already run away from home. Knowing that Xiu Fang is pregnant with her own child, Yuan Sheng does not believe his mother's story. Mother Wang is frightened by the ghost's screams and falls ill. Yuan Sheng becomes suspicious of the ghost's true identity because the ghost only takes food.