La moños

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

A young woman from a traditional family learns she's intersex, sparking a journey of self-discovery, gender identity and love found in unexpected places.

After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.

In an anguished triangle of silences and unspoken words, a man secretly loves a woman who loves another man.

After being released from a mental hospital, a troubled young man tracks down an actress he once had sex with and forces her into captivity, determined to make her part of his life.

Ana is Catalan, daughter of a bourgeois family and works in a studio in advertising. She is 38 years old and has only lived with her husband, with whom she has a relationship cold but accepted by both. Although his family is opposed, decides to leave her husband and takes a vacation with her daughter Barbara, of 12 years, in order to leave behind all the past and start a freer life, with fewer ties, less conventional.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.

The Way They Were is a Spanish Drama starring Antonio Banderas

Two twin sisters fall in love for the same man.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

After murdering the teacher she was in love, Silvia will start getting a taste of the thing and does so from a seller of nazis articles. Her classmates, tired to cover it up, decided that they want to get rid of teachers and neighbors too. So they organized murders and burials committees ... While, an incompetent police will try to solve the case of the mysterious disappearances.

Eva has a date that does not arrive, and some other issues.

A novelist ends up stuck in the hotel that he works at during the pandemic.

Two soldiers accompanied by two women enter the Baztán valley on horseback. They are deserters from the army of the Indies who are fleeing to Italy. They arrive to claim the inheritance of one of them, León de Balanza, Captain in Peru and soldier without fortune. They are looking for old Balanzategui who works the land of his ancestors. The old man's refusal to distribute the farmland's land causes a serious conflict.

Carlos is 50 years old. It has a cake with candles and seven friends to celebrate him. The police have one dead and seven suspected murder. All they have reasons to kill Carlos, and they all are... friends of the deceased.

Sonia wanders around the gloomy mansion where she lives, obsessed with unraveling a dark hidden secret. Her past, her fears, her desire and her terrible nightmares have created a deadly web in which she is trapped, taking her away the little sanity she had left. Sometimes killing time is not such a harmless thing.