La maldición del sauce

A reflection on the passage of time and the use of an emblematic space of Buenos Aires as the Abasto. In more than 100 years, many stories have gone through the central construction of this traditional neighborhood, which functioned as a fruit and vegetable supplier market to later become Abasto Shopping, a daily and constant movement shopping center, which has been consolidated as one of the most successful in the Argentine capital.

Everybody has a mother. But still, motherhood remains a state filled with silences. Between society’s mandate to be a ‘good mother’ —always patient, caring and happy— and the private reality of mothers around the world, a huge void in understanding remains. Aiming to break this silence through candid interviews with mothers of all backgrounds and generations in Latin America, Malamadre narrates the untold story of motherhood, from the mothers’ point of view.

The history of how the International Monetary Fund has been operating in Argentina for years.

A group of artists carry out a creative residency at a recording studio located in the middle of the mountains of Córdoba. As a result of the collaborative and exploratory work, they achieve some musical material that expands the borders of musical genres.

As in a western, the strength of the film lies in the splendid silence of the Mapuche landscapes of southern Argentina. During his transhumance, the tenderness of Don Ernaldo, his children and his siblings, is scratched by the hostile barbed wire, laid for profitable economic purposes, which the natives always despise and assimilate to the poor. They organize their survival between modernity and necessary resistance.

Helena and Kira argue on the side of the road. There is no destination in mind, there is no plan to follow. The journey unfolds kilometer by kilometer, a journey that soon becomes a ritual.

Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?

Fonso, Las Paritarias, two clowns, a stray dog, gay cops, a biker and his girlfriend, and a cursed poet inhabit the irreverent and metafictional world of Fonso y Las Paritarias.

El Mono, Maikel, Balde, Mafia, Mariano and Memo are six bricklayers who decide to appear in a beat band contest to fulfill their dream: dedicate themselves to music and barbecue. On the way to the contest, in which they are divided to fulfill different objectives (gather instruments, beat clothes, groupies, etc.), they will be caught in the most hilarious adventures in which they will be helped by strange characters.

Violencia Rivas, one of the characters created by Diego Capusotto and Pedro Saborido for their television program Peter Capusotto and their videos, reflects on the world of entertainment, while other characters of the same origin appear as examples of the different edges of the subject. Together they draw a satire on entertainment as a concept and industry, starting with "three-dimensional cinema", and analyzing with "practical" examples how the media, advertising, the Internet, and social networks are shaping a being alienated and docile, to thus form an anesthetized and consumerist society.

General San Martin has stopped in the Cordillera and the crossing of the Andes does not advance. Rivadavia is that triune. A simple chasqui (courier), advised by an aboriginal witch, will try to solve the situation.